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12/09/2025

News: Back to the Future Musical Heads to Sunderland on First UK Tour

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Back to the Future Musical Heads to Sunderland on First UK Tour

The DeLorean is set to arrive in Sunderland as the award-winning Back to the Future The Musical embarks on its first-ever UK tour. The show will play at the Sunderland Empire from Tuesday 13 April to Saturday 8 May 2027, with casting still to be announced.

Based on the iconic 1985 film, the stage adaptation has become a global hit since opening in London’s West End, where it is now in its fifth year at the Adelphi Theatre. More than 2 million people have seen the production in the capital, and worldwide the musical has entertained over 4 million theatregoers across North America, Japan and on Royal Caribbean Cruises, with further productions planned for Australia and Germany.




Producer Colin Ingram, who developed the show alongside film creators Robert Zemeckis and Bob Gale, said:

“I’m so delighted that the DeLorean will be travelling 88 mph to all the main theatre cities in the UK so that we can bring this heartfelt spectacle of a show to those who haven’t seen it in the West End or want to see it again. Great Scott! Audiences are going to have such a fun and thrilling ride in a show which will tour in all its glory and be one of the biggest sets to come out on the road.”

The musical features a book by Bob Gale and new songs by Alan Silvestri and Glen Ballard, alongside familiar classics from the film, including The Power of Love and Johnny B. Goode. Direction is by Tony Award-winner John Rando, with a design team boasting multiple Tony and Olivier Awards between them.

The announcement coincides with the 40th anniversary of the original Back to the Future film, which starred Michael J. Fox as Marty McFly and Christopher Lloyd as Doc Brown. The 1985 blockbuster grossed over $360 million worldwide, with the trilogy earning the equivalent of more than $1.8 billion today.

Tickets:

🎟️ Tickets for the Sunderland are now general sale.  Bookings can be made at ATGTickets.com/Sunderland (transaction fees may apply).


 

News: Panto Meets the Big Top: Darlington’s Goldilocks and the Three Bears

 🎪✨ Panto Meets the Big Top: Darlington’s Goldilocks and the Three Bears ✨🎪

Darlington Hippodrome is set to dazzle audiences this festive season with a pantomime that promises to be just right. For four weeks only, the beloved theatre will be transformed into a glittering circus arena as Goldilocks and the Three Bears takes centre stage from Friday 5 – Wednesday 31 December 2025.

This year’s production brings together a stellar cast, each bringing their own sparkle to the Hippodrome stage.



Leading the line-up is Brendan Cole, best known as one of the original professionals on Strictly Come Dancing. Stepping into the role of the deliciously wicked Baron Von Bolshoi, Brendan will swap sequins for sinister flair as the Evil Ringmaster.

Comedy comes courtesy of local favourite Josh Benson, returning to Darlington as the panto comic. Known for his infectious energy and razor-sharp wit, Josh is guaranteed to keep audiences laughing from start to finish.

Adding theatrical flair both on and off stage is Jamie Jones, a rising star with a passion for performance and costume design. Expect sparkle, glamour and a touch of magic in every outfit that graces the stage.

Completing the quartet is Taziva-Faye Katsande, stepping into the role of Goldilocks herself. With an impressive list of credits from the West End to touring productions of Annie and Bugsy Malone, she’s set to charm Darlington audiences this Christmas.

Packed with riotous comedy, daring stunts, jaw-dropping circus acts and spectacular special effects, this year’s pantomime promises a festive extravaganza for all ages. Whether you’re a panto regular or new to the magic, this big top adventure will be a highlight of the Christmas season.

Photo: Scott Akoz Photography

🎟️ Tickets are on sale now – call the Box Office on 01325 405405 or visit www.darlingtonhippodrome.co.uk to secure your seats.

REVIEW: War Horse at Newcastle Theatre Royal

War Horse

Newcastle Theatre Royal 

Until Saturday 20 September 2025

Theatre Royal Newcastle has opened its doors to one of the most acclaimed theatrical productions of the 21st century, as War Horse begins its very first run in the city. This epic production is a poignant reminder of the sacrifices made during the Great War—not only by men and boys, but by animals too, who paid the ultimate price on the battlefield.


Based on Michael Morpurgo’s much-loved 1982 novel, War Horse tells the story of Joey, a farm horse sold to the army during the First World War, and Albert, the determined teenager who vows to find him again. The novel, first embraced by younger readers, was transformed into a stage play by the National Theatre in 2007. Its innovative puppetry, combined with a deeply emotional narrative, won critical and audience acclaim, paving the way for Steven Spielberg’s 2011 film adaptation.




The stage version directed by Tom Morris with revival director Katie Henry, however, remains the definitive telling of the story. From its National Theatre debut in London, War Horse became an international phenomenon, touring across the globe and attracting millions of theatre-goers. What makes it extraordinary is its balance of heart-wrenching storytelling with theatrical invention. At its centre is a deeply human tale of friendship, loyalty, and endurance set against the devastation of war, yet its most unforgettable element is the astonishing life given to the horses through world-class puppetry. Sorry Spielberg, your movie didn't cut it in my eyes. But we're here to review a theatre production so lets do that...


Audiences are introduced to Joey when farmer Ted (Karl Haynes) purchases him at auction, outbidding his brother Arthur (Gareth Radcliffe). Pride drives the purchase, leaving Joey to prove his worth as more than just an expensive gamble. Rose (Jo Castleton), the farmer’s wife, decides that their son Albert (Tom Sturgess) will train and care for the animal, forming the bond that anchors the story. Albert, still only 16, later lies about his age to enlist and follow Joey to the Western Front.




What makes the production unique is the way Joey—and other horses—are realised on stage. Each animal is operated by a team of three puppeteers, who work seamlessly to capture every flick of the ears, snort, and surge of strength. As a foal, Joey is presented with a vulnerability that instantly connects with the audience, while the older Joey embodies both majesty and fear as he learns to plough a field, charge into battle, and endure the brutal conditions of war. It is a masterclass in theatrical craft that eclipses the film adaptation in emotional impact. Credit thus goes to Tom Quinn, Lewis McBean and Michael Larcombe for bring Joey to life.




As war breaks out, the men of the village enlist with optimism, convinced the campaign will be over by Christmas. Horses too are requisitioned in large numbers, representing both their commercial value and their expendability. The stage design cleverly contrasts the bucolic warmth of rural England with the desolate battlefields of Europe. The use of a dark, empty backdrop allows the audience’s imagination to fill in the horrors, ensuring the story remains family-friendly while never shying away from the tragedy of loss.



The large ensemble cast shine in a variety of roles, from soldiers to villagers to medical staff. Their quick transformations between characters create a seamless, almost cinematic experience. While the decision to have French and German characters speak English occasionally produces moments of unintentional repetition—where actors claim they cannot understand one another despite using the same language—the choice keeps the production accessible for all ages. Importantly, it reminds us that on both sides of the conflict, ordinary people were swept into a catastrophe not of their own making.




A handful of traditional songs add texture and atmosphere to the narrative, with a single clear female voice lending haunting beauty to some of the most emotionally charged scenes. These musical interludes, never overused, ground the story in its historical moment while intensifying its emotional resonance.


For many young audience members, War Horse will be their introduction to theatre as well as to the memory of the First World War. While the production is more sanitised than grittier works such as All Quiet on the Western Front, it serves an important role in opening up a conversation about sacrifice, courage, and remembrance.




It is easy to see why War Horse has become such a beloved favourite over the past 18 years. Combining masterful storytelling with breathtaking theatrical craft, it offers Newcastle audiences an unforgettable experience. With its powerful puppetry, moving performances, and universal themes, this is a production that will linger long after the curtain falls.


Review: Stephen Oliver

Photos: Brinkhoff-Moegenburg 

Tickets:-

War Horse plays at Newcastle Theatre Royal from Wednesday 10 – Saturday 20 September 2025. Tickets are available online at theatreroyal.co.uk or from the Theatre Royal Box Office on 0191 232 7010.


09/09/2025

REVIEW: 2:22 - A Ghost Story at Sunderland Empire


2:22 - A Ghost Story

Sunderland Empire

Until Saturday 13 September 2025.


Things are going bump in the night in Sunderland this week. Returning to the role of Jenny, Stacey Dooley appears in Sunderland alongside her partner Kevin Clifton who plays Jenny’s husband, Sam, in the thought provoking drama written by award-winning writer Danny Robins.



This is the first time that I have seen 2:22, but it is one of those shows that keeps getting mentioned in despatches - I knew I had to check it out when I got the chance. But now that I have seen it I'm in a dilemma. How much do I reveal without spoiling it for you? Normally I'd say the first 20 minutes of a 2 hour (including interval) show is fair game to share with you. In this case I'm going to say - don't miss the start. Sit back, enjoy the Massive Attack soundtrack as the lights are ready to dim...

The bulk of the play is much more straightforward to discuss. Sam (Kevin Clifton) has just returned from a trip to Sark and he is jointly hosting, with his wife Jenny (Stacey Dooley) a meal for long time university friend Lauren (Shvorne Marks) and her new partner Ben (Grant Kilburn). Quickly it is established that Jenny is on maternity leave from teaching, Sam is a lecturer with a fascination about space and no time for religion, Lauren works in mental health and has recently had a new bathroom fitted by Ben - who pretty much stayed with her afterwards. The fourth character is the couple's baby that makes interruptions to the evening's entertainment with cries from wherever she is sleeping off set.   


Jenny is concerned about the noises she hears at precisely 2:22am and she persuades the group, including her highly sceptical husband to stay up to that time to prove that something's up with the newly bought house that they're currently renovating. Adding to the fun are the noises of the local foxes outside and a pair of clocks that count down to that time.




So the tension builds up as the time approaches and the guests consume the alcohol and discuss their ideas. There are plenty of light hearted moments which had the audience laughing too. The chemistry between the couples is apparent - as is the antagonism between them which weaves nicely in the story. It helps that the cast are believable.




To me the story felt like an reboot of a Charles Dickens style chiller. Many of the elements were there, updated with mobile phones and automatic sensors on outdoor lights. He was a classic storywriter who knew a thing or two about keeping the reader interested in his tales - and a similar feel evolves here with a few theatre tricks. Certainly the show has sold well for a Monday night given that it has been in the region before. Credit goes to the Monday crowd around me as they were absorbed: laughing at the funny parts, silently watching in the others. This is not a show to discuss during the action, but it'll give you plenty to dissect on the way home. 



It is nice to see a straight drama at the Wearside venue packing the crowds in. I do wonder in many in the audience will guess the ending?


Review: Stephen Oliver

Photos: Helen Murray


Tickets:

2:22 - A Ghost Story will bring chills to Sunderland Empire’s stage from Monday 8 – Saturday 13 September 2025. Tickets on sale online now at ATGTickets.com/ Sunderland *

* A £3.95 transaction fee may apply to online bookings.







28/08/2025

REVIEW: The Lightning Thief at Newcastle Theatre Royal

The Lightning Thief 

Newcastle Theatre Royal 

Until Sunday 31 August 2025


The comedy musical, based upon the best selling book by Rick Riordan, lands in Tyneside during the final week of the summer holidays. Perfect timing for those wondering what to do with their children. A tight cast and the tricks of the theatre combined to deliver an origin story with plenty of pace.

Percy Jackson (Vasco Emauz) keeps getting kicked out of school but he doesn't know why. The show starts with a school trip to New York Metropolitan Museum of Art. The group are accompanied by their Latin teacher, Mr Brunner (Niall Sheehy) who has a detailed knowledge into Greek mythology and he tries to get the kids interested. 


The trip also has Mrs Dodds, the substitute maths teacher who seems to also know a lot about the mythology too. After a brief discussion about the art, Percy finds himself alone with Mrs. Dodds, who promptly transforms into a Fury, a mythological Greek demon of Hades, and she starts having a go at Percy. Mr Brunner flies through on his wheelchair and hands Percy a pen that transforms into a sword and Percy fights off the creature. Afterwards Mr Brunner denies any involvement and so Percy gets kicked out of school for a sixth time.

At home, Percy's mother Sally (Simone Robinson), decides to send Percy to a summer camp for "Half-Bloods". He meets a satyr called Grover (Cahir O'Neill) and together they fight a minotaur - resulting in the death of his mother. At the camp he meets the camp director Mr D (Aidan Cutler),  who is also Dionysus - the god of wine, who explains the whole demi god thing (one parent is mortal, the other is a Greek god). Percy settles in and meets several other campers such as Silena (a daughter of Aphrodite), Katie (a daughter of Demeter), Clarisse (a daughter of Ares, performed by Ellie-Grace Cummings), and Annabeth (a daughter of Athena, performed by Kayna Montecillo).


After a game of capturing the flag Percy heads off on his quest o find a lightning bolt and thus prevent a war between the gods, accompanied by Annabeth and Grover and thus the story develops over the two hours (plus interval).


So I begin with a confession. I knew nothing about the story or the characters beyond the brief few words on the theatre website. I have not read the books or seen the movies. Having said that, I do love new shows and experiences. Opening night/press night saw the theatre full of younger faces. I know that I have said this before, but there is a need for high quality shows, that are not panto, aimed at the youth market if we are to entice the next generation of people who will love theatre. Joe Tracz's script did not patronize the youngsters nor did it overload their parents with too much exposition. By the same token, as a total newbie to the scenario, there was enough input in this origin story for me to know what the set up was and how we got to this point.

The songs by Rob Rokicki follow a fairly traditional musical format (the "I want" song etc) and in doing so they serve the story well, starting with the opener The Day I Got Expelled. There are nice performances from Simone Robinson and Vasco Emauz on Strong and Kayna Montecillo on My Grand Plan.  The band are on a raised platform behind a screen - which means that you cannot usually seen them. The screens and other lighting are used to great effect with Tim Deiling's lighting design and Matt Powell's video design filling the performance area. It tends to be the lighting rather than the props that change the scene and support a fluid transition between the scenes, which in turn helps maintain a good pace to the storytelling.


Clearly many of the younger members of the audience were more clued up on the story arc than I was and they found many of the in-jokes funny. It was wonderful to hear young people laughing from the stalls. Indeed the cheer at the end was young and energetic and thus the show has succeeded in delivering a strong fantasy story aimed at the, often ignored, youth market. It is pleasing to see strong female characters who get stuck in to the debates and the action. There were a few illusions, that tried to replicate the transitions that are easy to imagine in a book or recreate in a film, but pose more of a challenge in real life theatre.

As a newcomer to this phenomenon, I cannot comment on how this experience compares to the book or the film, but I can say I enjoyed my night at the theatre and I'd be happy to repeat the experience - especially if the other books are adapted for the stage. 

Review: Stephen Oliver

Photos: Manuel Harlan


Tickets:

The Lightning Thief plays Newcastle Theatre Royal Wednesday 27 - Sunday 31 August 2025. Tickets are on sale soon and can be purchased at www.theatreroyal.co.uk or from the Theatre Royal Box Office on 0191 232 7010.

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27/08/2025

Preview: The Son at the People’s Theatre

The Son

Newcastle People’s Theatre

Monday 8 – Saturday 13 September 2025

The People’s Theatre in Heaton launches its brand-new Autumn/Winter Season this September with Florian Zeller’s powerful family drama The Son.

“I don’t know what’s happened... But something has. He’s changed.”

Zeller, one of the most important contemporary playwrights, is renowned for his intimate and unflinching portraits of family life. Following the People’s Theatre’s acclaimed 2023 production of The Father (later adapted into the Oscar-winning film starring Anthony Hopkins and Olivia Colman), the company now turns its attention to another chapter in Zeller’s family cycle.

At the heart of The Son is Nicolas, a 17-year-old struggling in the wake of his parents’ divorce. Feeling unable to live with his mother any longer, he hopes that moving in with his father Pierre, his new partner Sofia, and their baby will offer a fresh start. But as tensions rise, difficult questions surface: can love alone be enough to heal, and what happens when it isn’t?

Translated by Academy Award-winner Christopher Hampton, The Son is a searing exploration of adolescence, depression, and the often-painful gulf between generations. With youth mental health becoming an ever more urgent topic, Zeller’s work resonates with contemporary audiences in a deeply moving way.


Directed by Brian Green, the production features a talented local cast including Jack Stuart as Nicolas, Craig Fairbairn as Pierre, Brooke Milburn as Anne, and Annie Cairns as Sofia, alongside Mike Smith and Simon Harrison.

Season Highlights

The Son is the first offering in the People’s Theatre’s Autumn/Winter Season, which also includes Laura Wade’s razor-sharp black comedy Home, I’m Darling, the Dickensian romp Bleak Expectations, Agatha Christie’s classic whodunnit The Mirror Crack’d, and festive family favourite The Wizard of Oz.

Tickets:

📅 Dates: Monday 8 – Saturday 13 September 2025
📍 Venue: People’s Theatre, Stephenson Road, Newcastle upon Tyne, NE6 5QF
📞 Box Office: 0191 265 5020 (option 2)
🌐 Website: www.peoplestheatre.co.uk

This amateur production of The Son is presented by arrangement with Concord Theatricals Ltd. on behalf of Samuel French Ltd.


Preview: Buddy – The Buddy Holly Story at Darlington Hippodrome

 Buddy – The Buddy Holly Story Returns To Darlington

 

Buddy – The Buddy Holly Story

Darlington Hippodrome

Tuesday 17 - Saturday 21 March, 2026

 

The West End and Broadway smash hit musical is back on the road, stopping off at Darlington Hippodrome in March 2026.

The West End and Broadway smash-hit musical Buddy – The Buddy Holly Story opens this week at the Birmingham Hippodrome ahead of a UK tour covering the length and breadth of the country. From Norwich to Cardiff, Plymouth to Glasgow, Salford to Southampton and Bradford to Belfast, plus many more locations in between!

Loved by critics and audiences alike, Buddy tells the enduring story of the musical icon’s meteoric rise from his early Country and R&B musical influences, to becoming a major Rock & Roll innovator and international star, up until his legendary final performance at the Surf Ballroom in Clear Lake, Iowa – and tragic, untimely death at the age of just 22. In 18 short months the bespectacled boy from Lubbock, Texas, revolutionised Rock & Roll – the sound of the youth – and how it was written, recorded and performed, influencing everyone from The Beatles to Bob Dylan, the Rolling Stones to Fleetwood Mac. And Buddy’s influence wasn’t just limited to the sound. “He made it okay to wear glasses,” said John Lennon. “I was Buddy Holly.”


Boasting a multi-talented cast of actor-musicians, Buddy presents two terrific hours of music with over 20 of his greatest hits, including the timeless classics That’ll Be The Day, Peggy Sue, Oh Boy, Everyday and Rave On. With the Big Bopper’s Chantilly Lace and Ritchie Valens’ La Bamba, and rip-roaring versions of Shout and Johnny B. Goode completing a stellar musical line-up, Buddy is a not to be missed evening of family entertainment.

 

Tickets:

Buddy – The Buddy Holly Story runs at Darlington Hippodrome from Tuesday 17 to Saturday 21 March, 2026. To book visit www.darlingtonhippodrome.co.uk or call the Box Office on 01325 405405