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20/02/2020

Preview: Waitress at Sunderland Empire

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The first ever tour of the smash hit musical Waitress
Sunderland Empire
Monday 25 - Saturday 30 October 2021

Barry & Fran Weissler and David Ian present the first ever UK and Ireland tour of the smash hit Broadway and West End musical Waitress, arriving in the North East in October 2021. Starring Lucie Jones as Jenna, Matt Willis as Dr Pomatter, Sandra Marvin as Becky and Evelyn Hoskins as Dawn.


Waitress is based on the 2007 movie written by Adrienne Shelley. Music and lyrics are written by GRAMMY award-winning, singer-songwriter sensation Sara Bareilles, who recently appeared on the Graham Norton TV show, performing the hit song from the show She Used To Be Mine. With a book by Jessie Nelson, direction by Tony-award winner Diane Paulus and choreography by Lorin Latarro, Waitress has garnered multiple awards and nominations in both America and the UK, receiving acclaim from both audiences and critics alike.

Waitress opened on Broadway on 24th April 2016 at the Brooks Atkinson Theatre, where it ran until 5th January 2020. Waitress celebrated its official opening night at the Adelphi Theatre in London’s West End on 7 March 2019. In addition to London, Waitress is currently on a North American tour, and is set to open in Australia, Holland and Japan.


Waitress tells the story of Jenna, an expert pie maker in a small town, who dreams of a way out of her loveless marriage. A baking contest in a nearby county and the town’s new doctor may offer her a chance at a new life, while her fellow waitresses offer their own recipes to happiness. But Jenna must find the courage and strength within herself to rebuild her life. This beautiful musical celebrates friendship, motherhood, and the magic of a wellmade pie.



Book by Jessie Nelson

Music and lyrics by Grammy Award-winner Sara Bareilles

Based upon the motion picture written by Adrienne Shelley

Directed by Tony Award-winner Diane Paulus

Waitress was originally produced by Barry & Fran Weissler and Norton & Elayne Herrick. The tour is produced by Barry & Fran Weissler and David Ian Productions.
Photos: Jeremy Daniel


Tickets:
Waitress comes to Sunderland Empire from Mon 25 Oct - Sat 30 Oct 2021.
Tickets available in person at the Box Office on High Street West, or online from our affiliates ATG Tickets: https://tinyurl.com/WaitressSunderland #Ad
*Calls cost up to 7p per minute plus your standard network charge. Booking fees may apply to telephone and online bookings.

News: Free Experience Opera Taster Day at Sunderland Museum & Winter Gardens


Wearside singers wanted!

Free Experience Opera Taster Day
Sunderland Museum & Winter Gardens
Sunday 8 March 2020, 10am – 3pm

Opera Sunderland are offering Wearside singers the chance to take part in a Free Experience Opera Taster Day at Sunderland Museum & Winter Gardens on Sunday 8 March.

No previous experience is necessary and the workshop will be led by a professional opera team to immerse participants in a day of singing, drama and music.

The free taster day is part of a project inspired by local veterans. The Soldier’s Return is a brand new opera based on present day veterans’ real life experiences, premiering at The Point in Sunderland in June 2020. Drawn from interviews with local people involved in past, recent and ongoing combat situations, it explores the impact of conflict when soldiers return home.

As with all of Opera Sunderland’s work, The Soldier’s Return is about local people taking part – from sharing their stories, to workshops and performance opportunities. The company plans to involve as many local residents as possible, including offering free singing roadshows in partnership with The Cultural Spring, and schools workshops.

Sunderland-born opera singer and Opera Sunderland Artistic Director Alison Barton said, “We have tonnes of talent here in Sunderland so we hope lots of people will sign up to give opera a go. I really believe anyone can sing, so even if you don’t have any formal training or experience our friendly team of experts can teach you. What I’d say to anyone who thinks opera’s not for them or that they ‘can’t sing’ is, ‘if you can chant at the Stadium of Light on match day or sing along to the radio in the car, then come and have a go!’”

Sandra, a local resident who took part in Opera Sunderland’s last project, described the experience as "A complete privilege. Being part of a totally original piece of work, being coached, mentored, cajoled, encouraged by a massive team of high quality professionals is such a thrill." Pauline from Sunderland added, "It was life enhancing – the best thing I’ve done all year."

The Soldier’s Return follows the success of MIRACLE! An Opera of Two Halves which premiered in Sunderland in 2015 and Opera Sunderland has brought together many of the same artistic team for this new project, including Sunderland-born Artistic Director Alison Barton, international award-winning composer Marcos Fernandez-Barrero, Director Annie Rigby and Musical Director Marco Romano, alongside T.S. Eliot Prize award-winning poet Jacob Polley who has written the libretto.

Formerly known as Music in the Minster, Opera Sunderland is a registered charity that knows opera is for everyone, and makes it available, attractive and accessible by creating exciting opportunities for the people of Sunderland. The commission is supported using public funding by the National Lottery through Arts Council England, the Foyle Foundation, Hays Travel, Sir James Knott Trust and The D’Oyly Carte Charitable Trust.

Photos: Dan Brady

To sign up for the free Experience Opera Taster Day, email hello@operasunderland.co.uk.

To find out more about The Soldier’s Return or to book tickets visit www.operasunderland.co.uk.

19/02/2020

News: Live Theatre’s March to August 2020 season now on sale


Live Theatre’s March to August 2020 season now on sale


Highlights include Elevator Festival 5, Braids + Cheer Up Slug, a double bill of plays set in County Durham, and the world premiere of Children of the Night, a new play set in Byker and featuring the Music of QFX.

Joe Douglas, Live Theatre’s Artistic Director said: Belonging, home and identity are strong themes this season weaving through some of the finest new writing and new stories that the North East has to offer in 2020. At Live Theatre we aim to entertain and give audiences a fresh take on the world around them, so come join us by the Quayside, where Theatre is Live!”

March 2020 marks the fifth year of Elevator Festival and showcases seven brand new plays. A key part of Live Elevator (Live Theatre’s Talent Development Programme), Elevator Festival 5 from Wednesday 11 to Saturday 21 March is an unmissable opportunity to share a first look at the future theatre makers of tomorrow. There’s a terrific trio of double bills including Last Seen Bensham Road + Redcoat, Getting Away With It + Dawn and Snatched + Magic Bus. The line-up also features a reading of Faster Than Bolt as well as a great programme of events and workshops.

Live Theatre’s own production Braids + Cheer Up Slug from Thursday 16 to Saturday 25 April is a double bill of debut plays from former Live Theatre Associate Artists, about growing up in County Durham. Braids by Olivia Hannah is about a new friendship that ignites a search for belonging and Cheer Up Slug by Tamsin Daisy Rees is about a childhood friendship tested by the pressures of growing up.

This summer, Live Theatre are proud to bring their World premiere of Children of the Night, a new play set in 1990’s Byker and featuring new music from happy hardcore legends QFX. Children of the Night is written by Lee Mattinson from an original idea by local actress Christina Berriman Dawson.  Christina has brought QFX onboard to write brand new music for the production and will co-direct and star in the show. The story is a quest through the streets of the Wall, as two kids knock door to door and try to find their best mate, who has gone missing. Originally showcased at Elevator Festival in 2018 and featuring choreography from Southpaw Dance Company’s Robby Graham, this production showing from Thursday 18 June to Saturday 11 July will celebrate community and get the party started.

The season showcases North East talent on Sunday 17 May with a selection of ten-minute plays in 10 Minutes to…Call Home. A vital part of Live Elevator, Live Theatre’s artist development programme, the plays presented will be from an open call out. The following month on Friday 5 and Saturday 6 June brings A Way Home, a new play written by Christina Castling, rooted in the stories and memories of people living in Category D villages in County Durham. With humour, tenderness and not a small amount of grit it tells a story just as relevant today as it was 70 years ago.

Shortlisted for the Emerge Performance Prize, Where to Belong on Tuesday 23 & Wednesday 24 June asks what makes a home and what belonging means in a tender moving hour of storytelling, multimedia and future planning.

Live Theatre also has some cracking comedy shows to enjoy too. New stand up show, Slutty Little Goldfish on Friday 29 May, stars award winning actress and comedian Rachel Jackson. Rachel is the star of films such as Beats and The Party’s Just Beginning, and the Sunday Mail have hailed her as ‘Light years beyond other comedians’.  All-female theatre company Your Aunt Fanny are back from Thursday 23 to Saturday 25 July with what promises to be another sell out hit, Muff Said. This comedy sketch show celebrates all things fabulous, ridiculous and thoroughly inappropriate.

Members of Live Youth Theatre showcase their incredible talents this season as they share untold stories in a chaotic three-day weekender of performances celebrating the climax of Live Youth Theatre’s 21st birthday in Time to Take a Stand from Friday 3 to Sunday 5 April. Their improv comedy show Whose Live is it Anyway? promises an hour of long stop laughs – unplanned, unscripted and hilarious.

The achievements of graduating students from Northumbria University’s Drama degree are celebrated in the BA Showcase Performance on Thursday 21 and Saturday 23 May. 

The visiting line-up of shows also includes: Seeds, a story of two mothers united in grief on Tuesday 3 and Wednesday 4 March; the powerful one-man performance Far Gone on Friday 1 and Saturday 2 May, bittersweet comedy One Jewish Boy on Thursday 14 and Friday 15 May and high voltage Mugabe, My Dad & Me on Tuesday 2 and Wednesday 3 June.

The new season provides a number of opportunities to get involved in Live Theatre through a number of creative opportunities including Live Youth Theatre, Live Tales workshops, bursaries and script submissions. Live Theatre makes new plays, develop artists and create great shows and look forward to welcoming new and existing audiences to some of the finest new writing and new stories that the North East has to offer in 2020.

Tickets:
The new season of shows and events at Live Theatre are now on sale. For more information on all the shows this season and tickets call Live Theatre’s Box Office on (0191) 232 1232 or see www.live.org.uk.


REVIEW: Joseph and the Amazing Technicolor Dreamcoat at Sunderland Empire


Joseph and the Amazing Technicolor Dreamcoat
Sunderland Empire
Until Saturday 22 February 2020

Tickets available online at https://prf.hn/l/7R3QVGr * #Ad



Britain’s Got Talent finalist Mark McMullan heads the cast as Joseph and the Amazing Technicolor Dreamcoat returns to Sunderland during the school half term holidays. Backed with a talented ensemble, the Andrew Lloyd Webber and Tim Rice musical entertained the Empire audience.

As the venue filled up, there was a noticeable number of younger people in the audience. It was really pleasing to see kids taking advantage of it not being a school night. Now this is important for theatre. Tonight may possibly be the first show, that’s not a panto, for some of these families and if theatre is to survive then it has to spread its appeal for the other 11 months of the year. Family theatre isn’t just about panto and tonight they were in for a treat and hopefully they’ll be back soon.

Joseph is very family friendly production running in at 2 hours, including interval, at a good pace – it is unlikely to upset the little ones or lose their attention. Even the scene when a goat is used to cover Josephs coat in blood is handled in an almost comic way using a wooden goat.

This success of each production hangs on three main characters. The different actors covering the roles of Joseph, Narrator and the Pharaoh do change the feel each time it rolls into town. Tonight’s cast worked well together. Alexandra Doar, making her professional debut, starts proceedings in a confident way. This show is sung through – with very little dialogue between the songs. Alexandra thus has to set the show’s stall out whilst moving around the set and singing the story. That might sound easy, but she also has to perform with a large cast of children and some, occasionally misbehaving, inflatable sheep.


Of course, Joseph is a key role too. Now, as regular readers will be aware, we are not big viewers of television and hence we are often witnessing our first performance of anyone who made their name of the small box. Mark McMullan has made a really good first impression. He has a really good voice, which made his rendition of Any Dream Will Do a highlight. He was able to take ownership of these familiar songs and he is a great entertainer.

The third noticeable key character makes his appearance in Act 2. Given the reaction of the audience around us, the introduction of the Pharaoh was not what they expected. Even when a show has been doing the rounds, in some form or other, for over 50 years, it will always be someone’s first time. Henry Lawes lapped up the opportunity to take centre stage. There is some natural humour from the role which helps deliver the biblical tale. Funnily enough though, my son couldn’t make out what the dream was as the Elvis impression made it hard for him to follow.

A major element of the show comprises of an ensemble of adult actors – appearing as Joseph’s 11 brothers and as handmaidens amongst others, and a large choir of children. Two teams of 32 young people, from the Northern Star Theatre Arts, sit on the stairs at the sides of the stage providing backing for the vocal duties of the adults. They were perfectly still between songs and caused much less trouble than those inflatable sheep.


The adult members of the ensemble have their work cut out as they perform numerous costume changes as the action moves around.


The lighting design from Nick Richings was interesting as it was toggling between a focus on the action at the front and the much larger group across the stage. Dan Samson’s sound ensured we could all hear even the quietest song.

This is a great feel good musical. A real half term treat.


Photos: Pamela Raith

Tickets:
Tickets available in person at the Box Office on High Street West and online at https://prf.hn/l/7R3QVGr * #Ad

* Booking fees may apply to telephone and online bookings.

18/02/2020

Preview: Opera North at Newcastle Theatre Royal


From Broadway To Britten: Opera North Brings Its New Season To Newcastle Theatre Royal

Opera North
Newcastle Theatre Royal
Tuesday 3 – Saturday 7 March 2020

Simmering tensions in 1940s New York, madcap capers and a spine-chilling ghost story make up Opera North’s compelling new season which plays Tuesday 3 – Saturday 7 March 2020.

Opera North’s production of Kurt Weill’s Street Scene
Michelle Andrews as Mae Jones and 
Rodney Vubya as Dick McGann
Photo : Clive Barda

Opera North has long championed the work of Kurt Weill and, to start the season, the Company brings a new production of Street Scene to town (Tuesday 3 & Friday 6 March 2020). In the show the composer considered to be his masterpiece, the spotlight is turned on a Lower East Side tenement building on a stiflingly hot summer’s day as the residents struggle with their individual desires, dreams and disappointments. Opera North favourites Giselle Allen and Robert Hayward take on the roles of Anna and Frank Maurrant, alongside members of the Chorus of Opera North, including Gillene Butterfield as their daughter, Rose, and local man Alex Banfield from Morpeth, as her lover, Sam.


Opera North’s production of Kurt Weill’s Street Scene
Photo : Clive Barda
With operatic arias rubbing shoulders with music from Broadway, it is no surprise that the opera won Best Original Score at the very first Tony awards in 1947.  Conducting the piece will be James Holmes, one of the world’s leading interpreters of the composer’s work, while the director is Matthew Eberhardt, whose production of Bernstein’s Trouble in Tahiti was a highlight of Opera North’s The Little Greats season in 2017.

Opera North’s production of Mozart’s The Marriage of Figaro
Máire Flavin as Countess Almaviva, 
Heather Lowe as Cherubino and Fflur Wyn as 
Photo : Robert Workman
Jo Davies’ witty interpretation of The Marriage of Figaro showcases Mozart’s joyous farce of mistaken identity and misunderstandings (Wednesday 4 & Saturday 7 March 2020). We join Figaro on his wedding day, but preparations are not progressing as planned. His master, Count Almaviva, is keen to take advantage of an ancient feudal right to seduce Susanna, Figaro’s bride-to-be. Meanwhile, the heartbroken Countess finds herself the object of the page-boy Cherubino’s infatuation and, to top it all off, if Figaro cannot repay a debt to the housekeeper Marcellina, he will have to tie the knot with her instead!

Opera North’s production of Mozart’s The Marriage of Figaro

Photo : Robert Workman
In this fast-paced comic opera, New Zealand baritone Phillip Rhodes and Welsh soprano Fflur Wyn make their role debuts as Figaro and Susanna, while Quirijn de Lang makes a welcome return as Count Almaviva alongside Máire Flavin as the Countess. Mozart’s sublime score is conducted by James Hendry on the Wednesday and Opera North’s new Principal Guest Conductor, Antony Hermus on the Saturday, with the high-spirited action taking place against the backdrop of Leslie Travers’ timeless designs.

Opera North’s production of The Turn of the Screw.
Photo : Bill Cooper
Alessandro Talevi’s production of The Turn of the Screw (Thursday 5 March 2020) chilled many a spine when it was first performed in 2010. Based on the novella by Henry James, this tale of strange happenings in a remote country house reaches new levels of terror and claustrophobia as Britten’s disturbingly beautiful music ratchets up the tension at each twist and turn of the plot. 

Opera North’s production of The Turn of the Screw.
Photo : Bill Cooper
Nicholas Watts is the spectral Peter Quint, while Sarah Tynan returns to Opera North to play the Governess appointed to take charge of the orphaned Flora and Miles with Leo McFall conducting. Are they really at the mercy of strange and menacing spirits or is it all in her troubled mind?

Tickets:
Opera North is at Newcastle Theatre Royal Tuesday 3 – Saturday 7 March 2020. Street Scene plays Tuesday 3 & Friday 6 Mar (7.00pm); The Marriage of Figaro plays Wednesday 4 & Saturday 7 Mar (7.00pm) and The Turn of the Screw plays Thursday 5 Mar (7.30pm).
Tickets from £18.50 can be purchased from the Theatre Royal Box Office on 08448 11 21 21 (Calls cost 7ppm plus your phone company’s access charge) or book online at www.theatreroyal.co.uk


Preview: Holes at Newcastle Theatre Royal


Popular Children’s Novel Holes Comes To Newcastle Theatre Royal In Stunning Stage Adaptation

Holes
Newcastle Theatre Royal
Wednesday 26 – Saturday 29 February 2020

Louis Sachar’s multi award-winning novel Holes is brought to life in an inventive and creative new stage show playing Newcastle Theatre Royal Wednesday 26 – Saturday 29 February 2020.

Based on the novel and blockbuster film of the same name, Holes is a thrilling off-beat comedy adventure which tells the story of Stanley Yelnats. Born into a family cursed with bad luck, he finds himself accused of a crime he didn’t commit.
Sent to a labour camp as punishment, he is tasked with digging one hole, five-foot wide by five-foot deep, every day. He is told it is to build ‘character’. But the tyrannical Warden is definitely hiding something. How will Stanley and his fellow inmates deal with her demands, her two cronies, plus the fearsome rattlesnakes and yellow-spotted lizards? And will Stanley and his new friends unearth what’s really going on?
Holes won the 1998 U.S. National Book Award for Young People's Literature and the 1999 Newbery Medal for the year's most distinguished contribution to American literature for children. Louis Sachar also wrote the screenplay for the 2003 film adaptation.

This production will be directed by Adam Penford who has been the Artistic Director at Nottingham Playhouse since 2016. Adam’s directing credits include The Madness of George III at the Nottingham Playhouse, Boys in the Band at the Vaudeville Theatre and Committee at the Donmar Warehouse.
                                                                   
Holes is the first production from CTP since the partnership announced three years of support from Arts Council England. CTP aims to produce new and exciting productions, created for a young and diverse audience. Previous CTP productions include the Olivier award-winning Goodnight Mr Tom, Swallows and Amazons, The Boy in the Striped Pyjamas, Michael Morpurgo’s Running Wild and a new adaptation of The Jungle Book.
  
Tickets:
Holes is at Newcastle Theatre Royal Wed 26 - Sat 29 Feb 2020.  Tickets from £14.00 can be purchased from the Theatre Royal Box Office on 08448 11 21 21 (Calls cost 7ppm plus your phone company’s access charge) or book online at www.theatreroyal.co.uk

Preview: Lady Chatterley’s Lover at Darlington Hippodrome


Rupert Hill Talks About His Role In
Lady Chatterley’s Lover

Lady Chatterley’s Lover 
Darlington Hippodrome 
Thursday 26 to Saturday 28 March 2020

Sixty years after the impassioned tale Lady Chatterley's Lover shocked the world, a stage version, coming to Darlington Hippodrome in March, presents itself to a very changed world. We caught up with Rupert Hill who portrays the pivotal role of Mellors the gamekeeper in this brand new stage adaptation.

What was it that initially drew you to this adaptation?
I knew very little about the book to be honest. I’m ashamed to say that I think I’d kind of dismissed it as a “50 Shades” of the 1920’s! But I read Ciaran’s script and I thought it was stunning. Very theatrical and immersive and this really excited me. So much so that prior to my audition I decided to prioritise reading the book, over learning my lines! A risky strategy but it paid off. The book is without a doubt a new favourite of mine. It’s without question a masterpiece, way ahead of it’s time and devastatingly relevant. To describe it as an erotic novel would be a woeful misunderstanding. It’s a philosophical book about truly being alive and in love. I’m so enthralled that I’m going to be involved in a new retelling.

A Fifty Shades of Grey for its time period; were you familiar with the controversial history behind the novel before you got involved?
Yes a bit but I read up about the trials further. The book is very explicit but it amuses me that the very people who sought to have the book banned were also the target of it’s ridicule. The bourgeois and arrogant position of dictating what people can or cant say in their creative pursuits. So stuffy and boring and meanwhile they completely failed to see what a beautiful and progressive love letter to nature Lawrence had written. Life imitated art here quite profoundly.

What do you want audiences to take away from the production?
The book is a beautiful and life affirming piece of work. It asks of us to transcend the tedious trappings of class and social status and seek a higher state of mutual wellbeing through openness and human contact and love. It’s a meditative, cathartic journey and I felt utterly joyous after completing the book. I hope through Ciaran’s vision that we can create something intense, challenging, raw and ultimately life affirming for our audiences. And also I hope they absolutely love it and tell all their friends!

Why do you think it’s important that we discuss female empowerment and sexuality?
Because it’s utterly absurd that in 2019 we are still discussing female equality in society. Whether it’s their continued sexual exploitation in various guises, a pay gap deficit still apparent pretty much across the board or the lack of female political leadership across the planet, this battle is still being fought. Powerful men seem so cocksure that their vision of the world and the human condition is the correct analysis and what Lawrence does is to drown out and quieten those voices and he raises the volume of the female protagonist. We hear her desires, hopes and beliefs and they contradict starkly with that of her husband’s and his stifling high society. It is such a feminine book (for want of a better word) that it continuous to amaze me that it was actually written by a man

Do you think the discussions around social class are still relevant today?
Absolutely. The rise of populism, nationalism, racism and anti-immigration rhetoric have once again turned the working classes against the migrant as the reason for their downfall. Rather than the collapse of the international markets and the major banks, unregulated by runaway venture capitalist supporting governments. The greatest ever right wing trick! The rich/poor divide is enormous and growing and respect for truth, facts and evidence is waning.

Food banks, homelessness and a rise in crime also point towards an expanding imbalance and division in class today. The void between the have and have nots is as glaring, prevalent and toxic today as it’s ever been.

A lot of people will know you from your appearance in Coronation Street. What is the biggest difference between performing on stage and screen? 
One of the major reasons for leaving the Street was because I missed doing theatre. I was worried that I might’ve lost that skillset. It’s a completely different discipline and requires a different approach and respect. Theatre is playful and dangerous. It’s very exciting and humbling too. The audience are complicit to the energy in the room and we all go on a sort of journey together. It’s amazing. Acting for camera is amazing too but it’s all about the finished product. All about the destination. Theatre is about the journey.

What preparations have you done for taking on this iconic literary heartthrob? 
Are you asking if I’m going to the gym? Well I am. I’ve been working with a personal trainer on losing some weight and achieving the kind of physique an ex soldier now gamekeeper might have. It was going well till I got flu last week and was bedridden. Although I still lost the weight so every cloud.

Mellors was my favourite character when I read the book and his vision of what a man should be completely blew my mind. He thinks men should be gentle, loving and compassionate. He thinks that’s real masculinity. I want to bring this kind of thinking into the performance alongside the dark brooding anger and sadness of the man. I think it’s these mysterious contradictions that make him so compelling. And the fact that he listens to what women think and what they want. He’s a dude.

What are you most looking forward to while on tour?
I have two little girls so I tend to watch a lot of kids television. I have a backlog of books and films that I need to get through, so whilst I’m not looking forward to being away from my girls. I am quite looking forward to catching up on some more grown up material (that sounds weird!). Also looking forward to going on some long walks in places like Malvern and the Lake District.

What would your dream role be?
I just like the unexpected diversity of this job. You never know what’s coming next. I recently played a communist revolutionary in a Bertolt Brecht radio dramatization and now I’m playing a Yorkshireman Gamekeeper. It’s the best thing about the job. It’s always unexpected.

What’s next for you after the tour?
Nothing yet, we’ll have to wait and see.  I do have a couple of potential directing jobs next year though which is exciting for me because I’ve only just started dipping my toe into this side of the business and I love it.

Photos: Matt Austin

Tickets:
Lady Chatterley’s Lover runs at Darlington Hippodrome from Thursday 26 to Saturday 28 March. Age guidance 14+

For more information or to book call 01325 405405 or visit www.darlingtonhippodrome.co.uk