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06/05/2016

Preview: Journey’s End at Whitley Bay Playhouse




Immersion Theatre presents
Journey’s End
Whitley Bay Playhouse
Thursday 20th October 2016

The Playhouse are delighted to announce that Immersion Theatre will visit Whitley Bayon Thursday the 20th October 2016 with their production of Journey’s End!

Anxiety builds in Captain Stanhope’s claustrophobic dugout as the threat of an imminent German attack looms over the battalion. As final orders are received, Stanhope must stir his men to overcome the uncertainty of the unknown, make the ultimate sacrifice and prepare to “go over the top” in a truly heart wrenching climax.

Journey’s End is a harrowing insight into the humanity of the First World War based on R. C. Sherriff’s own experiences in the trenches. Utterly compelling, this award-winning classic masterfully brings the courage, valour, humour and inescapable tragedy of warfare to the stage.

Tickets:
1.30 pmperformance: £9 – Schools (teachers go free), £14.50 public / £12 public conc.
7.30 pmperformance: £18.50, £16.50 conc.
Tickets are available from the Box Office open Monday – Friday 10am – 4pm,
Saturday 10.30am – 2.30pm plus until show start on event days. Tickets can also be purchased on the booking hotline 0844 248 1588* or online at www.playhousewhitleybay.co.uk

*Calls cost 7p per minute plus your phone company’s access charge.




Preview: Nina Conti at Newcastle Tyne Theatre




Nina Conti - In Your Face
Newcastle Tyne Theatre & Opera House
Saturday 19th November 2016
       
Comedy and ventriloquist extraordinaire Nina Conti is set to showcase her unprecedented skills with In Your Faceat Tyne Theatre & Opera House on Saturday 19th November.

Using the power of improvisation, Nina Conti, with the help of her playful puppet monkey gathers all her inspiration from her audience to put together a truly unique and priceless performance.

Nina started her career as an actress at the Royal Shakespeare Company before discovering her true talent as a comedian. Conti’s Talk to The Hand tour received superb reviews in the UK and beyond, securing her a British Comedy Award and prestigious Barry Award in Melbourne. Nina is also a star of BBC's Live at the Apollo, QI and HBO's Family Tree.
Now Nina will use the unique skills and wit that she’s loved for to bring a new comedy experience to venues all around the country. Strap into the mask as Nina gets In Your Face without even moving her lips, in a simply side-splitting evening.

'A gem... funny, poignant, novel’ - The Guardian

'Put simply, Nina Conti is a genius' - The Daily Mirror

2016 sees Tyne Theatre & Opera House play host to a variety of comedy heroes. For some local humor come and see Gavin Webster on 13th May, and Sarah Millican across various dates in May and July! The self-proclaimed ‘absolute lad’, Joe Lycett, will take over the stage on Friday 1st July and last but not least, Romesh Ranganathan explores his rationality on Sunday 6th November.

Please note this event is recommended for ages 12+

Tickets:
Tickets: £20 (plus booking fees when booking online and over the phone)
The Tyne Theatre & Opera House Box Office is open 10am-3:30pmMonday to Friday and event days
Booking and Information Line: 0844 2491 000 (10am – 6pm Monday to Friday)
More information at our Website: www.tynetheatreandoperahouse.uk



 

Preview: Henning Wehn at Whitley Bay Playhouse




Henning Wehn:
Westphalia Is Not An Option
Whitley Bay Playhouse
Thursday 29th September 2016

The Playhouse is delighted to announce that Henning Wehn will return to Whitley Bay on Thursday 29th September 2016 with his new show, Westphalia Is Not An Option.

Join German Comedy Ambassador Henning Wehn for an evening of Teutonic jolliness at its best. After his last show tackled those well-known staples of light entertainment that are the British obsession with home ownership and the self-serving nature of most fundraising efforts, this time Henning’s having an unbiased look at immigration. He also wonders, if, generally speaking, people are competent. Luckily in his case this doesn’t matter as either he’s funny or he lives up to a national stereotype. It’s a win-win situation. Come along. Or else.

Very entertaining and very accessible” The Scotsman

Forget about the Euro, Henning hits the Mark” Nottingham Post
His accent is not so much German as indescribable” Daily Mail

Tickets
Tickets costing £16.50 are available now from the Box Office open Monday – Friday 10am – 4pm, Saturday 10.30am – 2.30pm plus until show start on event days. Tickets can also be purchased on the booking hotline 0844 248 1588* or online at www.playhousewhitleybay.co.uk.

*Calls cost 7p per minute plus your phone company’s access charge.

News: Two North East theatre makers have been selected to develop two new plays



Two North East theatre makers have been selected to develop two new plays

Two North East based theatre makers have been selected for this year’s Bridging the Gap scheme.

The Six Twenty and theatre maker Zoe Murtagh were selected by the seven venues supporting the scheme, after submitting successful applications for their work to be considered.

Now both companies will each work with four venues taking part in the BTG scheme over the next few months to develop new productions, which will be presented in the autumn.

Melanie Rashbrooke, Artistic Director of The Six Twenty, will be developing FANS

Part theatre show and part music gig, Melanie’s vision is to draw together a hilarious, heart-warming and electric mix of stories told through raucous live music, comedy and verbatim theatre. Based on people’s love affair with music, the show will fuse together true stories, scripted elements and music fan confessions.

Melanie commented: “I’m thrilled that the show has been picked as part of this year’s Bridging the Gap scheme. It’s a really exciting time to be creating work in the North East and the shortlist of theatre-makers is a real testament to the work being created in the region at the moment. I can’t wait to make the most of the expertise and mentoring of the brilliant teams and venues involved in the scheme. BTG is an invaluable opportunity that will help me develop my theatre company and create a bold new piece of theatre that will tour the North East.”

Performance maker and spoken word artist Zoe Murtagh will produce The Lamppost Petition,a show that is about celebrating and remembering stories that have been passed down through the generations by our grandparents. It is an exploration into the politics of identity within the ageing body and mind.

Our lives are lived and then our stories are shared with friends and family and our stories are lived through them, but what if these could also be lived through several audiences full of people? What if that audience of people go on to share those stories again?

Zoe will share her own experiences and stories, and that of the various people she will talk to through focus groups. 

She commented: “I'm chuffed to have been selected as one of the companies taking part in this year's Bridging the Gap scheme. The support from the venues will be incredibly beneficial in helping me create a new piece of theatre for North East audiences and I'm really excited to work with staff and public across all the organisations I'll be working with. Bridging the Gap will allow me to develop as an artist whilst creating a show about grandparents, aging, and the way we share our family stories. I hope this opportunity will allow me to meet a wide variety of people across the region to tell stories, drink tea, talk politics, eat cake, dance, laugh, listen to loud music, share favourite films and start a conversation, and I hope as many people as possible will join me on this ambitious journey through a world of yarn bombers, bus passes and ageing ungracefully.” 

Annabel Turpin, Chief Executive of ARC, who coordinates the scheme, commented on this year’s selection: “Once again, the quality of applications we received was excellent, they are a testament to the incredible amount of creative talent that we have here in the region. The panel, which included representatives from the partner venues, felt that the proposals from The Six Twentyand Zoe Murtagh both had very strong ideas and relevance to our audiences. We are really looking forward to working with the companies and seeing how each piece develops.” 

Now in its seventh year, Bridging the Gapis an initiative designed to aid the creation of new theatre work within the North East region.

Over the years the scheme has expanded and now includes: ARC, Alnwick Playhouse, Arts Centre Washington, The Customs House, Live Theatre, Northern Stage and The Maltings in Berwick. These venues work together to offer a joint package of in-kind support to each recipient, which includes box office and marketing support, technical support and performances dates at four venues.


Preview: ELIOT SMITH DANCE at Peoples Theatre

ELIOT SMITH DANCE RETURNS THROUGH MOVING PICTURES
Newcastle Peoples Theatre
Monday 9th May 2016

Two North East-born based artists have collaborated together and are ready to dazzle us with a breath-taking performance and array of beautiful drawings.

Bernadette Koranteng presents her collection of drawings made in collaboration with contemporary dance group the Eliot Smith Company. These mixed-media pieces are worked from numerous on-the-spot quick sketches done over several months.

Bernadette says, "The human form has always been my source of inspiration and continues to provide a vehicle for expressing personal ideas and feelings" 


The artist's intention is to convey not only the energy, movement and physicality of the ESC dancers but also the emotional content of their work. 

Photo: Jason Holcomb. Eliot Smith Company
However, you may want to arrive early to the preview on Monday 9th May at 6pm to see Eliot Smith Company perform 'SPACE' a new work created for the company by International Choreographer Maggie Boogaart. This performance is free to all.

And don't worry, this is not the last chance to see ESC perform. Later this month, Eliot Smith will collaborate with Lorenzo Pagano (soloist dancer of The Martha Graham Dance Company) from New York to choreograph a new-solo-work on Eliot himself - supported by there most recent successful Kickstarter campaign. Keep up-to-date by visiting www.eliotsmithcompany.com

Moving Pictures exhibition will run from the 9th - 29th May at People's Theatre Gallery in Heaton, Newcastle upon Tyne

04/05/2016

Review: Frank Sumatra at Newcastle Alphabetti




The Simian Overlord Rules The Roost

Frank Sumatra
Newcastle Alphabetti Theatre
Monday 2nd to Saturday 7th May 2016

Balham Theatre N16, The Bedford
Monday 9th to Wednesday 18th May 2016

Written by Mike Yeaman
Directed by Neil Armstrong
Cast: Pip Chamberlin, Dean Logan and Hannah Walker.


Photo: Graeme Thompson
Bev and Keith are a young couple who are trying everything they can to get in the family way. They put issues to one side, such as Bev’s kleptomaniac mother or the lack of Keith’s earnings. However during a conversation about whose turn it was to put the bins out there is a knock at the door…

Their visitor is the orange orang-utan that they had adopted in lieu of a birthday present. What was a baby that had lost its home is now a teenager armed with Peppa Pig and an i-Pad with a speak and spell app. Frank quickly makes himself at home causing devastation in the kitchen. 

Photo: Graeme Thompson
Having a huge animal crawling around the house quickly changes their relationship and there ability to live a normal life. The resultant chaos leads to many great comedic moments that have the audience laughing regularly.

Photo: Graeme Thompson
The production not only has an unusual scenario to describe but does it in an unusual way.
Mike Yeaman’s play takes the format of a radio play with Dean Logan creating the many sounds of the orang-utan devastating the couple’s home. Leaving the trail of destruction to the audience’s imagination is a masterstroke.  

Photo: Graeme Thompson
Hannah Walker and Pip Chamberlin are delightful as the couple who did not anticipate the creatures arrival. The chemistry between the three members of the cast helps the comedic situations develop.

We had the pleasure of seeing the previous tour of Frank Sumatra NETG Review LINKand the quality of the script continues to shine through.

Frank Sumatra is a hilarious simian riot.


This review was written by Stephen Oliver for Jowheretogo PR (www.jowheretogo.com). Follow Jo on twitter @jowheretogo, Stephen @panic_c_button or like Jowheretogo on Facebook www.facebook.com/Jowheretogo.

Read the North East Theatre Guide preview: preview link

Tickets:
Newcastle Alphabetti Theatre www.alphabettitheatre.co.uk
Monday 2nd to Saturday 7th May 2016at 7.30pm Tickets: £7 Full /£5 Conc.

Review: Tom at Newcastle Theatre Royal


“It's not unusual to have fun with anyone”

Tom: A story of Tom Jones. The Musical

Newcastle Theatre Royal
Tuesday  3rd - Saturday 7th May 2016

Neath based Theatr Na Nóg have brought Tom: A Story of Tom Jones – The Musicalto Newcastle. The Mike James script explores the journey of the Porthcawl singer from his teen years playing in tiny bars up to the creation of his first big hit. A sprinkling of humour, talented cast and musicians and solid gold hits combine to create a very sound production.

Photo: Simon Gough
1955 was a different time. The clubs were full and expected to be entertained – though you can expect bother if you sit in a member’s chair. The committees relied on variety acts from comics to snake charmers. What they didn’t need was an amplified band making a racket. Thus it was tricky for acts to jump on the rock and roll or beat combo bandwagons and expect an easy gig.

Photo: Simon Gough
Tom (Kit Orton) had been singing since he was very small, even earning a few coppers singing on crates in the corner shop. He would keep rooms entertained with his vocal talents in the room above a pub with just a piano accompaniment. Life then become complicated when he managed to get 15 year old Linda (Elin Phillips) pregnant. They were in love and so they got married and moved in with her mother.   This did not dampen his plans for world (universe?) domination starting from the bars in South Wales.

He joins a local beat combo called The Senators and together they try to get management and a record contract.  One such episode included an attempt to record with Joe Meek of Telstar fame – though Meek’s temperamental nature brought a swift end to the proceedings.

Photo: Simon Gough
The show is littered with hits of the time as Tommy Scott and the Senators (as they were then called) played cover versions in the local venues:  Spanish Harlem, Ghost Riders In The Sky and Lucille all feature. Unlike The Jersey Boys, Tom the Musical features, pleasingly, full songs rather than rapid mashes of hits. Musical Director Greg Palmer leads a tight group of musicians that perform on the stage rather than in the pit. John McLanon, Tom Connor, Daniel Lloyd and Kieran Bailey appear as The Senators and so they have to act those roles of the supporting musicians as well as playing the classics. The sound is filled out for the final numbers with Nicola Bryan on trumpet, Elin Philips on piano and Phylip Harries on tenor saxophone. The end result had the stalls on their feet dancing at the end.

Photo: Simon Gough
This is a bio musical, covering the 10 years running up to Tom Jones first big hit. The story is well paced and Geinor Styles direction ensures a good tempo throughout. This production doesn’t suffer form being too long either. Holding the story together very well is Phylip Harries who does a great job narrating the connections between each scene.

Photo: Simon Gough
Kit Orton nails the Tom Jones numbers and he gives a very likeable Tom Jones. Elin Philips and Mali Jones give a sympathetic performance as his wife Linda and her mother. Nicola Bryan is fab as the tough mother. Richard Corgan and Deborah Thomas complete the ensemble as the manager Gordon Mills and his wife Jo.

Photo: Simon Gough
Quite a few musicals have tried to string along a set of hits in order to create a story. Tom seems to work much better than most as there is a real story woven into the music and the script isn’t afraid to reflect the sort of humour that made Gavin & Stacey such a hit. A tight band back a superb performance by Kit Orton combine to make this a very pleasant evening’s entertainment.


This review was written by Stephen Oliver for Jowheretogo PR (www.jowheretogo.com). Follow Jo on twitter @jowheretogo, Stephen @panic_c_button or like Jowheretogo on Facebook www.facebook.com/Jowheretogo.


Tickets:
Photo: Simon Gough

Please note: Strong language, recommended 12+

Tickets are from £14
and can be purchased at www.theatreroyal.co.ukor from the Theatre Royal Box Office on 08448 11 21 21 (calls cost 7ppm plus your phone company’s access charge).