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18/10/2023

Preview: Ailey 2 at Newcastle Theatre Royal

 

Francesca Harper On Bringing Ailey 2 To The UK

 

Ailey 2

Newcastle Theatre Royal

Tuesday 24 & Wednesday 25 October 2023

Ailey 2 – Alvin Ailey American Dance Theater's second company – is back in the UK for the first time in over a decade and will play Newcastle Theatre Royal on Tuesday 24 & Wednesday 25 October 2023 as part of a much-anticipated 12-venue tour.

Ailey 2, which celebrates its 50th anniversary this season, is known for bringing together the creative vision of exceptional choreographers with the spirit, energy and talent of the next generation of dance artists, offering the exceptional dancers from The Ailey School their first professional roles.

This tour, says Ailey 2 Artistic Director Francesca Harper, is a rare chance for UK audiences to see this next generation of performers, “we are catching the enthusiasm and raw talent of the dancers at the beginning of their careers” she says. “There's such a rich history to the company of fostering and nourishing young artists. They are so talented, and Ailey 2 gives them the opportunity for that talent to flourish,” she adds.

The programme for 12 dancers features four works; excerpts from Francesca’s Freedom Series and William Forsythe’s Enemy in the Figure, along with Robert Battle’s The Hunt and Alvin Ailey’s Revelations which is a signature work of all the Ailey companies.

“Revelations is Mr Ailey’s most famous work and it’s a masterpiece,” says Francesca. “It reflects the cultural heritage of the African American community and Mr Ailey’s blood memories. It embodies this reverent grace and spiritual elation.”

Ailey 2 has also adapted The Hunt which was originally created for six male dancers by Alvin Ailey American Dance Theater Artistic Director, Robert Battle.  “I asked Robert if we could have women perform in it as well so we are the first company within the Ailey organisation to have The Hunt performed by an all-female cast,” says Francesca. “It’s a very athletic work and is set to really powerful music by French percussion band Les Tambours du Bronx. Robert was inspired by modern sports and the rituals of gladiators so it has this very ominous and threatening energy. For the women to be as ferocious and athletic as the men is really exciting and an important statement.”

Francesca also brings her own stamp to the programme in the shape of William Forsythe’s Enemy in the Figure. From 1991 to 1999, she was a dancer in Forsythe’s hugely influential Ballett Frankfurt, rising to principal for the last five years.  “I thought it was so important to bring Forsythe’s work into the company because he was one of my mentors when I left New York and it helps the dancers understand who I am as an artist,” she says.

“Enemy in the Figure was inspired by Thom Willems’ percussive and electronic score. William [Forsythe] had this sense of abstract storytelling where he would take his personal stories and deconstruct them. It’s a powerful work and will leave the audience on the edge of their seats.”

Francesca’s own work, Freedom Series, was inspired by her taking up the post of Ailey 2 artistic director and her emotional responses to returning to the Alvin Ailey family – she trained at The Ailey School where her mother Denise Jefferson was director.  “This is my home, it has always had that familial feeling,” says Francesca who has also choreographed for Broadway shows and was the ballet consultant for the film Black Swan. “It grounded me to see all of these people of colour and diverse representation living their dreams, following their passions and feeling empowered. And to see them transform and develop and flourish. Over the years I feel so fortunate to have witnessed that and for it to have been an integral part of my development. When I'm back here I feel the power that is in that kind of cyclical journey.”

“Freedom Series carries so much weight for me. I have so many memories that live in the building and this organisation. I created a series of vignettes that imagine this hybridity where these memories strive to influence my vision of the future. It examines identity and community and being an African American woman as well as the diversity that Alvin embraced.”

Francesca is looking forward to sharing the programme with audiences in the tour presented by Dance Consortium, a group of large-scale theatres which aims to bring the best international dance to venues across the UK and Ireland.

The tour also features an extensive community outreach project for young dancers with workshops, masterclasses and open rehearsals. This forms part of the Ailey Project UK which was launched in 2021 with Dance Consortium member venues.

“We’ve established this wonderful relationship through the Ailey Project UK,” Francesca explains. “It really falls in alignment with spreading the message of an inclusive voice so it's exciting to bring those two worlds together with this tour.

“Our outreach programme is so important to us. It’s sharing and spreading our mission to these young aspiring artists. As a young African American girl, I just didn't see people like myself doing the things and performing the way that I dreamt of so for us to reach young people who may have dreams of dancing or becoming being involved in the arts in some other capacity, it’s so important. It can change lives.”

“One of the most exciting things is that this tour is launching our 50th anniversary season as 2024 marks 50 years since Ailey 2 was founded. Audiences to this tour can expect excellence and heart, they can expect innovation, they can expect cutting edge work and they can expect these young artists at the height of their expression.”

Photos: Nir Arieli

Tickets:

Ailey 2 plays Newcastle Theatre Royal on Tuesday 24 & Wednesday 25 October 2023. Tickets can be purchased at www.theatreroyal.co.uk or from the Theatre Royal Box Office on 0191 232 7010.


13/10/2023

REVIEW: Beyond Caring at Hexham Queens Hall


A Gala Durham & Queen’s Hall Arts Centre co-production

Beyond Caring by Christina Castling 

Hexham Queens Hall,

Wednesday 11 October 2023

Now touring the North East of England 

from until Sunday 5 November 2023

Direction by Jonluke McKie

Design by Ellie Light

Based on interviews with residents, relatives and staff of care homes, Beyond Caring is a warm, well informed examination of life in care homes that remembers the funny and absurd side of life at the end of the age range.

A cast of three play multiple roles throughout the 75 minutes duration. Having said that 3 characters predominate. Judi Earl is Queenie the resident. At times challenging like a teenager, refusing to follow the details of her agreed care plan, she has her own will and is determined to make that point. Queenie will be recognisable to many.

Jacqueline Phillips is the middle aged daughter Elaine who is coping with an elderly mother who won't accept that she has gone from falling down to having falls. The dilemma of facing the need to changing the care arrangements is palpable. Again, if you have very elderly relatives in your life then you empathise with the situation.

Doing much of the work of representing the Care workforce, and narrating when necessary, is Rosie Stancliffe. She appears as Alex who has been at the care home 10 years but, whilst she loves much of the job, she sees a lot of staff turnover with new staff. In an industry screaming for staff, Rosie is able to elaborate on the reasons why recruitment is an issue without labouring on the point.

This is a really strong cast that deliver both a local flavour and authenticity to the tale. The key reason why this show works, why it successfully wins over the audience, is that you quickly care about the people. Talented actors representing recognisable people that are not just stereotypes. Their frustration is the audiences frustration.

The touring nature of this production means that the set is fairly simple, reliant heavily on costume and props changes. The cast segue between characters and situations fluidly and this helps keep the pace up,

Beyond Caring is a wonderful production thanks to the level of empathy with the subject matter. It does not fall into the trap of making judgement. It leaves that to the audience.

Review: Stephen Oliver

Photo: Matt Jamie



Tickets:

For more information about Beyond Caring and to book tickets visit www.beyond-caring.co.uk 

 

Beyond Caring North East Tour Dates:

• Thursday 12 October, 2pm - Blackhall Community Centre

• Friday 13 October 7.30pm - Hamsteels Community Centre

• Saturday 14 October, 7.30pm - Clara Vale Village Hall

• Tuesday 17 October, 8pm - Hipp @ The Hullabaloo, Darlington Hippodrome

• Wednesday 18 October, 7.30pm - The Customs House, South Shields

• Thursday 19 October, 7.30pm- Arts Centre Washington

• Friday 20 October, 7.30pm - The Witham, Barnard Castle

• Saturday 21 October, 7.30pm - Trimdon Grange Community Centre

• Tuesday 24 October, 7.30pm - Coundon & Leeholme Community Centre

• Wednesday 25 October, 7.30pm - Hamsterley & Low Westwood Community Centre

• Thursday 26 October, 7.30pm - Witton Park Village Hall

• Friday 27 October, 6pm - Pelton Community Centre

• Saturday 28 October, 3pm - St John’s Hall, Meadowfield

• Tuesday 31 October, 7.30pm - Live Theatre, Newcastle

• Wednesday 1 November, 7.30pm - Live Theatre, Newcastle 

• Thursday 2 November, 7.30pm - Casterton Village Hall, Carnforth*

• Friday 3 November, 7.30pm - Kirkby Stephen Sports & Social Club*

• Saturday 4 November, 7.30pm - Frosterley Village Hall*

• Sunday 5 November, 7.30pm - Middleton & Todridge Village Hall, Morpeth*

*These dates are presented as part of the Highlights Rural Touring Scheme

Jowheretogo Podcast- The Northeast Culture Show :

Previews and reviews of live music, comedy, theatre & more in Northeast England. New music, old music and a bit of what we fancy! Find out what's on in Northeast England: With Jo ; Northeast Music Guide , and Steve : Northeast Theatre Guide

Available now on Spotify

Podcast link: https://open.spotify.com/episode/49xaiKNmTLEqwROsZHPUjV?si=63384ae76f094ec3


 


12/10/2023

Preview: BABA YAGA at Darlington Hullabaloo

Theatre Hullabaloo & Theatre Porto presents

Baba Yaga

Darlington Hullabaloo

Saturday 14 October 2023

11am*Neurodiverse Friendly & 1.30pm



Theatre Hullabaloo & Theatre Porto's hit show returns by popular demand!

In this contemporary fairytale adventure inspired by the Slavic stories of  Baba Yaga, a sister and a brother are forced to flee from their home only to find themselves alone in a whole new place.

A New-Place. Surely they will find safety here? But shshshsh!

Just beyond in a chicken-leg house, lurks the most dangerous new danger, of the snap-you-up-and-gobble-you-down-if-you’re-not-careful-variety. The most infamous of witches. The most unpredictable of adversaries. The lip-smacking, chiddler-nicking, fear-smelling Baba Yaga!

Fantastical fairytale ingredients, physical theatre and an epic score come together in this new production which celebrated the bravery of children for everyone aged 6 years and above.


Tickets: 

Adult £7 / Child £7

Adult and Babe in Arms (under 12 months) £7

Group ticket £24 (4 people, min 1 child) – discount applied at checkout.

https://www.theatrehullabaloo.org.uk/shows/baba-yaga-2023/ 

The show is for ages: 6+

Duration: 60 minutes


Creatives:

Writer – Laura Lindow

Director – Nina Hajiyianni

Designer – Bek Palmer

Composer – Patrick Dineen

Artistic Producer – Miranda Thain

Lighting Designer – Will Evans


Jowheretogo Podcast- The Northeast Culture Show :

Previews and reviews of live music, comedy, theatre & more in Northeast England. New music, old music and a bit of what we fancy! Find out what's on in Northeast England: With Jo ; Northeast Music Guide , and Steve : Northeast Theatre Guide

Available now on Spotify

Podcast link: https://open.spotify.com/episode/49xaiKNmTLEqwROsZHPUjV?si=63384ae76f094ec3



11/10/2023

REVIEW: 42nd Street at Newcastle Theatre Royal

 42nd Street

Newcastle Theatre Royal

Until Saturday 14 October 2023

With all of the glitz and glamour of a Broadway show, 42nd Street has tap danced its way into Grey Street this week. It may be a an old story full of familiar tropes but the tale feels relevant in the modern climate. It is nice to have a show full of escapism that gives an audience hope.

This musical is based on a 1933 film about creating a musical in the great depression. When it first arrived on the scene in 1980 the musical with a book by Michael Stewart and Mark Bramble, lyrics by Al Dubin and Johnny Mercer and music by Harry Warren won a number of awards. It appears that people want a touch of nostalgia. This must be one of the first jukebox musicals, containing a number of songs of the era for a variety of films.

The show starts by mixing footage of the 30s with scenes of rehearsal.  News is out that Julian Marsh (Michael Praed) is creating a new musical called Pretty Lady. Given that most of Broadway is out of work, following the Wall Street crash, the idea that there will be work for about 100 people on and off stage creates a buzz. The show is being co-written and co-produced by Maggie Jones (Faye Tozer) and Bert Barry (Les Dennis) who are coming up with the songs.

Billy Lawlor (Sam Lips) is a tenor in the show and he spots young nervous Peggy Sawyer (Nicole-Lily Baisden) who has turned up late for an audition. Whilst they hit off quickly, she is quickly sent packing. However another chorus girl is needed and so she finds herself recruited.

The show needs a big marquee name to help sell tickets but they have signed Dorothy Brock (Samantha Womack) who can sing but is hopeless at dancing. The solution suggested is to surround the faded star with the talented ensemble members.

42nd Street then follows the show through rehearsals, out of town try outs and then, eventually, Broadway itself. There is a rags-to-riches element to the tale, though the other aspects of prima donna stars and tough directors ring a familiar bell with the gossip pages of the tabloids.

This show is full of big dance numbers. The tap dancers are accompanied by a big and very pleasant sounding live band. Hearing the reed section alongside the rhythms that the dancers generate had a real energy. 

On top of this are the dazzling costumes, wigs and shoes - it must be organised chaos backstage as the cast keep changing their outfits .You also have some clever lighting decisions - the shadows that form in one of the early scenes really added to the action.

Right through to the curtain call the ensemble and principle leads sing and dance - entertaining the Theatre Royal crowd in a glamourous spectacle. This was an entertaining night at the theatre. Definitely one for the fans of those old musical films.

Review: Stephen Oliver

Photos: Johan Persson

Tickets:

42nd Street plays Newcastle Theatre Royal Tuesday 10 – Saturday 14 October 2023. Tickets can be purchased at www.theatreroyal.co.uk or from the Theatre Royal Box Office on 0191 232 7010.

Jowheretogo Podcast- The Northeast Culture Show :

Previews and reviews of live music, comedy, theatre & more in Northeast England. New music, old music and a bit of what we fancy! Find out what's on in Northeast England: With Jo ; Northeast Music Guide , and Steve : Northeast Theatre Guide

Available now on Spotify

Podcast link: https://open.spotify.com/episode/49xaiKNmTLEqwROsZHPUjV?si=63384ae76f094ec3



05/10/2023

REVIEW: Quiz at Newcastle Theatre Royal

Quiz

Newcastle Theatre Royal

Until Saturday 7 October 2023

Was it a foolish plot to acquire one million pounds? Was it an attempt to defraud a television show? Or did they play fair? Quiz the play has arrived this week in Newcastle and it attempts to answer those questions.

As you arrive you are given a digital voting pad. Indeed there are some points of audience interactions. As an audience member you will be part of ask the audience and you will vote on the guilt of the accused.

The tale was an international news story back in 2001. The coughing major, Charles Ingram (Lewis Reeves) was appearing on the number one television quiz show "Who Wants To Be A Millionaire". At the end of the first episode that he appeared on, Charles had struggled to reach £4000. He had used two of his lifelines as he lurched from one question to the next. As the overnighter, the producers did not expect him to last long on the next episode. The became suspicious. He behaviour did not match that of the other contestants. Something did not seem right.

The James Graham play looks at both the history of Charles, his wife Diana (Charley Webb) plus her brother Adrian Pollock (Jay Taylor) and it looks into the history of the programme. The simple format of multiple choice quiz questions that went on to be sold, as a format, all over the world. Even the US bought it.

The set is a hybrid between the studio and a courtroom. Two large screens help bring the action close up, showing how the tension could be directed. Indeed the lighting is intended to match the show at times.

In this play written by James Graham you essentially have two sides to the argument. The prosecution opens act one. It follows the line that was widely reported at the time. The audience then votes on how they felt at that stage.

Act two is the turn if the defence - indeed this was the half with the most humour. For example, the hugely talented Rory Bremner not only appear as the show's presenter Chris Tarrant, but he also makes a brief appearance as Coronation Street's Hilda Ogden.

The show is fast paced. Partly narrated by the two QCs: Danielle Henry as Sonia Woodley for the defence and Leo Wringer as Nicholas Hilliard for the prosecution. They keep the story flowing without overloading the audience with too much exposition. A hard working cast must be putting in some quick costume changes. Sukh Ojla, for example, appears as at least 7 characters - giving each one a different angle.

What was a nice final feature was that the recent audience votes are on the screens after the curtain calls. It is not as cut and dried as the red top newspapers suggested at the time.

Theatre is a natural fit for court room drama and this is no different. I really enjoyed this drama.It is great to see a part of our shared history appearing on stage.

Review: Stephen Oliver

Photos: Johan Persson

Tickets:

Quiz plays Newcastle Theatre Royal Wed 4 – Sat 7 Oct 2023. Tickets can be purchased at www.theatreroyal.co.uk or from the Theatre Royal Box Office on 0191 232 7010.

Jowheretogo Podcast- The Northeast Culture Show :

Previews and reviews of live music, comedy, theatre & more in Northeast England. New music, old music and a bit of what we fancy! Find out what's on in Northeast England: With Jo ; Northeast Music Guide , and Steve : Northeast Theatre Guide

Available now on Spotify

Podcast link: https://open.spotify.com/show/1NklmSYzgi6TL9Kaay5ztW?si=c2c941ff3d324d47



03/10/2023

REVIEW: Annie The Musical at Sunderland Empire

Annie The Musical

Sunderland Empire

Until Saturday 7th October 2023

The musical based on the 1924 comic strip Little Orphan Annie by Harold Gray is back in town. 

With music by Charles Strouse, lyrics by Martin Charnin, and a book by Thomas Meehan, this popular musical seems to have been constantly touring for the last couple of decades. It seems a popular musical and, I have to admit, that I had not seen it before, so it was time to see what the fuss was about.

The show is based upon a comic strip and there is a cartoon feel to some of the portrayals of the characters and some of the choreography. Whilst this helps convey energy, it does leave some characters seeming less developed. But, one needs reminding, this is a show for families.


The lead Annie is on a rotation of 3 children and on opening night we had the extremely talented and confident Zoe Akinyosade. A nine year with more guts and panache than the room full of theatre critics. She made Annie a charming character that you wished well. She shared a dorm with six other talented young actors who collaborated in the great opening highlight of the show It's the Hard Knock Life. Their singing, dancing and movement around the set helped set up a buzz around the show.

The show needs a villain and such duties were in the capable hands of Craig Revel-Horwood as Miss Hannigan, the drunken bully who runs the orphanage. It appears that Craig needs to shoot off and be in some television programme or other on Saturday, so the role will pass on to Jodie Prenger. (Apologies to the Strictly fans who I may have upset there).


Two other notable performances tonight come from Alex Bourne as Daddy Warbucks, the millionaire businessman who decides to borrow Annie from the orphanage for the duration of Christmas, and his faithful secretary Grace, who was wonderfully covered by understudy Dawn Williams. The pair had great voices.


The set and lighting helped keep up the flow of the show that runs for two hours plus interval. It had a feel that was partly in keeping with the period but also of that of a cartoon too.

The show is going to be popular with the fans. A talented, hardworking cast perform around a well designed set, singing the popular classics that stay in the memory.


But... As I said previously, this was my first time and, I'm sad to say, that despite the charming endeavour of the cast, I don't consider myself a fan of the story. I guess that you cannot love everything.


Review: Stephen Oliver




Jowheretogo Podcast- The Northeast Culture Show :

Previews and reviews of live music, comedy, theatre & more in Northeast England. New music, old music and a bit of what we fancy! Find out what's on in Northeast England: With Jo ; Northeast Music Guide , and Steve : Northeast Theatre Guide

Available now on Spotify

Podcast link: https://open.spotify.com/show/1NklmSYzgi6TL9Kaay5ztW?si=c2c941ff3d324d47