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13/03/2022

Preview: Peter Plank in…It’s Bearly Easter at South Shields Brinkburn C.I.O

 Students Set to Perform Alongside  North East Panto Star

Peter Plank in…It’s Bearly Easter

South Shields Brinkburn C.I.O

Wednesday 13th -Thursday 14th of April


South Shields performing arts students, will share the stage with popular Customs House Theatre pantomime star Chloe Millar, this Easter. The young performers of Walton-Gunn Performing Arts will star in ‘Peter Plank in…It’s Bearly Easter’ this April at Brinkburn C.I.O in South Shields.


 

The show tells the story of hapless hero ‘Peter Plank’. After many adventures, Peter finds two new furry pals… Mammy and Daddy Bear. These lovable singing bears find themselves in danger from the dastardly villain Ganabee Hellon. Hellon has some sly plans for the performing bears, plans that must be thwarted. Can the villain be stopped before it’s too late?  Our hero Peter Plank will do everything he can to try.

 

Chloe Millar, who starred as Fairy Ferndew in ‘Rapunzel’ and ‘Arburthnot & Dickson Into The Piggieverse’ at The Customs House Theatre this year, will take on the role of Peter Plank. A role originally set to be played by fellow Rapunzel actor Wayne Miller. Wayne has been known to many in the North East as the writer and star of family favorite Santa’s Naughty Elf. The much loved pantomime for the under 7’s ran for eleven years before coming to an end.

Chloe Millar

 

Now being Peter Plank’s writer and director, he chose to step away from the role of Peter and cast Chloe. The obvious choice came  after being so impressed with her ability and work ethic.

 

“After seeing Chloe perform and working alongside her, I knew she would bring something special and fresh to the role of Peter Plank.  Here in the North East, we have an abundance of talent that are working so hard to get roles. I see that, and want to do anything I can to create opportunities and give them any chance I can to shine.” Says Wayne

 

Having top talent is key for the production and also for the students sharing the stage with Chloe and the other panto actors, which include Jen Stevens, Steven Stobbs and Erin Atack. These young performers are set to learn from the show's professional stars, knowledge they will take away, to make them stars of the future.

 

“Knowing the students will work alongside Chloe and the rest of our cast, is a great opportunity and achievement for the school. I know that there is so much to gain for any actor, dancer or singer in the art form of Pantomime and to have the chance to gain all that knowledge from professionals, is a dream for any young theatre maker” adds Wayne.

Walton-Gunn Performing Arts

‘Walton-Gunn Performing Arts’ opened last year in South Shields, for anyone aged 6 to 16 to learn performance skills and have the chance to perform in professional settings. Based at Chuter Ede , the classes take place Monday and Wednesday evenings for the students to learn everything from acting to dance and creative writing to audition skills.


On The Web:

Information on Walton-Gunn Performing Arts can be found at

https://www.facebook.com/WGPerformingArts

 

Tickets: 

Peter Plank in…It’s Bearly Easter will be performed the 13th and 14th of April, 11:30am and 2:30pm @ Brinkburn C.I.O, South Shields, all tickets £9 are available from www.ticketsource.co.uk/walton-gunn


 

Preview: Paul Merton’s Impro Chums at Newcastle Tyne Theatre

 

A D V E R T I S E M E N T

 

Paul Merton’s Impro Chums

Newcastle Tyne Theatre & Opera House

Friday 8th April 2022

Tickets: https://tinyurl.com/TynePaulMerton

 

Paul Merton, Richard Vranch, Suki Webster, Mike McShane and accompanist Kirsty Newton are back on the road in 2022 to visit some of their favourite parts of the UK with another evening of mind-blowing improvisation. The collective improvisational experience embodied in the Chums is a joy to behold. They flex their improvisational muscles to delight and entertain audiences in this country and abroad.

Paul Merton's Impro Chums 2022
Photo: Steve Ullathorne

Paul Merton is a founder member of The Comedy Store Players, he still appears at the Comedy Store in London most Sundays. He is a resident guest on BBC Radio 4’s Just A Minute and is an established face on TV shows such as the hugely popular Have I Got News For You, Room 101, Paul Merton Looks at Alfred Hitchcock (BBC4/2), Paul Merton’s Birth of Hollywood (BBC 2) and his travel series for Channel Five, Paul Merton’s Adventures which covered his travels in India, China and Europe. His Autobiography, Only When I Laugh reached the Sunday Times bestseller Top 10 and in the summer of 2021 he co-starred with Suki in Motorhoming with Paul Merton and Suki Webster a six part travel doc series for Channel 5.

 

Mike McShane has been lucky enough to live by improvising with friends and making friends by improvising. He appeared at the Menier Chocolate Factory in Little Shop of Horrors and Stephen Sondheim’s Assassins. TV work includes Doctor Who, Bluestone 42 (BBC) , NCIS LA (CBS) and Wayward Pines (FOX)Currently he can be seen in the webisode western, Red Bird. Go to @thismikemcshane on twitter to find out what latest things he’s up to!!

Richard Vranch improvises comedy in The Comedy Store Players and provides voices for documentaries and adverts. He also works as a writer, stand-up comic and actor. He's presented a science series on Channel 4 and has appeared on BBC Radio 4's Infinite Monkey Cage with Prof Brian Cox. Richard has toured the world from Mexico to Palestine acting in sketch shows and appeared at the Edinburgh Fringe since 1979.

Suki Webster is a regular guest of The Comedy Store Players and has toured the world with Paul Merton's Impro Chums. In 2021 Suki co-starred with Paul in Motorhoming with Paul Merton and Suki Webster a six-part travel doc series for Channel 5.  My Obsession, a comedy drama series, which she wrote and starred in was aired on Radio 4 in June 2019.  Other TV work includes Giles Wemmbley Hogg (BBC 2) and Ross Noble’s directorial debut The Catchment (Sky.) She has also written five documentaries for the BBC TV Her own improvisation show Suki Webster’s Guest Speaker continues to grow in its success.

Kirsty Newton is a regular musical guest with The Comedy Store Players and has toured with Arthur SmithRich HallPhil Nichol, Mitch Benn and Jonny & The Baptists amongst many others. She was the musical improviser for Whose Line Is It Anyway? at the Edinburgh Fringe 2019 and her solo show Life Begins At Party! won critical acclaim in 2016.

On The Web:

www.paulmerton.com

 

Tickets:

Paul Merton’s Impro Chums appears at Newcastle Tyne Theatre & Opera House on Friday 8th April 2022 at 8.00pm

Box Office: 0844 2491 000             

Online tickets are available from Eventim UK: https://tinyurl.com/TynePaulMerton


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Details: https://tinyurl.com/OmegaHolidaysSix 

11/03/2022

REVIEW: Don Quixote at Sunderland Empire

 Birmingham Royal Ballet - Don Quixote

Sunderland Empire

Until Saturday 12 March 2022

#Ad: Tickets: https://prf.hn/l/75DpRVx

The Birmingham Royal Ballet are back in Sunderland this week with another entertaining ballet that showcases the talent of both their dancers and musicians. It is a shame that there are only three more performances as this is a show that is well worth seeking out.

Now, here is the thing...I was at this show with an open mind. I was not particularly familiar with it and I consider myself a novice when it comes to things "ballet". I found the story easy to follow - those elements of physical theatre that used to make silent cinema universal also work when applied to a show with no words. Plus there is often a lot going on. On stage you often have the principal dancers doing spectacular moves in the centre but there is also a lot going on in the fringes of the stage. For example  in the bar scenes you get to see life happening around the central action.

So what is the show about? As the blurb says: "In a new production created especially for Birmingham Royal Ballet and featuring all-new designs by Tim Hatley, Don Quixote (Rory Mackay) introduces us to Cervantes’ famous knight himself, lovers Kitri (Yu Kurihara) and Basilio (Lachlan Monaghan), and a host of supporting characters. As the Don sets out on a quest to track down his true love, with his loyal friend and servant Sancho Panza (Gus Payne) at his side, he finds himself embroiled in an unlikely adventure of love and dreams."

So we have a classic love story - coupled with brilliant dancing from both Kurihara and Monaghan - with the added twist that a rich nobleman called Gamache (Valentin Olovyannikov) is also interested in Kitri but ends up being the source of a few laughs in the show. Indeed these lighter moments help make the show accessible. Choreographer Carlos Acosta has created a show that is an ideal place to start ones journey with ballet if you're not familiar with it.

In the large company there are many other great dancers who get a chance in the spotlight including Alexander Yap and Sofia Linares as the matador Espada and the street dancer Mercedes respectively.

The other aspect of this show with cannot be overlooked is the large Royal Ballet Sinfonia, which needed a number of rows of seats to be taken out in order to accomodate them.  Under conductor Paul Murphy they did not put a foot wrong all night filling the venue with music originally composed by Ludwig Minkus and arranged by Hans Vercauteren. They were also responsible for a moving moment at the very start of the performance when they played the Ukrainian national anthem.

The show is in three acts of 50 minutes, 32 minutes and 35 minutes - with intervals in between, which is handy if you want to take the younger ballet fans in your family along. Certainly, for me, the show was well paced.

The talent on show is wonderful to see and I feel that we are lucky to see this company in our region as they always put on shows that are special experiences.

Review by Stephen Oliver

Creatives:

Music Ludwig Minkus

Choreography Carlos Acosta after Marius Petipa

Production Carlos Acosta

Designs Tim Hatley

Lighting Peter Mumford

Staged by Christopher Saunders

 Tickets:

Tickets are available from the theatre box office and online from our affiliate ATG Ticketshttps://prf.hn/l/75DpRVx 



09/03/2022

Preview: George Clarke’s Life In Amazing Architecture at Newcastle Tyne Theatre & Opera House

 A D V E R T I S E M E N T

 

TV Architect George Clarke Will Bring Buildings to Life in Debut Tour

 

George Clarke’s Life In Amazing Architecture

Newcastle Tyne Theatre & Opera House

Sunday 16 October 2022

 

Tickets for George Clarke’s Life In Amazing Architecture go on sale at 10am on Friday, March 11 from Eventim UK: https://tidd.ly/3sVY0xm and from Ticketmaster: https://ticketmaster-uk.tm7559.net/P0WZVz 

 

Architect and TV presenter George Clarke has laid the foundations for his debut live tour – preparing to share stories from a Life In Amazing Architecture both on and off screen as he travels the country.

George Clarke’s Life In Amazing Architecture will visit 19 towns and cities this autumn, including a date at the Tyne Theatre in Newcastle on Sunday 16th October, giving fans a glimpse behind the scenes of George’s hit TV shows, including The Restoration Man, Amazing Spaces and latest venture Remarkable Renovations.

The live shows will include stunning audio-visual features, as George shares tales from his childhood, how he was inspired to pursue architecture, and how he stumbled into TV – as well as talking audiences through some of the architectural highlights of their local area.

Announcing the tour, George said: “I’m just a storyteller, about people and about buildings. So to be going on tour, to be able to tell my story is amazing. I’m looking forward to doing 20 nights around the country, to meeting lots of people, having a bit of fun and enjoying that month on the road.  I already felt like the luckiest boy in the world to do architecture, but to travel the country talking about architecture and my life – it’s off the scale amazing.”

Alongside his flagship TV series, George has tackled the housing crisis with The Empty Homes Show, The Great British Property Scandal and George Clarke’s Council House Scandal.

Away from TV, George is an ambassador for housing-related charities including Shelter and The Prince’s Foundation for Building Community. He is a trustee for the Foundation Of Light and a patron for the Civic Trust Awards and Knights Youth Centre. He is also the founder of the ground-breaking home education charity MOBIE (Ministry of Building Innovation and Education.

George Clarke had only recently established his own architecture firm while also lecturing on the subject, when he ‘stumbled’ into TV almost 20 years ago. He signed with a literary agent simply to get some of his academic research published – and within a week, he was offered a screen test for Channel 5’s Build A New Life, the show which launched his TV career. Within a few years, George joined the growing roster of homes and property shows at Channel 4 – and 2022 marks his 15th year with the broadcaster.


Biography

George Clarke is a renowned architect, TV presenter and campaigner for both charities and housing organizations alike.

During an extensive career which commenced back in 2003, with one of his earliest programmes being Build A New Life on Channel 5, George has become a household name and familiar face on TV.

The success of this programme propelled George to become the ‘face of architecture’ at Channel 4, with the launch of The Home Show. Shortly after he became the presenter of the extremely popular series The Restoration Man, that allowed viewers to see the enormous challenges involved in major renovation works.

It was no surprise then that his next project was the complete opposite, where George turned his attention towards exploring the extraordinary world of small builds in the form of the Channel 4 series Amazing Spaces, a programme known and loved to this day.

He is a keen lecturer and is passionate about the way architecture can transform our everyday lives, with his main aim being that it becomes accessible and popular with everyone.

This leads onto George’s passion for making a real difference to the lives of people. He works tirelessly with charities, being an ambassador for numerous ones including Shelter, The Maggie Centres, and The Prince’s Foundation for Building Community. He is a trustee for the Foundation of Light and patron for the Civic Trust Awards and Knights Youth Centre.

He is also the founder of the ground-breaking home education charity MOBIE (Ministry of Building Innovation and Education), the cultural director of the new super-green, ecological home development company X HOME and a non-executive director of modular house builder Urban Splash Modular in partnership with the Japanese manufacturer Sekisui.


Photos: Anna Cryer

 

Tickets for George Clarke’s Life In Amazing Architecture go on sale at 10am on Friday, March 11 from Eventim UK: https://tidd.ly/3sVY0xm and from Ticketmaster: https://ticketmaster-uk.tm7559.net/P0WZVz 


08/03/2022

Preview: NDT 2 at Newcastle Theatre Royal

 

 

NDT 2 Return to Newcastle Theatre Royal

NDT 2

Newcastle Theatre Royal

Tuesday 15 & Wednesday 16 March 2022.

One of the world’s leading dance companies and huge favourites with Newcastle Theatre Royal audiences make a triumphant return to the Grey Street venue for two mesmerising performances on Tuesday 15 & Wednesday 16 March 2022.

Big Crying

With their winning combination of fresh exuberance and astonishing athleticism, the 18 outstanding young dancers of NDT 2, the second company of Nederlands Dans Theater (NDT), are back in the UK for the first time since 2016 with a triple bill by German, Dutch and Swedish choreographers.

Impasse

One of the original ‘second companies’, set up in 1978, NDT 2 is now recognised as a major contemporary dance company in its own right.

Big Crying

For its highly-anticipated return, NDT 2 will perform works by celebrated international choreographers Marco Goecke (Germany), Hans van Manen (The Netherlands) and Johan Inger (Sweden).

Impasse

Associate choreographer at Nederlands Dans Theater since 2013, Marco Goecke has made his fourth work for NDT 2, The Big Crying, which has its UK premiere on this tour. One of his most beautiful works, it is a personal and moving piece about the fragility of life and love where Goecke harnesses the fiery power of the full company to deliver a real celebration of life. The Big Crying is set to a series of songs by Tori Amos.

Big Crying

Dutch maestro Hans van Manen has been involved with NDT since it was founded in 1959, first as a dancer, then choreographer, then artistic director from 1961 until 1970. His exquisite quartet, Simple Things, created for NDT 2 in 2001, is a master class in simplicity and has been described as ‘pure dance art’. The score features Haydn’s Piano Trio No 28 in E major as well as modern compositions for piano and accordion.

Impasse

A former dancer with the Swedish Royal Ballet, Johan Inger has created many works for both NDT and NDT 2. His 2020 piece for NDT 2, is the programme’s second UK premiere. The uplifting and unpredictable IMPASSE bursts onto the stage to the joyful music of French-Lebanese jazz trumpeter and composer, Ibrahim Maalouf. In a bloodcurdling and sometimes funny finale to the programme, Inger celebrates the strength of togetherness over isolation in our world today.

Photos: Tristram Kenton

Tickets:

NDT 2 plays at Newcastle Theatre Royal from Tuesday 15 – Wednesday 16 March 2022. Tickets are priced from £15.00 and can be purchased at www.theatreroyal.co.uk or from the Theatre Royal Box Office on 0191 232 7010.

04/03/2022

Preview: HERE at Northern Stage

 A Curious Monkey, Northern Stage and Newcastle University co-production:

HERE by Lindsay Rodden

Newcastle Northern Stage 

Friday 4 - Saturday12 March 2022


A powerful new play by Lindsay Rodden, HERE is about finding sanctuary in the unlikeliest of places and is part of Curious Monkey’s long term work with refugees, migrants and asylum seekers.

Photo: picturesbybish

Four seasons, four people, from four corners of the world, collide. The strange city folds and unfolds around them, a story that opens up like a book to get lost in. This powerful new play by Lindsay Rodden is about finding sanctuary in the unlikeliest of places. About dancing on rooftops, blossom in winter, and re-writing the story of the city as your own. About two best friends with a library card and the power they summon through friendship and books to make something magical. To say WE WERE HERE.

The play is part of Curious Monkey’s Arriving project. Collaborating for 18 months with refugees, asylum seekers and migrants from all over the world including Sudan, Syria, Angola, Eritrea, Ethiopia, Iran, Zimbabwe, Kosovo, Bangladesh, Congo and Nigeria, writer Lindsay Rodden worked closely with more than 80 people who are now settling in the North East and Derby to create authentic characters.

Lindsay says, “As a writer, I was determined not to take a story from anyone. Because stories are so powerful that the Home Office will demand yours from you, question it, doubt it, perhaps use it against you. But stories have been given, and invented, and shared, and that’s how we made HERE. The play is only one part of a huge project, and a growing community writing its own story, reclaiming and harnessing that power in the hope of happy endings. That’s all any of us want, isn’t it?”

The cast includes professional actors from refugee backgrounds:

Arieta Visoka plays Lulja. Arieta came to the UK aged two as a refugee from Kosovo. The R&D process for HERE was Arieta’s first professional job and she is excited to share the play with a live audience. “I can’t wait to see the characters interact on stage, and show the truth behind their own history. The story is very important to me personally, and I feel so lucky to be working with the whole creative team again.”

Joana Geronimo plays Pauline. Now living in Newcastle, Joana is from Angola, and her theatre credits include The Space Between Us (Open Clasp) and From the Sky to Your Hands (Live Theatre).

Karen Traynor plays Janet. Karen is an actor and theatre director based in the North East. Stage credits include Beauty Sleeps (Young Vic), Brand (RSC), The Lady in the Van (Hull Truck), Beauty & The Beast (Royal Lyceum, Edinburgh), Rendezvous (Live Theatre) and A Doll’s House (Northern Stage). TV and Radio credits include Doctors (BBC), Tracey Beaker (BBC), Vera (ITV), Stannington (BBC Radio 4) and Suffragette Dramas (BBC Radio 3).

Murat Erkek plays Salim. Previous stage productions include Bitterenders directed by Maxine Peake, The Lehman Trilogy at the National Theatre directed by Sam Mendes, The Virginity Project at Tristan Bates Theatre, directed by Chris Mellor. His film, radio and TV credits include Gangs of London (SKY TV), Silent Witness (BBC), The Bastard of Istanbul (BBC Radio 4) and Ruptures which opened at the BFI London Film Festival 2019.

HERE is directed by Amy Golding and written by Lindsay Rodden. Amy founded Curious Monkey in 2013 and her directing credits include Leaving by Paddy Campbell, Beats North by Luke Barnes and Ishy Din, and Mamela by Gez Casey and Ziphozahke Hlobo. A writer and dramaturg, Lindsay was selected for the Royal Court and Northern Stage’s NORTH writers’ group and is a former writerin-residence at Live Theatre in Newcastle. Her writing credits include The Story Giant (Liverpool Everyman, adapted from the book by Brian Patten) and Cartographers (Theatre by the Lake), and she is currently writing a musical for the National Theatre.

Composer/Sound Designer Niroshini Thambar has worked with a range of companies including National Theatre Scotland, Dundee Rep and Selina Thompson. She has an interest in belonging,  identity and migration and her work includes Home Is Not the Place written by Annie George for the Traverse, and The Arrival, a Solar Bear production inspired by the award-winning graphic novel by Shaun Tan, adapted for the stage by Jonathan Lloyd. Designer, Katie Scott was the inaugural recipient of the Liverpool Everyman & Playhouse Prize for Theatre Design after graduating from LIPA in 2012. She was recently shortlisted for the Old Vic 12 and is an Associate Artist of Box Of Tricks Theatre Company. Credits include Narvik (Box of Tricks Theatre Company - National Studio Tour- Winner of Best New Play UK Theatre Awards) and Held (Liverpool Playhouse Studio – Winner of Everyman & Playhouse Design Prize and Daily Post Arts Award for Best Design).

Lighting/AV Designer, Simon Cole works across multiple artforms including large outdoor events, immersive cinema, dance and theatre. Dramaturg Laura Lindow’s experience as a theatre maker includes directing Open Clasp’s multi award winning prison drama, Key Change and adapting The War of the Worlds for Northern Stage’s sell out tour.

As part of the Arriving project, Curious Monkey also ran workshops for children and young people inspired by Beverley Naidoo’s award-winning children's novel about Nigerian political refugees, The Other Side of Truth which included Byker Primary School children speaking to the author via Skype.

And in December 2019, they became the first theatre company of sanctuary in North East England, working across the city to make sure people feel the theatre is somewhere they feel welcome. On 8 and 9 March, Curious Monkey’s Arriving group will perform a curtain raiser at Northern Stage plus there will be post-show talks, including a presentation of Newcastle University research: Refugee Youth in Public Space on 10 March. Professor Peter Hopkins will host the panel discussion, responding to the themes of the show and comparing them to the research. Printed copies of the research will be available.

Director Amy Golding said, “HERE is a beautiful story full of hope (and challenges!) It’s about unlikely friendships, it’s both very funny and heart wrenching in parts. Set against the backdrop of austerity in a struggling library, it is also about the power of books and storytelling. The show was due to open in the week of the very first lockdown in March 2020, it was about to open and tour the UK when the theatres were all shut down. Two years on and the play is more urgent than ever. The increased hostile environment fuelled by Priti Patel’s nationality and borders bill makes it all the more important that we humanise people who are seeking sanctuary, this play helps us (those involved in making it and audiences alike) to understand the commonalities between us as humans despite where we’re from and what circumstances we have found ourselves in.”

Tickets:

HERE is at Northern Stage from 4-12 March. All performances are relaxed, BSL interpretation and captioning on selected dates is available, and translated synopsis available in seven languages.

The show will also be available to stream online. Tickets start at £10 from www.northernstage.co.uk or call the box office on 0191 230 5151.

03/03/2022

Preview: Sandi Toksvig – Next Slide Please… at Newcastle Tyne Theatre

 

A d v e r t I s e m e n t

 

SANDI TOKSVIG on her new live show NEXT SLIDE PLEASE…

Sandi Toksvig – Next Slide Please…

Newcastle Tyne Theatre & Opera House

Tuesday 28th June 2022

 

“Having fun, being silly, doing jokes and enjoying ourselves”

Sandi talks knitting, lockdown survival and why she’s desperate to get on the road again with her new live show Next Slide Please…

Photo: Steve Ullathorne

It won’t be a surprise to Sandi Toksvig fans that the polymath QI presenter owns an Encyclopaedia of Flintlock Weaponry and a tome titled Knitting with Dog Hair.  “I collect books where I think, ‘Why would anybody publish that?’” she admits. “So you should never challenge me as chances are I will have a book about it.” A dozen or so such titles will crop up in her new stage show, Next Slide Please, among many other quite interesting topics.

Her first national tour since 2019’s National Trevor can’t come soon enough. “I want that sense of joy when we hear people laughing, meeting strangers, having a drink and just being glad to be out for the evening.” In National Trevor, pre-pandemic, she had “weirdly” focused on death and why we don’t talk about it enough… Her new show, Next Slide Please, will be about “having fun, being silly, doing jokes and enjoying ourselves”. Phew. She also wants more chat than usual from the audience. “I want to hear what they have to say, I want people to feel they’re being heard.”

Toksvig is talking over Zoom from the house she and her therapist wife Debbie, her dog Mildred and her vast library have just moved into. Her family — which includes three children from her relationship with Peta Stewart, plus two grandchildren, all “fabulous” and clearly adored — are coming for lunch there at the weekend, and she couldn’t be more thrilled. She didn’t see them during the various lockdowns, just did video calls. “That was the most painful thing. That first lockdown Christmas without them was really hard. Much though I adore my wife, I missed the noise and raucous laughter of Christmas.”

But lockdown had an odd upside. She and Debbie would set out when it got dark for their allotted hour’s exercise: not just a simple walk but a Toksvig guided tour, street by street, of the totally deserted City of London. “We made it our business to learn the history of every single street in the Square Mile. I would bore Debbie with the information I had gathered— every street corner has something where you go, ‘I didn’t know that, that’s amazing.’ We loved it. Quite a nerdy thing to do.”

Did lockdown make us nicer and kinder too? Not really, she says, clarifying that she thinks the British were already a nice and kind nation before the virus arrived; now we just look out for these qualities and comment on them more.

She learned from the past two years how much she enjoys the simple things in life, explaining how she has started saying no to evenings out more, though will continue to lend time and support to the Women’s Equality Party and is visibly proud that the five candidates the WEP could afford to field in the 2016 general election, all survivors of sexual abuse, targeted five male MPs facing allegations of sexual impropriety, none of whom is sitting now. “We didn’t win the seats, but we won the battle.”

For Next Slide Please she has been doing more research, ready for the tour. “It’s a ‘brown-sign tour’,” she explains. “Anywhere there is a stately home and a cup of tea.” Her schedule will be arranged so she can spend time at the local historic sites. But she will also devote part of the new show to the history of the town or city she is in and wants the audience to tell her what’s amazing about it. Her nocturnal City walks have taught her every inch of a place comes with a story attached. She wants people to see she’s made “the best effort I can, I’ve been doing my homework”.

There is something endearingly old-school decent about Toksvig, which is part of her appeal as a performer. You can tell she doesn’t love doing interviews as they are all about her, “which is boring, and bad manners”. And she is like a model Victorian in her industriousness. Asked which television series she binged during lockdown, the answer is: none. She confesses readily that she doesn’t watch much TV. Her off-duty hours, when not spent reading, are filled with making things — weaving, craft projects, embroidery, woodwork, knitting. (She will occasionally do the latter with the 10pm news on, she admits, having just knitted a doll for her granddaughter that way.) And she knits with wool, not dog hair.

How on earth does she find the time for all those projects, alongside her programme-making, writing, and performing? “That’s what I do when other people are binging on box sets”…” Touché!

Does she ever think about slowing down or even giving up? She admits she has a “fantasy” — and stresses that’s all it is — of becoming a teacher in a New England liberal arts college, “wearing a slightly shabby sweater and looking a little bit vague and sitting around discussing Catcher in the Rye or some other great piece of writing”. She loves talking to people younger than her, she says. “But I’m fully booked, dahling, for the next year.”

And besides, she finds the world too interesting. “Every turn of every page I learn something…” She starts to giggle at the memory of an Extraordinary Escapes episode she had completed for season two of the Channel 4 series. “Even taking a gong-bath with Sarah Millican. Not a good idea, it made us laugh too much…” A gong-bath? “You lie in the woods, and somebody plays a gong.”

She isn’t done with “something new”, she insists: “Next Slide Please will be full of new discoveries, new adventures, new ideas. Otherwise you become a dinosaur.” Curiosity is key, her top recommendation to her fellow humans. “Don’t be certain of too much. I am challenging people to have their answers questioned.”

Tickets:

Tickets for the Newcastle show are now on sale from the theatre box office and  online from Eventim UK: https://tidd.ly/35I4XJo