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26/03/2024

Preview: The 39 Steps at Newcastle Theatre Royal

 

The Crown actor to star in The 39 Steps at Newcastle Theatre Royal

The 39 Steps,

Newcastle Theatre Royal

Tuesday 9 – Saturday 13 April 2024

For the first time in eight years, the Tony and Olivier Award-winning comedy, The 39 Steps, is to tour the UK, where Newcastle Theatre Royal will be the first stop outside of London.

Tom Byrne (The Crown; Bridgerton) will play Richard Hannay and will be joined by Safeena Ladha (She, Tara Theatre) as Annabella Schmidt / Pamela / Margaret.

Eugene McCoy (Wonka; Matilda) will star as Clown 1, and in the first time this production has cast a female identifying actor as one of the Clowns, Maddie Rice (Fleabag, National Theatre; Henry V, Noel Coward Theatre) will star as Clown 2. Jacob Daniels and Hannah Parker are understudies.

Follow the incredible adventures of our handsome hero Richard Hannay, complete with stiff-upper-lip, British gung-ho and pencil moustache as he encounters dastardly murders, double-crossing secret agents and, of course, devastatingly beautiful women.

This wonderfully inventive and gripping comedy thriller features four fearless actors, playing 139 roles in 100 minutes of fast-paced fun and thrilling action.

Patrick Barlow’s hilarious adaptation of Alfred Hitchcock’s classic spy thriller ran in London’s West End for nine years, finally closing in 2015.  It won the Olivier Award and What’s On Stage Award for Best Comedy in 2007 and on Broadway won two Tony Awards and a Drama Desk Award in 2008.  The 39 Steps has toured to 39 countries and played to over 3 million people worldwide.

Photos: Mark Senior

Tickets:

The 39 Steps plays Newcastle Theatre Royal Tuesday 9 – Saturday 13 April 2024. Tickets can be purchased at www.theatreroyal.co.uk or from the Theatre Royal Box Office on 0191 232 7010.

Preview: & JULIET at Sunderland Empire

 

Matt Cardle to play Shakespeare in award-winning musical & JULIET in Sunderland

 

& JULIET

Sunderland Empire

Tuesday 10 – Saturday 21 September 2024

 

The producers of the global sensation & JULIET are delighted to announce that multi-platinum selling recording artist and award-winning West End actor, Matt Cardle, will play the role of Shakespeare in the upcoming UK and Ireland tour. He joins the previously announced Gerardine Sacdalan as Juliet, Sandra Marvin as Angélique and Lara Denning as Anne. The UK and Ireland tour will visit Sunderland Empire from Tuesday 10 – Saturday 21 September 2024.


Also in the cast are Jack Danson (Mamma Mia, Novello Theatre) as Romeo, Kyle Cox (Crazy For You, Gillian Lynne Theatre & Chichester Festival Theatre) as Francois, Jordan Broatch (42 Balloons, The Lowry & Vaudeville Theatre) as May, Michael Nelson (Dirty Dancing, UK & International Tour) as Henry, Liam Morris (The Bodyguard, UK Tour) as Richard, Jade Johnson (Book of Mormon, Prince of Wales Theatre) as Nell / Lady C, Rosie Singha (Love Never Dies concert, Theatre Royal Drury Lane) as Judith, Nia Stephen (Cinderella, Imagine Theatre) as Imogen, Psalms-Nissi Myers-Reid (Charlie and the Chocolate Factory, Theatre Royal Drury Lane) as Lucy/Alternate Juliet, Andilé Mabhena (Shrek The Musical, UK & Ireland Tour) as Augustine / Dance Team, Harriet Caplan-Dean (SIX, West End, UK Tour & International Tour), as Eleanor, Alexander Kranz (To Wong Foo, Hope Mill Theatre) as Lennox Aaron Shales (& Juliet, Shaftesbury Theatre) as Gregory / Dance Team, Toni Paise (theatrical debut) as Violet and Samuel Wilson-Freeman (Mrs Doubtfire, Shaftesbury Theatre) as Fletcher / Resident Director and Dance Captain. 


Matt Cardle rose to fame as the winner of The X Factor’s highest ever rated series in 2010, beating One Direction who came third. His performance with Rihanna on the show has been viewed over 41 million times on YouTube and his debut single When We Collide, taken from his platinum selling debut album, has sold over 1.1 million copies. Since then, Matt has released four studio albums and has collaborated with artists such as Melanie C and Gary Barlow, the latter on Run For Your Life, which has amassed over 22 million streams to date. Matt is also set to release his fifth studio album later this year.

Original Broadway Cast - Photo: Matthew Murphy

Matt starred as Huey Calhoun in Memphis (Shaftesbury Theatre, Wes End) alongside Beverley Knight, for which he received the WhatsOnStage award for ‘Best West End Debut.’ He also appeared as Wally Strand in Strictly Ballroom (Piccadilly Theatre) and Pilate in Jesus Christ Superstar (Barbican Theatre).

                                      

There is life after Romeo!

 

Get whisked away on a fabulous journey as Juliet ditches her famous ending for a fresh beginning and a second chance at life and love—her way. Created by the Emmy-winning writer from “Schitt’s Creek,” this hilarious new musical flips the script on the greatest love story ever told and asks, what would happen next if Juliet didn’t end it all over Romeo?

Original Broadway Cast - Photo: Matthew Murphy


Juliet’s new story bursts to life through a playlist of pop anthems as iconic as her name, including Britney Spears’ “…Baby One More Time,” Katy Perry’s “Roar” and chart toppers “Since U Been Gone,” “It’s My Life,” “I Want It That Way,” and “Can’t Stop the Feeling!” — all from Max Martin, the genius songwriter/producer behind more #1 hits than any other artist this century, and his collaborators. Break free of the balcony scene and get into this romantic comedy that proves there’s life after Romeo. The only thing tragic would be missing it.

Original Broadway Cast - Photo: Matthew Murphy

& JULIET is a global success and an Olivier and WhatsOnStage Award winning and Tony Award nominated musical. The West End production at the Shaftesbury Theatre thrilled audiences from 2019-2023, with the smash-hit Broadway production, breaking box office records and entering its second year in November 2023 and a US tour set to embark in September 2024. The musical made its North American premiere with the pre-Broadway production opening at the Princess of Wales Theatre in Toronto in 2022. The Australian production opened in Melbourne in February 2023 before heading to Marina Bay Sands in Singapore this summer and is currently playing a return engagement in Australia.

Original Broadway Cast - Photo: Matthew Murphy

The full creative team for the UK and Ireland tour of & JULIET includes David West Read (Book), Max Martin & Friends (Music & Lyrics), Luke Sheppard (Direction), Jennifer Weber (Choreography), Bill Sherman (Musical Supervision, Orchestrations and Arrangements), Soutra Gilmour (Scenic Design), Paloma Young (Costume Design), Howard Hudson (Lighting Design), Gareth Owen (Sound Design), Andrzej Goulding  (Video & Projection Design) and Suzy Bennett (Hair, Wig & Makeup Design) and Dominic Fallacaro (Additional Arrangements and Orchestrations). Casting is by Stuart Burt.

Original Broadway Cast - Photo: Matthew Murphy
 

& JULIET is presented by Max Martin and Tim Headington and is produced by Max Martin, Tim Headington, Theresa Steele Page, Jenny Petersson, Martin Dodd and Rebecca Quigley.

 

On The Web:

Website: www.andjulietthemusical.co.uk

Instagram: @julietmusical

Facebook: @julietmusical                                                       

X: @julietmusical

YouTube: @julietmusical1925  

 

Tickets: 

& JULIET will wow Sunderland Empire audiences from Tuesday 10 – Saturday 21 September 2024. Tickets available from: https://prf.hn/l/p3qBvA5  *

*A £3.65 transaction fee applies to online bookings.

 

25/03/2024

Interview: Edward Scissorhands Screenplay Writer Caroline Thompson On Matthew Bourne’s Adaptation

 

Edward Scissorhands Screenplay Writer Caroline Thompson On Matthew Bourne’s Adaptation

Edward Scissorhands

Newcastle Theatre Royal

Wednesday 27 March – Saturday 6 April 2024

Devised, directed and choreographed by Sir Matthew Bourne OBE and based on the original motion picture directed by Tim Burton with screenplay by Caroline Thompson; the highly anticipated dance production Edward Scissorhands, promises a witty, emotional and bittersweet story of an incomplete boy left alone in a strange new world when it plays Newcastle Theatre Royal this week.

Edward Scissorhands was born in June 1986 in the Bombay Bicycle Club restaurant in West Los Angeles, California, when Tim Burton, then a little-known director and producer was having a drink at the bar with Caroline Thompson, an American novelist and screenwriter.

“We had been introduced a couple of months earlier by our agents,” Caroline shares, “They had put us together because they didn’t know quite what to do with either one of us!”

At that time, Tim had directed one hugely popular but peculiar feature film, Pee Wee’s Big Adventure. Caroline was the author of a virtually unknown and peculiar Gothic novel called First Born.

Happily, the pair liked one another immediately and wanted to work together, over time discussing possible ideas. “Then, on that evening at the Bombay Bicycle Club, [Tim] told me about a drawing he had made in school. It was a boy who had scissors instead of hands.”

“Sometimes a story arrives all at once. Edward Scissorhands was just such a story.” It landed in an instant – the instant after Tim told Caroline about his drawing and was instantly exhilarating for them. The story occupied realms both held dear and spun cunningly on the Frankenstein story.

It examined the shiny surfaces of suburbia and the ugly underneath. It conjured childhood, the nostalgia and the resentments, yet, at the same time, Caroline admits it seemed “totally ridiculous, stupid even.”

Its central metaphor seemed excruciatingly obvious to her – “If you have no hands, you can’t touch; if you can’t touch, you can’t have contact; if you can’t have contact, you can’t connect, you can’t belong, you’re left out, if, additionally, instead of hands you wield scissors, sharp blades, everything you do actually dare to touch rips or shreds or turns to tatters...” She shrugs.

Initially, the movie was going to be a musical and Caroline postponed writing the screenplay, determining first to write an extended treatment in prose. The concept may have landed in an instant, but Caroline still had to explore and articulate it.

“It’s difficult to explain,” she starts, “I felt that my job as the writer was to follow the story where it went rather than to tell it where to go. The best work is like that. It feels bizarrely ego-less.”

What she discovered along the way was that the very obviousness, the naiveté, the fable-like simplicity of their silly, out-sized metaphor gave direct access to feelings. “It led me straight to the emotional jugular.” She laughs.

“Three blurry weeks later I had seventy-five pages or so to give to Tim. We decided to forget about songs and to trust the power of the emotions.”

Then, the screenplay, by way of Tim’s wizardry, became a movie and now the story of Edward Scissorhands has surfaced again – this time to be told through the genius of Matthew Bourne.

“Matthew is Edward’s perfect conduit. His is a brilliant wit. He thrives on whimsy – one gets to laugh while watching a Matthew ballet. And not just a little, but to laugh a lot." Caroline smiles.

The New Adventures company are world renowned for not only their dancers’ technicality, but their alertness to their feelings and awareness of what’s happening in the tale. Story drives Director and Choreographer Matthew Bourne’s productions, yet he can capture the deepest emotion with the tiniest gesture. He plays with rhythm and movement in a unique way and captures the story of Edward Scissorhands using a hauntingly beautiful score based on the original motion picture compositions by Danny Elfman with new music and arrangements created by Terry Davies.


Matthew Bourne’s Swan Lake and Nutcracker! remain two of the most amazing pieces of theatre Caroline has ever seen. Watching them for the first time, she shares of how she perched on the edge of the seat, still as stone, gaping in awe.

“I had the same experience the first time I watched Matthew’s fun and tender interpretation of Edward Scissorhands. And now, nearly twenty years later, we all get to watch the magic again! I am forever thrilled and beyond grateful to have been one of the catalysts behind this beautiful ballet.”

Matthew Bourne’s New Adventures are a firm favourite with Newcastle Theatre Royal audiences, having dazzled with renowned productions including Sleeping Beauty and Nutcracker! in recent years.


Can Edward find his place in the well-meaning community which struggles to see past his curious appearance to the innocence and gentleness within?


Photos: Johan Persson


Tickets:

Edward Scissorhands plays Newcastle Theatre Royal Wednesday 27 March – Saturday 6 April 2024. Tickets can be purchased at www.theatreroyal.co.uk or from the Theatre Royal Box Office on 0191 232 7010.

21/03/2024

News: Ian McKellen returns to Newcastle Theatre Royal

 

Ian McKellen returns to Newcastle Theatre Royal

 

Sir Ian McKellen is set to make a triumphant return to Newcastle Theatre Royal – once heralded as his favourite theatre – this summer in Player Kings with a limited run of four stunning performances only, from Wednesday 24 – Saturday 27 July 2024, to round off its UK tour.

Tickets for this epic production, which also stars Toheeb Jimoh (Ted Lasso; Romeo and Juliet) as Prince Harry and Richard Coyle (Ink; Fantastic Beasts: The Secrets of Dumbledore) as King Henry IV, are expected to be in high demand when they go on sale next month.

Ian McKellen 'one of the world's greatest actors' (Times) - plays Falstaff in this new version of Shakespeare’s Henry IV, adapted by the award-winning writer and director Robert Icke, and said today, “Player Kings is a version of Shakespeare’s most English plays. So I am glad we are bringing our production across the country which they celebrate.”

Bringing together Shakespeare's two great history plays (Henry IV, parts 1 and 2), Player Kings will reign over London’s West End for twelve weeks only, before touring the country and closing the run of performances at Newcastle Theatre Royal in July 2024.

A divided country, leadership crumbling, corruption in the air. Welcome to England.

Hal wasn't born to be king. Only now, it seems, he will be. His father longs for him to leave behind his friends in the taverns of Eastcheap, most notably the infamous John Falstaff. War is on the horizon. But will Hal ever come good?

The cast comprises Ian McKellen as Sir John Falstaff, Toheeb Jimoh (Ted Lasso & Romeo and Juliet) as Prince Harry and Richard Coyle (Ink & Fantastic Beasts: The Secrets of Dumbledore) as King Henry IV, with Raphael Akuwudike (Prince John), Sara Beharrell (Snare/Davy), Samuel Edward-Cook (Hotspur/Pistol), Geoffrey Freshwater (Bardolph), James Garnon (Worcester/Justice Silence), Alice Hayes (Messenger), Henry Jenkinson (Harcourt), Nigel Lister (Northumberland/Francis) Annette McLaughlin (Warwick), Mark Monero (Peto), Hywel Morgan (Sir Walter Blunt), Joseph Mydell (Lord Chief Justice), Clare Perkins (Mistress Quickly), Daniel Rabin (Poins), David Semark (Sir Richard Vernon), David Shelley (Sheriff), Robin Soans (Justice Shallow), Tafline Steen (Doll Tearsheet/Lady Percy) and Perry Williams (Douglas/Prince Thomas) completing the cast.

The production features Set and Costume designed by Hildegard Bechtler, Lighting by Lee Curran with Sound designed by Gareth Fry. The production Casting Director is Julia Horan CDG, Fight Director Kev McCurdy, and its Associate Costume Designer Johanna Coe. Hair and Make-up is designed by Susanna Peretz and the productions’ Associate Directors are Jack Bradfield and Lizzie Manwaring.

Player Kings is produced by Ambassador Theatre Group Productions, Gavin Kalin Productions, No Guarantees and David & Hannah Mirvish, Rupert Gavin & Mallory Factor Partnership, and Sayers & Sayers Productions.

Tickets:

Player Kings visits Newcastle Theatre Royal Wednesday 24 – Saturday 27 July 2024.

Tickets are expected to be extremely popular and will be on sale to Friends of Newcastle Theatre Royal from Wednesday 17 April, Groups and Schools from Tuesday 23 April, and on General sale from Thursday 25 April.

Memberships, giving patrons priority access to booking periods, along with discount on tickets, drinks, and the opportunity to attend exclusive ‘members-only’ events, can be purchased at www.theatreroyal.co.uk , from the Theatre Royal Box Office on 0191 232 7010 or by emailing membership@theatreroyal.co.uk

 

News: SUNDERLAND EMPIRE STAFF AND PATRONS RAISE OVER £11,800 FOR LOCAL MENTAL HEALTH SERVICES

 SUNDERLAND EMPIRE STAFF AND PATRONS RAISE OVER £11,800 FOR LOCAL MENTAL HEALTH SERVICES


Marie Nixon, Theatre Director at Sunderland Empire with the Washington Mind team.

Sunderland Empire is thrilled to announce that over £11,800 has been raised over the past year for their 2023 nominated charity Washington Mind thanks to the help of generous patrons and staff. 


The mental health charity was nominated by the theatre’s staff as a subject close to many of their hearts post lockdown. Washington Mind was selected for their commitment to supporting the local people of Wearside, promoting recovery, and improving mental health and wellbeing services.


Washington Mind’s vision is to create a society that understands and is active in improving mental health for all ages. The charity has provided Sunderland Empire’s staff with invaluable training and resources with the aim of breaking down the stigma of talking about mental health.   


The theatre’s charity panel, which launched back in 2022, organised a range of exciting fundraising events including a staff summer sports day, an intimate performance with soprano Lesley Garrett for patrons ahead of a performance of musical My Fair Lady, sponsored 10k walks, coffee mornings, a boxing day dip, as well as bucket collections at performances throughout the year and panto season. Three staff members also participated in the Great North Run for the charity. All events and donations from patrons at shows contributed to the final figure.


The charity’s vital services include therapeutic support for 11+, mental health and wellbeing activities and classes, social support, volunteering and training opportunities, and a range of information resources including the www.wellbeinginfo.org website.


Jacqui Reeves, CEO at Washington Mind said: “We cannot thank the team at the Empire enough for their fantastic support for Washington Mind over the last year. We were all thrilled when we were chosen as charity of the year, but could not have foreseen building such a pro-active, productive partnership. Our staff and service users have really enjoyed being involved in the fundraising activities and to raise such a phenomenal amount of money is truly overwhelming. The funding will help us to fulfill our mission, continuing to work with our community to improve mental health and wellbeing. Accessing services and support when it is needed most is crucial to making a full recovery and this funding will directly help local people. We wish the Empire all of the very best with their future fundraising endeavours and applaud them for their community spirit, we feel really privileged to have been a part of that".


Vicki Medhurst, Theatre Manager at Sunderland Empire said: “It has been such a pleasure collaborating and connecting with Washington Mind over the past year. The resources and training that they have provided have been, and continue to be, truly invaluable. It’s been a joy to see our staff come together for such a wonderful cause, and to see the donations from our generous patrons go directly back into our local community, keeping these wonderful services active. We thank everyone who has attended any of our fundraising events or who have kindly donated to this wonderful cause over the past 12 months.”


Sunderland Empire’s nominated charity for 2024 is to be announced soon.



20/03/2024

REVIEW: Bonnie & Clyde at Sunderland Empire

Bonnie & Clyde

Sunderland Empire

Until Saturday 23 March 2024

The first ever UK & Ireland tour of Bonnie & Clyde the Musical has landed in Wearside this week. It has music by Frank Wildhorn, lyrics by Don Black and a book by Ivan Menchell. 

Alex James-Hatton as Clyde

We love new musicals and it is always great to see one that works well. This show has a great live band backing a talented cast. Interesting projections help set up the scene - clear use of shadows can state a lot and remove with need for extraneous exposition. The book is full of sweet and dark humour. So whilst the story starts at the end - thus pointing out that it is going to be a dark ending - it is a worthwhile journey for the audience getting there. 

Katie Tonkinson - Alex James-Hatton as Bonnie and Clyde 

The production states "Bonnie & Clyde The Musical is the story of two small-town kids from the middle of nowhere who became the biggest folk heroes in all America. They craved adventure - and each other. Fearless, shameless, and alluring, this is the electrifying story of love, adventure and crime that captured the attention of an entire nation."

Katie Tonkinson - Alex James-Hatton as Bonnie and Clyde 

We first meet the eponymous characters before they meet up. Bonnie (Katie Tonkinson) is a waitress who dreams of earning $30 a week as an actress in the movies. She is lucky to have a job in the depression era United States. Then we meet Clyde (Alex James- Hatton) who is aware that his parents are about to lose everything and dreaming of being like his hero Al Capone. A chance meeting as Bonnie is trying to fix a broken car whilst Clyde is on the run sees the pair immediately clicking as a couple. 

Katie Tonkinson - Alex James-Hatton as Bonnie and Clyde 

We also get to meet Clyde's brother, who is also on the run. Buck (Sam Ferriday) is already in a stable relationship and his wife Blanche is keen for him to hand himself in so that he completes his time and is no longer on the run.

Jaz Ellington - Preacher 

At this point I should point out that on opening night we had a fantastic performance from the cover Oonagh Cox as Blanche. Understudies rarely let the audience down and this was no exception. Apparently Catherine Tyldesley will be back in the role for the rest of the Sunderland run.

The music is a mixed bunch. We have gospel - Jaz Ellington, as the Preacher, gives a fantastic performance in God's Arms Are Always Open. We have pop - indeed the performance of Cox and Tonkinson in You Love Who You Love was reminiscent of Chess the musical. We have more contemporaneous music like James-Hatton and Ferriday's second act performance of Too Late To Turn Back which had some great moments from the band to add to the feel of the number. Where the musical slightly lets the show down was in the more rock based numbers that felt out of place in the feel of the piece about the depression.

This is a great musical with a decent story running through the core of it. Great central performances of the Bonnie & Clyde creating a dynamic that the audience can understand, even if they don't agree with their decisions.  The pace was even over the 130 minutes, plus interval - though I kept thinking we were about the get the interval a few times before we actually did in the first act. The singing performances lifted a set of songs, even though the songs themselves tend not to linger in the memory for very long afterwards.

I am glad I got to check out Bonnie & Clyde - it is definitely one of the better new musicals that I have seen recently.

Review: Stephen Oliver

Photos: Richard Davenport

Tickets:

Bonnie & Clyde appears on the Sunderland Empire’s stage from Tuesday 19 – Saturday 23 March 2024. Tickets available from £13 at http://tinyurl.com/SUNDbonnieclydeTickets*A £3.65 transaction fee applies to online bookings.