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19/11/2018

Preview: Fitting at Arc Stockton


Fitting
Arc Stockton
December 5th 2018

Following their first successful collaboration, 'Sticking', in 2016, Matt Miller and Peader Kirk return to ARC Stockton with their new show 'Fitting'.

Fitting is a spoken word theatre glamour fest, sprinkled with a little magic, exploding the space between gender binaries and asking where each of us feel we fit.

Magic is everywhere. Put on a dress and people treat you one way. Try a pinstripe suit and, abracadabra, its like you are a difference person. They say beauty is just skin deep but why is appearance so important to the way we are treated? To the way we are seen and judged?

Matt likes wearing suits and Matt likes wearing dresses. Matt likes being visible and Matt likes being invisible. Matt likes making things appear and disappear. Matt is a poet and a performer. Matt is flirting with how appearances shape the ways we treat each other. Matt will appear onstage tonight.

Matt has frocks and ties, some slight of hand and some party poppers, he’s fitting in and standing proud. Matt is neither a boy nor a girl but has been both. Matt will do his best, for you. 

Matt will be performing. Perhaps you are too? Playing a version of yourself tonight. And the version you choose is you, for now. After all, magic is everywhere if you look for it.

Fitting explores our shared experiences of visibility, invisibility and finding places to fit in. Fitting is a spoken word glamour fest sprinkled with a little magic dust.

Performed by Matt Miller
Directed by Peader Kirk
Co-created by Matt Miller and Peader Kirk

Tickets:
Venue: ARC Stockton, Studio Theatre 
Date/Time: Wednesday 5th December, 7 – 8 pm
Duration: 1 hr (no interval)
Tickets: Pay What You Feel
Box Office: 01642 525199
More info can be found on ARC’s Website: http://arconline.co.uk/

Preview: Canary at Gosforth Civic Theatre

Three women.
One war.
And a ton of TNT.

Canary
Newcastle Gosforth Civic Theatre
Friday 30th November 2018

North East theatre collective, Fun in the Oven Theatre, is touring their explosive new show ‘Canary’ across the UK this November, telling incredible untold stories from the First World War.

‘Canary’ follows a motley crew of munitions workers doing their bit for the war effort. Set in a shell factory, the characters are based on the real life testimonies of the Canary Girls, whose work with toxic chemicals turned their skins bright yellow.  

‘Canary’ is no museum piece, it’s a multi-disciplinary show combining vibrant physical theatre with innovative sound design; this darkly comical show has been created in collaboration with the award-winning Spanish physical theatre company Teatro En Vilo.

“The show has been created from historical research,” explained company member Katie Tranter, “we were fascinated by the lives of these women and decided to explore their stories in detail with material discovered at the Tyne and Wear Archives, Gretna’s Devil’s Porridge Museum and the Imperial War Museums. We found some truly incredible testimonies. By 1916, millions of women had been recruited into the war effort, they formed factory football teams, wore shorts for the first time and they suddenly had their own money - hitting the pubs on a Friday night...a social revolution!”

The international creative team includes sound composer Roma Yagnik, director Andrea Jimenez, film maker Lesley Anne Rose, movement director Noemi Fernandez and performers Alys North, Robyn Hambrook and Katie Tranter. The show was developed with the guidance of academic Dr Tracy Elisabeth Gillman.

‘Canary’ will tour to nine venues across the UK this November, to coincide with the centenary of the 1918 Armistice.

The tour is supported by the Arts Council England and Sunday for Sammy. It is also a partner of the Royal British Legion's Thank You Campaign which is encouraging the nation to say Thank You to the First World War generation who served, sacrificed and changed our world. The tour is produced in association with Carole W Productions.

Cast & Creatives:
Performers: ​Robyn Hambrook, Alys North & Katie Tranter
Director: ​Andrea Jimenez
Movement Director: ​Noemi Fernandez
Dramaturgs: ​Andrea Jimenez & Noemi Fernandez
Sound Designer: ​Roma Yagnik
Voice Over: ​Lawrence Neale
Filmmaker: ​Lesley Ann Rose
Costume Designer: ​Amy Jones at the Art Emporium & Sam Fisher
Historical Consultant: ​Tracy Gillman

On The Web:

Photos: Chris Bishop 

Tickets:
Suitable for audiences 12+ with parental guidance (contains references of a sexual nature and mild swearing).

Friday 30th November at Gosforth Civic Theatre, 1.30pm & 7.30pm - https://www.gosforthcivictheatre.co.uk/canary

Preview: Mousetrap at Darlington Hippodrome


THE MOUSETRAP COMING TO DARLINGTON

The Mousetrap, the legendary whodunnit from Dame Agatha Christie, has announced a major national tour opening in January 2019 starring Gwyneth Strong and is coming to Darlington Hippodrome in April.

This unstoppable West End hit has been delighting theatregoers for 67 years with its macabre murder mystery. Following a record-breaking 60th anniversary tour in 2012, this timeless thriller The Mousetrap returns by popular demand, embarking on an extensive new tour that will travel the length and breadth of the country giving audiences all across the UK the opportunity to discover theatre’s best kept secret.

Gwyneth Strong
Gwyneth Strong will perform as Mrs Boyle. The cast also includes David Alcock (Mr Paravacini), Geoff Arnold (Detective Sgt. Trotter), Nick Biadon (Giles Ralston), Lewis Chandler (Christopher Wren), John Griffiths (Major Metcalf), Harriett Hare (Mollie Ralston) and Saskia Vaigncourt-Strallen (Miss Caswell).

Gwyneth Strong is best known for her role in the BBC sitcom Only Fools and Horses in which she starred in the role of Cassandra. The role gained Gwyneth mainstream recognition and she appeared in the hit comedy show as well as several Christmas specials between 1989 and 2003. More recently, she joined the cast of EastEnders in the role of Geraldine Clough. Other television credits include The Great Train Robbery, Silent Witness, Casualty, Doctors and Murder in Suburbia.

First seen in Nottingham in 1952 starring Richard Attenborough and his wife Sheila Sim, The Mousetrap went on to become the world’s longest running stage production following its West End transfer to The Ambassadors in 1952 and St Martins in 1973 where it has played ever since, continuing a record-breaking run with over 27,500 performances in London so far.

Tickets: The Mousetrap runs at Darlington Hippodrome from Monday 29 April to Saturday 4 May.

For more information or to book call 01325 405405 or visit www.darlingtonhippodrome.co.uk



16/11/2018

Preview: don’t forget the birds at Newcastle Live Theatre

Open Clasp celebrates 20 years of changing the world one play at a time

An Open Clasp and Live Theatre co-production, commissioned by Queen’s Hall Arts:
don’t forget the birds

Tour dates include:

20-24 November, Live Theatre, Newcastle
28 Nov-1 Dec, Battersea Arts Centre, London

Written by Catrina McHugh MBE
Directed by Laura Lindow

Multi-award winning North East theatre company Open Clasp celebrate their 20 year anniversary this week.  Described by Lyn Gardner in the Guardian as “a remarkable company working with  disempowered women”, over the last two decades Open Clasp’s productions have reached over 100,000 people, and the company has worked with more than 100 community groups, universities, schools and theatre companies. 

Driven by a passionate belief that great theatre can bring about social change, Catrina McHugh cofounded the company in 1998. Originally from Liverpool but now based in the West End of       Newcastle-upon-Tyne, last year Catrina was awarded an MBE for outstanding services to disadvantaged women through theatre. Open Clasp collaborate with women on the margins of society to create exciting theatre for personal, social and political change.

Erica Whyman, Open Clasp Patron and Deputy Artistic Director of the Royal Shakespeare Company, said, “Open Clasp are a remarkable company, making small miracles happen which have wide and lasting impact. Their sensitive, impassioned commitment to telling the stories of the most      vulnerable women in our society and doing it with real theatrical skill and invention has meant that voices which are otherwise ignored are not only heard but remembered and valued.  I am very proud to be involved and sincerely hope they continue to change the world for the next 20 years.”

Their critically-acclaimed prison drama Key Change was created with women serving at HMP Low Newton in County Durham. It explored the experiences of women in prison and originally toured to male prisons. Open Clasp then took it to the Edinburgh Fringe in 2015 as part of the Northern Stage at Summerhall programme where it won the prestigious Carol Tambor Best of Edinburgh Award, which led to an off-Broadway run in New York and a New York Times Critics’ Pick before returning to the UK for a sell out tour in 2016. It was also performed for key decision- and policy-makers at the Houses of Parliament in partnership with the National Alliance for Arts in Criminal Justice,  CLiNKS and the Prison Reform Trust, and was screened globally to mark the UN campaign to end violence against women and girls in 2017.

Rattle Snake was created by Open Clasp and funded by Durham PCC and the Arts and Humanities Research Council (AHRC), to train 398 frontline officers in better responding to sexual and domestic violence – coinciding with the change of law making coercive control in relationships a crime in 2015. The project was based on research identifying gaps in police understanding of coercive control by Professor Nicole Westmarland and Kate Butterworth (Durham University) and the impact of arts-based research interventions by Professor Maggie O’Neill (University College Cork). 

This week, the company return home to Live Theatre in Newcastle with the follow up to Key Change. don’t forget the birds is the true story of what happened next for one of the women after release, told by real-life mother and daughter, Cheryl and Abigail Byron. Written by Catrina McHugh and directed by Laura Lindow, it opened at Queens Hall Hexham (13-14 November) before a national tour including Live Theatre Newcastle (20-24 November), Theatre Deli Sheffield (15   November), Middlesbrough Library (16 November) and Battersea Arts Centre (27 Nov - 1 Dec), as well as performances at community venues and schools.

Catrina McHugh MBE said, “Our work holds the voices of thousands of women and girls who are heroes in their own stories of survival. The majority have experienced discrimination, disadvantage, and are often marginalised. We’re celebrating two decades of creating theatre that changes lives, and I’m incredibly proud that in our 20th year our work is reaching audiences       regionally, nationally and internationally and is also being used to train and educate. Together, we’re making change happen.”

Creative Team
Writer Catrina McHugh MBE
Director Laura Lindow
Set & Costume Designer Verity Quinn
Lighting Designer Ali Hunter
Sound Designer Mariam Rezaei
Movement Director Mona McCarthy

Cast
Cheryl Byron
Abigail Byron

Photos: Keith Pattison

Tickets:
don’t forget the birds is written by Catrina McHugh MBE and directed by Laura Lindow.

It opens at Queens Hall Hexham (13-14 November) https://www.queenshall.co.uk/events/don%E2%80%99t-forget-birds

before a national tour including Live Theatre Newcastle (20-24 November) https://www.live.org.uk/whats-on/dont-forget-birds,

Theatre Deli Sheffield (15 November) https://www.theatredeli.co.uk/Event/dont-forget-the-birds

For more information or to book tickets visit www.openclasp.org.uk.
Recommended age: 13+

15/11/2018

NEWS: first anniversary of the opening of Darlington Hippodrome

DARLINGTON HIPPODROME ONE YEAR ON

Saturday 17 November marks the first anniversary of the opening of Darlington Hippodrome following a multi-million pound restoration.

As the famous song from the musical Rent assures us, there are 525,600 minutes in a year and Darlington Hippodrome has filled each and every one of those minutes in the last year amassing several large numbers of its own since the venue re-opened after an 18 month restoration project.

In the last 12 months a total of 358 performances have taken place on the Hippodrome stage with 162,851 tickets sold. In the various bars and the new Hippo Lounge there have been 16,179 coffees drunk, 2,535 locally baked scones devoured, 42,384 ice creams scoffed and 21,784 pints of beer/cider enjoyed.

The last year has also seen 6542 historical items catalogued as part of the on-going archiving of theatrical memorabilia such as posters, programmes and press cuttings dating back to the theatre’s original opening back in 1907.

A number of top-drawer theatrical stars have graced the Hippodrome stage in the last year including Lee Ryan, Phil Daniels, Jimmy Osmond, Stefanie Powers, Joe Pasquale, Susie Blake, Ruby Wax, Pam Ayres, Jane McDonald, Cannon & Ball, Belinda Laing and Ray Quinn with several more star names set to appear in the Spring 2019 season, starting with Louie Spence and Zoe Birkett in the festive family pantomime, Aladdin.

Drop in for yourselves to see what a difference a year can make. The Hippo Lounge is open from 10am every day serving drinks and snacks and also offers free Wi-Fi and charging sockets for phones and laptop computers.


14/11/2018

News: New chair for Customs House

 NEW CHAIR OF BOARD OF TRUSTEES ANNOUNCED FOR THE CUSTOMS HOUSE

A leading light in the north east business sector has been appointed as Chair of the Board of Trustees at The Customs House – as the charity heads into a milestone year. Margaret Fay replaces outgoing chair Grahame Wright, who retired from the role in September this year after serving as a board member for 10 years.

The Customs House is a registered charity and the Board of Trustees are responsible for overseeing the running of the organisation and ensuring that it meets the needs of the community it serves.

Margaret Fay
Margaret said: “I was delighted to be invited to take on the Chair of the Board of Trustees at The Customs House. Having recently stood down after eight years as Deputy Chair of Sage Gateshead, I felt that I could bring that significant experience in support of my home town theatre.”

Margaret was managing director of Tyne Tees Television until 2003, when she became chairman of One North East, a position she held until 2010.  She is deputy chairman at the University of Sunderland, chair of South Tyneside Council’s Economic Regeneration Board, patron of Tees Valley Community Foundation and a Deputy Lieutenant for Tyne and Wear. 

Margaret’s appointment comes as The Customs House prepares to celebrate quarter of a century as the borough’s leading arts venue.  Ray Spencer MBE, executive director of The Customs House, said: “As we launch our 25th anniversary year, I am absolutely delighted to have such a well-respected regional business figure become Chair of The Customs House Trust.  I look forward to working with Margaret as we build firm foundations to drive The Customs House forward and secure our future for the next 25 years.”


Picture caption: Margaret Fay

11/11/2018

Preview: View From The Gods at Sunderland Empire


Sunderland Empire and Theatre Space North East CIC
Present A MURDER MYSTERY DINING EVENT


A View From The Gods
Sunderland Empire
Monday 26 November 2018

Mystery is in the air at Sunderland Empire this month as the theatre gets set to host A View from the Gods Murder Mystery dining event on Monday 26 November.

Following on from the sell-out Faulty Towers dining experiences, prepare to add a whole new dimension to your visit to the iconic Grade 2 listed theatre and step back to the day, when all sorts of performers tread the boards at the Sunderland Empire, from acrobats, comedians and even Novelty painters!

But one performer got more than she bargained for. Nobody wants to die on stage, but Elsie Roby died before she even set foot on it!

Hosted in the Garden Place Bistro at Sunderland Empire, written by local author James Whitman and presented by Sunderland Empire and Theatre Space NE you’re invited to experience an evening like no other. Tour the Sunderland Empire, meet the players and enjoy a wonderful three course dining experience while you solve a century-old mystery and figure out who killed Elsie Roby.

Theatre Space and the writer James Whitman previously worked together to create '15 minutes of fame' for the city of culture launch as well as 'grafters gables' - a performance linking together a collection of street art murals in Hendon and a piece called 'strong for war, for helping tender' to celebrate the life of Capt. George Maling VC - Sunderland’s only first world war Victoria Cross winner.

The piece is inspired by the old show time/musical hall posters which can been seen in the Sunderland Empire to this day. Theatre Space North East CIC are the company behind the ever popular Plays in the Parks and have won several awards for their work.

With a highly engaging plot, that will keep you guessing at every twist and turn, a true blend of mystery, suspense and a unique theatrical script. Don’t miss the opportunity to experience the Sunderland Empire like you’ve never seen it before.


Tickets available from the Box Office on High Street West, via the ticket centre 0844 871 3022* or from ATG Tickets http://bit.ly/AViewFromTheGods #Ad
*calls cost up to 7p per minute plus standard network charges. Booking and transaction fees may apply to telephone and online bookings.