TOMMY WRIGHT PUTS NICK THROUGH HIS PACES
Tuesday 26 February - Saturday 2 March 2019
Darlington Football Club manager Tommy Wright drops in to Darlington Hippodrome to offer some advice.
Darlington Football Club manager Tommy Wright dropped in to Darlington Hippodrome to offer Nick Hancock some tips on keeping fit and healthy during his UK tour of the brand new British comedy Octopus Soup. They also took time to discuss their favourite subject – football.
Tommy took time out from his hectic schedule to give Nick advice on how to pace himself through each performance to ensure he can give the best performance each and every night.
Nick is starring in a brand new British comedy Octopus Soup which has just started a UK tour which will see Nick travelling to Portsmouth, Eastbourne, Windsor, Cardiff, Swansea and Guildford before the end of May.
Nick said “Performing on stage for two hours every night really does take it out of you, mentally and physically. The rush of adrenaline you get just before stepping on to the stage in front of an audience is amazing but it can also be very draining. Tommy has given me plenty of ideas to help me keep fit and healthy during the tour and it was great to catch up on how DarlingtonFC are doing this season.”
Octopus Soup runs at Darlington Hippodrome from Tuesday 26 February to Saturday 2 March. For more information or to book call 01325 405405 or visit www.darlingtonhippodrome.co.uk.
TOM & CATHERINE MUSICAL A FAMILY AFFAIR FOR CAST
Tom & Catherine
South Shields Customs House
Tuesday 5th - Saturday 9th March 2019
Tom & Catherine makes a triumphant return to The Customs House, from Tuesday 5th to Saturday 9th March, as part of its 25th anniversary celebrations. The original play sold out months in advance of its first run in September 1999 and is widely credited with securing the future of the venue at the time.
The South Shields Gilbert and Sullivan Society are making a family affair of their joint production with The Customs House, Tom & Catherine. Kathryn Atack will play Old Catherine and is also musical director, while her youngest child, Bonnie-Belle Atack, shares the role of Child Tom with Joe Cook, who is making his South Shields Gilbert and Sullivan Society debut. Meanwhile, sisters Millie and Charlotte Adams share the role of Child Catherine.
Old Tom will be played by Tony Chapman, while Adult Catherine and Adult Tom are played by Natalie Elleithy, who also directs, and Garry Dring. Ellie Falconer plays Young Catherine, while Nan will be played by Dianne Jackson and Kate by Tracy Office. Natalie, who has been a member of the group for 10 years and resident director for the last three, said: “I have loved bringing Tom & Catherine to life and I am extremely excited about directing and playing such an iconic and challenging role.”
Bonnie-Belle Atack as Child Tom
Garry, who joined his first theatre group at the age of 13, returns to The Customs House stage for a fourth time in Tom & Catherine. He said: “It is a great honour to be part of the 25th anniversary celebrations playing Tom in this revival.”
Charlotte Adams as Child Catherine
Written by Tom Kelly, Ray Spencer and John Miles, the musical tells the incredible love story of Tom and Catherine Cookson, the celebrated author who penned more than 100 books based on her deprived childhood in South Tyneside.
Ellie Falconer as Young Catherine
Ray Spencer, Executive Director of The Customs House, said: “It is lovely to welcome the South Shields Gilbert and Sullivan Society back to The Customs House for a special production of Tom & Catherine. This musical, first performed in 1999, kick-started a new beginning for The Customs House and it is really fitting that this production celebrates one of the north east’s greatest benefactors and one of South Tyneside’s best-known figures. I do hope our community join us to celebrate Tom and Catherine’s life and support performers from our brilliant community.”
Dianne Jackson as Nan and Tracy Office as Kate
Ray directed the original production and Neil Armstrong followed in his footsteps when Tom & Catherine returned to the theatre. Versions of the play have also been performed to mark what would have been Dame Catherine’s 100th birthday in 2006 and the 15th anniversary of The Customs House in 2009.
Garry Dring and Natalie Elleithy
as adult Tom and Catherine
Adrian Jackson, chairman of the South Shields Gilbert and Sullivan Society, said they are delighted to be bringing it back to the stage for audiences old and new. He said: “We are excited to be performing this iconic and locally written musical which holds such strong associations with our home town. Many of our members will remember the first, very successful production performed 20 years ago whilst some of our younger members are learning about the life of Catherine Cookson and her legacy to South Tyneside for the first time. We hope that you will come and join us in celebrating the life of Catherine Cookson and enjoy this powerful, uplifting and moving account of her life story as we bring Tom and Catherine home to where the story all began.”
Joe Cook as Child Tom
Catherine was born in Tyne Dock and grew up in East Jarrow, believing her unmarried mother to be her sister as she was raised by her grandparents. She left school at 14 and after a period of domestic service, took a laundry job at Harton Workhouse, before moving south in 1929 to run the laundry at Hastings Workhouse. There she met Tom, a teacher at Hastings Grammar School, and they married in June 1940, when Catherine was 34. She experienced four miscarriages late in pregnancy due to a rare blood disorder and suffered a mental breakdown as a result. She turned to writing to help overcome her depression.
Kathryn Atack and Tony Chapman as old Tom and Catherine
Millie Adams as Child Catherine
She returned to the north east in 1976, to confront her past and use her wealth to help others who were not as fortunate. Her foundation continues to make donations to worthy causes. She received an OBE in 1985 and was made a Dame in 1993. Her books have sold more than 123 million copies in at least 20 languages and have been adapted for television, radio and the stage. She was the most borrowed author in UK libraries for 17 years, up until four years after her death, aged 91, in 1998. Tom died 17 days after his wife.
Tickets for Tom & Catherine are priced from £8 and available from the box office on (0191) 454 1234 or online at .
UNCHAINED AND REIMAGINED, INTERNATIONAL SMASH HIT GHOST THE MUSICAL RETURNS TO SUNDERLAND EMPIRE!
Ghost – The Musical
Tuesday 12th – Saturday 16th March 2019
Tickets: http://bit.ly/GhostSund #Ad
Tickets: http://bit.ly/GhostSund #Ad
Bill Kenwright’s ‘Beautiful’ and ‘Spectacular’ production of Ghost – The Musical returns to the UK in 2019, following a spectacular international tour in Dubai, Istanbul and Trieste. The 2019 UK tour is at the Sunderland Empire from 12-16 March 2019.
The double Academy Award-winning movie Ghost is a huge success story, both critically and at the box office, where it was the highest grossing film in the year of its release. It starred the late Patrick Swayze alongside Demi Moore, Tony Goldwyn and Whoopi Goldberg and was directed by Jerry Zucker. Bruce Joel Rubin's script won the Oscar® for Best Original Screenplay and Whoopi Goldberg won the Oscar® for Best Actress in a Supporting Role. The film's most iconic and moving scene was famously performed to The Righteous Brother's Unchained Melody, which also features in the musical version.
Walking back to their apartment late one night a tragic encounter sees Sam murdered and his beloved girlfriend Molly alone, in despair and utterly lost. But with the help of Oda Mae Brown, a phony storefront psychic, Sam, trapped between this world and the next tries to communicate with Molly in the hope of saving her from grave danger…
Bill Kenwright said; “Ghost is a story full of hope and is one of those films which never leaves you. The book by Bruce Joel Rubin and score by Dave Stewart and Glenn Ballad come together wonderfully.”
Bruce Joel Rubin said; “This is a show with such a strong emotional and musical life that it can mould to many visions and interpretations. It can be performed on any scale, and its vibrant heart will still captivate an audience and allows the imagination to flourish. It is purely theatrical in the greatest sense”.
The stars of the hit musical based on the Oscar-winning film tell us about bringing the iconic story to the stage ahead of the one week run at Sunderland Empire in March 2019. Here is what Niall Sheehy (Sam), Rebekah Lowings (Molly) and Jacqui DuBois (Oda Mae Brown) think ahead of their appearance on Wearside.
What is Ghost The Musical about?
NIALL: It’s the story of a young couple who suffer a loss. My character, Sam, is killed but can’t seem to move into the next world. His girlfriend, Molly, is in danger. He’s trying to help her while she’s trying to find a way to move on. In the middle of that, he realises that Oda Mae, a fraudulent psychic, can actually hear him, so he enrols her to try and help communicate.
What attracted you to the show?
REBEKAH: When I first saw the show it took my breath away. The storyline is iconic. The songs are just stunning, the orchestration is beautiful.
NIALL: It’s so full of heart and it deals with loss, which is a really important issue. Whether you’ve lost a loved one, a job or anything important, it resonates with us as actors and as audience members.
JACQUI: It puts you in touch with your heart.
NIALL: It takes you on an emotional journey. It’s heartbreakingly sad at points, but it’s also rip-roaringly funny. It’s a show for anybody who believes in the power of love.
What are your characters like?
NIALL: Sam is complex. He’s fun-loving and relaxed, but he has intimacy issues. He has an issue expressing love, but he’s determined and even when he hits rock bottom, he doesn’t give up. He’s a fighter. That’s something I would like to think I share with him.
REBEKAH: Molly has a constant flow of hope and determination. She wants to believe. She’s boisterous. She’s a tomboy, like me.
JACQUI: I love Oda Mae. She’s direct and I have that part of my personality. She is a real hustler and a survivor.
It’s nearly 30 years since Ghost was released as a film. Why do you think the story has stood the test of time?
REBEKAH: It’s because the characters are so relatable to everyone. This show is so real.
NIALL: As much as it’s this wonderful, crazy story, these characters are absolutely rooted in the truth. Everyone can relate to feelings of loss and of thinking ‘If only I had five more minutes with them’.
JACQUI: It’s a universal thing. It doesn’t matter what country you come from, what colour you are, what sexuality you are, we all feel this exactly the same way. No-one owns it more than anyone else. If you love, you love. I lost my mother the last time I did this show. That was very hard. But at the end of the show every night I connect with my parents. I think the audience has that too. At that moment, I’m probably an audience member feeling the same things as them.
The potter’s wheel scene is an iconic moment of movie history. What’s it like to perform on stage?
REBEKAH: I was originally petrified because, apart from being a performer, my artistic qualities are very slim. I love that scene because we have so much fun. I wish I could get Niall more messy, but he has a quick change right after and I’m not allowed.
NIALL: People want to see those “Ditto” moments because that’s what they remember from the film, and it’s a lovely scene to be part of because you know it’s one of those amazing moments. But we’re not here to mimic Patrick Swayze, Whoopi Goldberg or Demi Moore. We’re not trying to reinvent the wheel either. Hopefully when people see this show, they’ll see the film they remember but they’ll also see something very different.
What does the music, written by Dave Stewart and Glen Ballard, bring to the story?
REBEKAH: The songs are so well written, they don’t feel like songs, they feel like an extension of the script. I know that sounds silly, but you could easily speak the songs.
NIALL: It’s an eclectic songbook and a cleverly constructed score. The music we’re singing perfectly suits who we are as characters. The writers have done a lot of work on the music, with some of the songs being drastically rewritten for this production. It’s great to see a musical that hasn’t just been finished and left. They’ve reworked it, so thankfully I think we have an even better piece now.
What’s the best thing about touring?
REBEKAH: I love touring. You get to see different cities, different places. And I love weekly touring because you can’t ever get bored. You’re always on a new stage in a new city and everything feels slightly different and more exciting.
NIALL: It’s fantastic to take a new show into a town. Audiences, I find, are so excited and up for it. And you get to experience some lovely things in cities you may never have got to do otherwise. We always have an unofficial social secretary within the cast who says we’re going to do X, Y and Z. There’ll be plenty of fun to be had over the course of the tour.
What’s makes live theatre special?
JACQUI: It’s historic. It’s how we shared together when we lived in little villages and tribes. Everyone gathered for storytelling.
NIALL: To see live theatre is a real joy. To see actors on stage showing rage or love or sadness, to be in the presence of raw emotion, which hopefully you’ll see in our production, it’s powerful. Every time I see a show it moves me more than when I’m watching a film in my living room where I can pick up my phone if I want to quickly send a text message. In a theatre you leave the world outside and get engrossed in the story.
With Music and Lyrics by Sunderland’s very own Dave Stewart and Glen Ballard. Rebekah Lowings (Joseph and the Amazing Technicolour Dreamcoat, Jesus Christ Superstar) will join Bill Kenwright’s production of this timeless story of love, despair and hope in the part of Molly alongside Niall Sheehy (Titanic The Musical, Miss Saigon, Les Miserables, Wicked) as Sam.
West End musical theatre star Jacqui Dubois (original London cast of Rent and Children of Eden, other credits include The Lion King, Fela and most recently People, Places and Things) returns to play ‘Oda Mae Brown’, the part made famous in the film by Whoopi Goldberg.
Sergio Pasquariello (Original London cast of Heathers the Musical, other credits include West Side Story, Les Miserables) plays ‘Carl’ alongside Jules Brown as ‘Willie’, James Earl Adair with his haunting performance as the ‘Hospital Ghost’ and Lovonne Richards as the ‘Subway Ghost’. Jochebel Ohene Maccarthy plays ‘Louise’ and Sadie-Jean Shirley is ‘Clara’. Completing the cast is Chanelle Anthony, Josh Andrews, Samantha Noel, Charlotte-Kate Warren, Kage Douglas and Michael Ward.
BILL KENWRIGHT presents GHOST – THE MUSICAL
Book and Lyrics by BRUCE JOEL RUBIN
Music and Lyrics by DAVE STEWART AND GLEN BALLARD
Based on the Paramount Pictures film written by BRUCE JOEL RUBIN
Directed by Bob Tomson
Choreographed by Alistair David
Designed by Mark Bailey
Lighting Designed by Nick Richings
Sound Designed by Dan Samson
Photos: Pamela Raith Photography
Tickets available from the Box Office on High Street West or online from our affiliate ATG Tickets: http://bit.ly/GhostSund. #Ad
CLASSIC WILDE AT THE DARLINGTON HIPPODROME
The Picture of Dorian Gray
Tuesday 26th – Saturday 30th March 2019
Tilted Wig Productions present an exciting and bold new production of Oscar Wilde’s The Picture of Dorian Gray. Co-produced with Malvern Theatres and Churchill Theatre, Bromley, it will be showing in Darlington between 26 and 30 March as part of its national spring tour.
|Jonathan Wrather and cast in rehearsal|
Jonathan Wrather, known for his roles on both stage and screen, will be joining the cast, taking the part of Lord Henry Wotton. Jonathan is best known to audiences recently for playing the controversial Pierce Harris in ITV’s Emmerdale for two years. Other notable TV credits include Joe Carter in Coronation Street, Silent Witness and Casualty. He also has extensive stage and film credits. The cast also includes Daniel Goode (Basil Hallward) and Kate Dobson (Sybil Vane) with further casting to be announced.
|Jonathan Wrather and cast in rehearsal|
The play, based on the classic novel, celebrates Wilde's wonderful language and will appeal to audiences old and new. It is adapted and directed by Séan Aydon, designed by Sarah Beaton with lighting by Matt Haskins. Featuring Wilde’s famous wit and a stellar cast, The Picture of Dorian Gray is a fast-paced thriller that will keep you on the edge of your seat right up until the final scenes of the play – providing a really entertaining night out for all.
In a society obsessed with youth and beauty, Dorian is given the chance to keep his looks forever. But at what cost...? The Picture of Dorian Gray is the story of a cultured, wealthy, and beautiful young man's downfall through moral corruption and seduction. Dorian, who, fearing that his good looks would fade as he grows old, wishes that a portrait painted of him could bear the burden of the ageing process, leaving him forever young and resulting in disastrous consequences!
Katherine Senior of Tilted Wig Productions says: ‘The Picture of Dorian Gray will be the 21st show that Matthew and I have taken out on the road. We produced 19 shows for Creative Cow over its 10 years in existence and now, under the banner of Tilted Wig Productions, The Picture of Dorian Gray will be our second production, following on from the success of Great Expectations last year. We hope audiences will enjoy our classic re -telling of this famous novel as it still has such resonance with our modern day lives and with its utter timelessness should feel bang up to date.’
Tickets: The Picture of Dorian Gray runs at Darlington Hippodrome from Tuesday 26 to Saturday 30 March.
For more information or to book call 01325 405405 or visit www.darlingtonhippodrome.co.uk
OPEN AUDITION FOR LEADING PANTO ROLE
Some day our prince will come…
The Customs House in South Shields is holding an open audition for one of the leading roles in this year’s pantomime, Snow White.
Last year’s open auditions for the role of
Beauty in Beauty and the Beast.
Would-be leading ladies queued around the block last year when theatre bosses opened up the role of Beauty, in Beauty and the Beast, to the general public.
Now they require a leading man to take on the role of the Prince in this year’s show, for which a third of tickets have already been snapped up.
Candidates need to be at least 5ft 10in tall with a playing age of 25 to 30. Tap dancing skills would be an advantage.
Ray Spencer, Executive Director of The Customs House,
in costume as Dame Bella, with David John Hopper as Arbuthnot,
Ray Spencer, Executive Director of The Customs House, who co-writes, directs and stars in the annual panto, said: “Last year we held an open casting for the role of Beauty and Annie Guy was chosen and was a fantastic principal girl. This year we are looking for our principal boy and hope to unearth another fabulous talent. We are heading for another record-breaking year and this is an amazing opportunity for someone to join our panto family.”
Snow White was the first panto to be performed at The Customs House in 1994 and is being brought back as part of its 25th anniversary celebrations.
Last year’s pantomime broke box office records and has been nominated for three Great British Panto Awards – Best Comic (David John Hopper - Arbuthnot), Best Pantomime Animal (Charlie Raine – Cutlet) and Best Staging and Set (Fox and Shriek).
The open audition will take place in the main auditorium at The Customs House, Mill Dam, on Wednesday, March 27, from 4pm onwards.
Actors should bring with them a CV and a headshot and prepare two contrasting songs to be performed a capella, a short uplifting poem and a joke.
Snow White, sponsored by Hays Travel, runs from Wednesday, November 27, 2019, to Sunday, January 5, 2020. Tickets, priced from £9.99, are available from the box office on (0191) 454 1234 or online at
My Mental Breakdown: A Musical
North Shields – The Exchange
Friday 8th - Saturday 9th March 2019
In a society that has, at long last, got mental health within the group consciousness, it is still often misrepresented. My Mental Breakdown has been created by a small group based in Newcastle upon Tyne. They have used their talents and personal experiences to bring together the most underrepresented parts and the cold reality of living with mental illness.
The show aims to help express the inner most and darkest thoughts that many people struggle to put into words. It hopes it can reach those who have loved ones struggling and try as they might, can’t understand what it’s like. It is also for sufferers themselves who could benefit from seeing other perspectives and to validate their experiences.
The narrative follows a young man, struggling with the various thoughts and feelings that leave him isolated, and alone. It is written semi-autobiographically by Max Kingdom: the founder of the now annual Canny Fringe Festival. Many men feel that can’t talk about the struggles they go through; many feel that needing help is a form of weakness.
This production shows that it takes real strength to tell people you are not coping. Much of media, such as the popular 13 reasons why, run a narrative where suicide is presented as an understandable conclusion to being sexually assaulted and bullied at school. It glamorises the pain that leads people to take their own lives in a romantically tragic way. My Mental Breakdown does not do this. Suicide is ugly. Awful. It leaves loves ones left behind, broken, full of thousands of questions which will never been answered.
In Kingdom’s real life he lost a friend to suicide: a flatmate that he lives with but never even knew that they were struggling. One day you wake up and realise that person isn’t there anymore and all that potential has suddenly been wiped out. It was this that catalysed the passion that has lead to the creation of this musical. Kingdom has been able to channel his own struggles with poor mental health into a heartbreakingly honest and real production with beautifully bittersweet songs.
Sadly, through lack of resources and lack of understanding, many ‘professionals’ are not actually equipped to help those in need. This is why we need to build a sense of community. Sometimes doctors can help, sometimes they can’t. Telling people that doctors are the only people who can help only serves to make people feel alone and hopeless. We can help. We need to be there for friends, family and neighbours. Maybe we can’t fix the problem, but a lot of the time just being around is enough; it helps more than you can imagine.
‘Not a dry eye in the house’ - an audience member from a preview
CONTENT WARNING: Themes of mental illness, suicide and self harm.
My Mental Breakdown: A Musical has been fully sponsored by London North Eastern Railway.
All Proceeds are going to Campaign against Living Miserably (CALM) who work tirelessly to help men who are feeling suicidal. More information on this amazing charity can be found here: https://www.thecalmzone.net
On The Web:
Tickets: £10.00 (£8.00 Con) from the Exchange box office or www.ticketsource.co.uk/theexchange.
2018 BRITAIN’S GOT TALENT RUNNER UP ANNOUNCES DEBUT UK TOUR
Robert White - The Tank Top Tour
Whitley Bay Playhouse
Whitley Bay Playhouse
Wednesday 27 February 2019
Robert White wowed the judges and viewers alike with his fast-paced comedy routines when he made the finals on this year's Britain’s Got Talent. He is now set to bring all that fun you saw on the TV live across the country as he announces his debut UK tour: The Tank Top Tour. With a suitcase full of his trademark vests, Robert will be travelling the UK with his unique, musical stand-up to 31 venues between February and April 2019.
On The Web:
Tickets: http://bit.ly/RobWhiteWBay #Ad
EDINBURGH’S DETECTIVE REBUS TO COME OUT OF RETIREMENT
Rebus: Long Shadows
Newcastle Theatre Royal
Monday 25 February - Saturday 2 March 2019
Edinburgh’s most famous sleuth - Inspector John Rebus, the legendary creation of crime fiction supremo Ian Rankin, will be brought to vivid life on the Theatre Royal stage this week for the first time ever.
|Ron Donachie (Rebus), Dani Heron (Angela), |
Eleanor House (Heather)
Rebus: Long Shadows has been written exclusively for the stage by author of the original Rebus novels, Ian Rankin and award-winning playwright Rona Munro. Rankin's Rebus novels have dominated the detective fiction market since 1987, with the ensuing TV series from 2000 cementing the detective's legendary status. Long Shadows is Rebus’ stage debut.
We meet Detective Inspector John Rebus in retirement but with the ominous shadows of his former life still following him through the streets of Edinburgh. Whisky has helped but now he's denying himself that pleasure. When the daughter of a murder victim appears outside his flat, he's back on the case and off the wagon….
Ron Donachie, who has played the title role in all six BBC Radio dramatisations of Rebus since 2008, stars as John Rebus. He also played Deputy Chief Inspector Gunner in the Rebus TV series and Ser Roderick Cassell in Game of Thrones. John Stahl (Being Human and Game of Thrones) plays Big Ger Cafferty and Cathy Tyson (Mona Lisa and Band of Gold) plays detective sergeant Siobhan Clarke.
Dani Heron plays Angela, Eleanor House plays Heather/Maggie and Neil McKinven, Mordaunt.
Dani Heron plays Angela, Eleanor House plays Heather/Maggie and Neil McKinven, Mordaunt.
Ian Rankin is the internationally bestselling author of the Inspector Rebus and Detective Malcolm Fox novels, as well as a string of standalone thrillers. His books have been translated into 36 languages and are bestsellers on several continents. Rankin has won multiple awards including four The Crime Writers Association Dagger Awards, and in 2004 received America's celebrated Edgar Award. He is also the recipient of the OBE for services to literature.
Rona Munro has written extensively for stage, radio, film and television. Her theatre credits include The James Plays (which wowed Newcastle Theatre Royal audiences in 2016), Scuttlers, Iron – which won the John Whiting Award, The Last Witch and Little Eagles. Her television credits include Rehab, Bumping the Odds (BAFTA nomination), and Doctor Who; and for film, Ladybird Ladybird and Oranges and Sunshine. Munro’s adaptation of Captain Corelli’s Mandolin will visit the Theatre Royal in May.
Long Shadows is directed by Robin Lefevre, an award-winning theatre director who has worked extensively in the UK, Ireland and the United States. He directed John Hurt in Afterplay, Arthur Miller’s All My Sons, and John Byrne’s first play Writer’s Cramp. On Broadway his credits include Brian Friel’s The Aristocrats which won him the New York Drama Desk Award for Best Director and George Bernard Shaw’s Heartbreak House.
Rebus: Long Shadows is at Newcastle Theatre Royal between Monday 25 February and Saturday 2 March 2019 playing evenings at 7.30pm and matinees Thu 2pm and Sat 2.30pm. Tickets from £16 can be purchased from the Theatre Royal Box Office on 08448 11 21 21 (Calls cost 7ppm plus your phone company’s access charge) or book online at www.theatreroyal.co.uk
NICK HANCOCK’S BACK – NO SQUIDDING!
Tuesday 26 February to Saturday 2 March 2019
Nick Hancock – star of TV shows such as They Think It’s All Over and Room 101 stars in a brand new British farce, Octopus Soup, coming to Darlington Hippodrome from Tuesday 26 February to Saturday 2 March.
Here Nick talks candidly about returning to the stage.
What attracted you to Octopus Soup!?
I was keen to do Octopus Soup! because the producer Simon Fielder has some photographs of me in compromising positions and he said that he’d be willing to destroy the negatives. I’ve not seen that yet but it certainly tipped the balance. On a more serious note, it’s a bit of a departure for me to do theatre. I have done theatre before but when I read it it made me laugh, which is a good thing, and 2) it’s a new play. There’s something especially exciting about doing a new play because you really have no certainty about how it’s gonna work and so it is very exciting. And when it works very, very well there’s something special about that.
How would you describe the character of Seymour?
Seymour as a character is very like me. He’s dull and he is not particularly attractive and looks a lot like me, obviously. Seymour is the sort of supposedly logical centre of the play, where everything else mad goes around and around and around him. He’s a kind of everyman, if you want, but not really.
What are the big differences between you and him?
Playing Seymour is not something I’ve taken to naturally because he’s a lot more passive and a lot quieter and a lot nicer than I am. I quite like that. He also has a very good grasp of mathematics, which I certainly don’t.
He’s very quirky, isn’t he?
Seymour is an insurance man to his very bootstraps so therefore everything in his home would be doubly tested. Again unlike me, all of the plugs would be properly wired and all of the lightbulbs would be regularly changed, the smoke detectors would be serviced and all of those things. He’s a man that not only believes in health and safety but lives his life according to the laws.
What challenges does the play present to you as an actor?
I have a number of challenges as an actor - 1) being I’m not an actor, 2) being I’m rubbish at learning lines, 3) being I forget where to go on stage and 4) being I’m absolutely terrified of performing in public. Other than that, I think it’s gonna be fine.
Have you worked with any of your fellow castmates before?
I’ve never worked with any of them before. [Laughs] If I’m honest, the relationship between the cast members has been much the worst thing about the play. There’s a lot of tension. I think it will be quite exciting to watch the play just knowing how much we hate each other. It’s like the Gallagher brothers. There’s a little frisson of violence all the time. And quite honesty, and I’m not gonna pick out names, but at least three other members of the cast have what I would consider to be significant personal hygiene problems.
That said, what have you learned from working with them?
It’s great to watch them all work. They’ve got so much experience behind them and as I’ve admitted my experience is very on-the-ground so to see the ideas they come up with is great, little things they bring into the room - new ideas and little verbal ticks and physical behaviours. They’re also really generous and kind and helpful to me.
What sets Joe Harmston apart as a director?
Joe’s very calm. He’s a very calm director and very kind and very willing to listen, actually. [Laughs] Obviously he ignores what you say but he will listen to it. I think it does make everybody feel involved and everybody feel positive and everybody feel engaged. That really helps and by being so calm and having such a clear vision, it does make for a happy group of actors. Also it means you’re not wasting a lot of energy going away bitching about him!
What do you feel makes farce popular amongst theatregoers?
I’m not sure that farce is as popular now as it used to be but that’s because it’s not performed. That’s one of the things that I’ve found interesting - here’s a farce and you don’t often get them. You get farcical elements in plays but this is a proper farce. There are many misunderstandings, there is much physicality and spillage, there is a lot of racing around and running in and out of doors. And that’s quite nice. There was a time when you couldn’t shake a stick at a play without finding a farce and The Whitehall Theatre was dedicated to farce for years and years and years. I think it is quite interesting to be putting on a farce in these times.
You’ve had a very varied career. What have been your highlights so far?
Oh, I don’t know. I’ve done so many different things and it’s been really, really good fun and I’ve been very lucky. I love sport and I’ve worked with lots of sports people. Like everybody else, I love comedy and I’ve worked with lots of really good comedians. I’ve been in plays. I was in a play, for instance, called An Evening With Gary Lineker which ended up in the West End. That’s exciting. I’m lucky that I get to do lots of different things.
I think I stick to the script quite carefully. [Laughs] The other actors, not so sure. We are relatively early in rehearsals and I think I’m fairly safe on about four lines.
Do you have any pre- or post-show rituals?
When I was younger my pre-show ritual would have involved drinking but now that doesn’t happen so much. It is quite nice as you get older to think of something as being a job. With all the other actors in this, we’re all of an age and actually these days my rituals involve just trying to keep calm and be ready to do it the next day. We’re doing a tour, you know? It’s actually relatively intense so it’s about just keeping your head down.
And when the performance finishes?
Oh, I’ll be out the door as quick as I can go. I like to go to bed at ten o’clock.
What’s the one thing you couldn’t be on tour without?
Lemsip. When you’re a card-carrying hypochondriac, as I am, having some Lemsip to hand… I mean, the idea of returning to any bedroom and there not being a chance to have some form of calming, slightly medicinal hot drink would put me into a panic.
Octopus Soup runs at Darlington Hippodrome from Tuesday 26 February to Saturday 2 March.
For more information or to book call 01325 405405 or visit www.darlingtonhippodrome.co.uk