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07/09/2014

Preview: How Did I Get To This Point? at Newcastle Live Theatre



How far are any of us
from losing our home?

How Did I Get To This Point?

Newcastle Live Theatre
19th, 24th & 25th September 2014

Join the innovative Alphabetti Theatre, described as 'Original, off the wall and clever' by a producer from BBC Radio 4 for forty minutes of challenging, emotional and funny drama in response to Live Theatre’s Wet House.

According to the Joseph Rowntree Foundation we're all just two pay cheques away from losing our roof.

Do you know someone who struggles with money? Someone who went through a tough break up? Maybe they drink too much, use risky substances, have lost someone close, lied on form, fallen ill. But they could never lose their home…right?

How Did I Get To This Point? is a new play made up of interviews with members of the public, workshops with homeless people, log books from supported accommodation, internet discussions, forms, facts, government statistics and a everything else that makes up life. When affordable housing is scarcer than ever, How Did I Get To This Point? asks just how close we all are to a life without a home. This is a production that shows just how close you and I are from becoming homelessness, through real and chaotic experiences. 

Researched & Written by   Ali Pritchard, Allison Davies and Pip Chamberlin
Directed by                          Ben Dickenson       
Performed by                       Amy Foley, Ali Pritchard & Pip Chamberlin

On The Web:

Tickets:

When:                         19th, 24th & 25th September 2014, 20:00
On Friday 19thSeptember  - There will be two performances one at 6pm & one at 8pm
Where:                        Live Theatre, Quayside, Newcastle upon Tyne,  NE1 3DQ
Ticket Price:               £5
Running Length:        40 minutes

Preview: Flying Into Daylight at Newcastle Live Theatre



Another World Premiere
Flies Into Live Theatre

Flying Into Daylight
Newcastle Live Theatre
27 November – 20 December 2014

Written by Ron Hutchinson
Based on an original story by Victoria Fischer
Directed by Ron Hutchinson & Max Roberts
Music created & performed by Julian Rowlands
Choreographed by Amir Giles
Designed by Gary McCann

‘You really only get to know someone when you dance Tango with them.’

Summer Strallen and Jos Vantyler
The cast has been announced for Live Theatre’s new autumn play Flying Into Daylight as Summer Strallen and Jos Vantyler in the two lead roles.  Flying Into Daylight is a vibrant and life-affirming journey with live music and passionate Tango, written by Emmy award-winning screen writer, Ron Hutchinson. It has its World Premiere at Live Theatre from Thursday 27 November to Saturday 20 December 2014.

Flying Into Daylight follows Virginiawho walks out on everything she knows leaving the security of her mundane British life to travel 12,000 miles to Buenos Aires to learn the Tango. Live music and passionate dance makes Flying Into Daylight a life affirming journey where seductive rhythms can change lives. It is a Live Theatre production written by Ron Hutchinson, based on an original story by Victoria Fischer and directed by Ron Hutchinson and Live Theatre’s Artistic Director Max Roberts, and is supported by the Friends of Live Theatre. 

Summer Strallen
Summer Strallen takes the lead role of Virginia, the character based on an original true story of a young woman who leaves her mundane life in Britain to travel to Buenos Aires to learn Tango.  Summer has recently been on tour in Ballroom to Broadwaywith Strictly Come Dancing professional Anton Du Beke, which visited Sage Gateshead in March 2014 as part of a national tour. She starred as Dale Tremont in Top Hat at Aldwych Theatre in the West End and as part of a national tour 2012, for which she received her fourth Olivier Award Nomination for 2013 Best Actress in a MusicalSummer also featured in the BBC productions LandGirls, Casualty, Doctors and Hotel Babylon as well as Channel 4’s Hollyoaks.

Summer Strallen said: "The element of questioning one’s life choices like our heroine Virginia really
struck a chord with me which is what enticed me to accept the role.  I have always been a fan of Tango and am immensely looking forward to delving deep into it, especially now knowing how easily people can be enamoured by it.  There are going to be intense steps to self-discovery within the dance and the play, not only for Virginiabut for me too due to this being only the second play I will have appeared in. I am hugely excited to fly head first on this journey into the deep, sometimes dark, passionate, intense world as Virginia in Flying Into Daylight."

Jos Vantyler
The show also stars Jos Vantyler who won a Theatre Choice Award for Outstanding Performance in a new play and was nominated a second time for an OffWestEnd Award (Offie) for Best Male Performance of 2012 for his portrayal of the promoter of the Dance Marathon contest in Dead on Her Feet, also written by Ron Hutchinson. Other award-winning and nominated work includes Ghosts by Henrik Ibsen, Arthur Miller’s A View From the Bridge and the Broadway transfer of Prophecy.  He has appeared Knight Spell and the Name of God (Fairmont/HBO) and Here and Now (CBS). Jos Vantyler said: “Ron Hutchinson is a brilliant and thought-provoking writer. I can't think of anything more exciting than working with him on his first writer/director project, Flying Into Daylight at Live Theatre, Newcastlewith Max Roberts. This is much more than a play, it's a show with live music, dance and a powerful contemporary script. Combining all these theatrical forms into a two hander is a wonderful challenge.”

Julian Rowlands
Julian Rowlands, one of Europe’s leading Tango musicians, will create the music for Flying Into Daylightand will play live on stage at each performance. He is a bandoneonist, composer and arranger specialising in Tango, classical and contemporary music. As a member of Tango Siempre he composed and performed the music for Midnight Tango in the West Endand on tour. He has appeared on BBCtelevision’s Strictly Come Dancing, The One Show and Zingzillas, on BBCRadio 3’s In Tune.

Ron Hutchinson
Writer Ron Hutchinson is a screenwriter currently based in Los Angeles who won an Emmy Award for Murderers Among Us; The Simon Wiesenthal Story. He has received four other Emmy nominations.  He wrote his first television play Twelve Off The Belt for the BBC, and further television plays and series, including two series of Bird of Prey starring the late Richard Griffiths and Connie, starring Stephanie Beecham.  
After moving to Los Angeles he wrote and produced extensively for American cable and network companies, including HBO, ABC, NBC, CBS, Lifetime and Showtime.  His series of five short plays, Hollywood Endings starring Kathleen Turner is due for transmission on BBCRadio 4 in autumn 2014.

Max Roberts
Max Roberts, Artistic Director, Live Theatre, said: ‘‘As a new writing theatre we receive lots of scripts. It is very rare indeed that I read a play and say ‘Wow, we should try and do this’. But that is exactly what happened when Ron Hutchinson’s new musical play Flying Into Daylight came to us. The raw, passionate and distinctive music and dance of the Tango aligned with a beautifully written, compelling and life affirming narrative provides the basis of an inherently theatrical experience. This will be yet another not to be missed Live Theatre highlight.’
’
Amir Giles
The Tango in the play is choreographed by Amir Giles, a performer and choreographer trained at the Rambert School of Ballet and Contemporary Dance. Amir has performed at the Royal Opera House and on tour, as a swing dancer in the upcoming Marvel Comics’ Avenger's sequel, and as SeƱor Gomerez in ITV's Mr Selfridge. He has worked with companies including Paramount Pictures, Boy George, Film Four and Royal College of Music.  


A series of events accompany Flying Into Daylight including a free Meet the Team post show talk with writer Ron Hutchinson, musical director Julian Rowlands, director Max Roberts and the cast on Thursday 4 December at 10.15pm. The play’s musical creator and performer, Julian Rowlands will discuss the Bandoneon, Tango and music in the show in a free post show talk on Sunday 14 December at 6.45pm.

There are also accompanying Beginners Tango lessons on Saturday 6 December, 5pm (sold out) and Thursday 11 December, 6pm, which cost £6 per person and free post show Milongas after the performances on Saturday 13 and 20 December and an Argentinian wine tasting event on Wednesday 10 December, 6pm. Pre-booking required on all events, which have limited places. Corporate and group Christmas hires are available by arrangement, as well as an Argentinian themed three course pre-theatre menu dinner from The Broad Chare.

Tickets:
For more information on Flying Into Daylight and to buy tickets costing between £22 to £10, over 60s concessions from £16 to £10 and other concessions between £15 and £5 call Live Theatre’s box office on (0191) 232 1232 or see www.live.org.uk.

On The Web:



06/09/2014

Preview: An Audience with Tim Brooke-Taylor at Darlington Central Hall Dolphin Centre



He’s a Goodie!
                 
An Audience with Tim Brooke-Taylor
Darlington Civic Theatre at Central Hall Dolphin Centre
Friday 3 October         
 
Tim Brooke-Taylor Photo: Hattie Miles
Best known as one third of TV comedy trio The Goodies, Tim has been delighting audiences with his gentle, zany humour ever since joining the famous Cambridge Footlights back in the early 1960s.

His TV credits include On the Braden Beat, The Frost Programme, At Last 1948 Show, Me and My Girl and, of course, The Goodies. Tim is now a regular panellist on the ever-popular radio show I’m Sorry I Haven’t a Clue.

In this show he is in conversation with broadcaster Chris Serle best known for his work as a reporter on That’s Life with Esther Rantzen. Tim will also share anecdotes and film clips from a career spanning 50 years.
     
Tickets:
Tickets are £16* Discounts £14*
*Includes £1 restoration levy
To book contact the Box Office on 01325 486 555 or visit www.darlingtoncivic.co.uk

Review: I Promise You Sex and Violence at Newcastle Northern Stage



Let’s Be Honest 
About How We Feel

I Promise You Sex and Violence
NewcastleNorthern Stage
Until Saturday 20 September 2014.


Cast:               Keith Fleming – Bunny
                        Esther McAuley – Charlie
                        Reuben Johnson – Queue
Creatives:      David Ireland – Writer
                        Lorne Campbell – Director
                        Garance Marneur – Designer
                        David Holmes – Lighting Designer
                        John Alder – Composition and Sound Designer

Northern Stage has always been proud of its willingness to perform new work and productions which may not be comfortable for everyone. Any play which explores themes such as racism, homophobia, misogyny and sexism is always going to be difficult for some to enjoy but this could be the making of a cult hit.
Keith Fleming and Esther MacAuley Photo: Mark Savage


Under Northern Stage’s Artistic Director Lorne Campbell’s direction this production Keith Fleming’s play may be shocking to some. Scenes of what normally happens behind closed doors will not be everyone’s cup of tea. 


Keith Fleming and Reuben Johnson Photo: Mark Savage
Keith Fleming captures the complexities of Bunny well and Esther McAuley explores the nature of some modern 30 somethings as Charlie. They are complemented by Reuben Johnson’s Queue who has a challenging role playing a character who never says the right thing for 2014 sensibilities.  The sell-out crowd had moments in which they laughed at the interaction of these 3 dysfunctional characters. The ending seemed out of place with the rest which is the shame.

An eclectic production which isn’t shy at confronting the problems of a troubled state of mind.

This review was written by Stephen Oliver for Jowheretogo PR (www.jowheretogo.com). Follow Jo on twitter @jowheretogo, Stephen @panic_c_button or like Jowheretogo on Facebook https://www.facebook.com/Jowheretogo 

Tickets:
Strictly 18+
5-20 Sept, 8pm
Tickets: £14.50 / £12 conc.
Box Office: 0191 230 5151

Post-show discussion: Thu 11 Sept

On The Web:

05/09/2014

Review: North East Rising at Washington Arts Centre



Culture is a matter of perspective

North East Rising
WashingtonArts Centre
4th September 2014

An evening of poetry and music showcased some of the great talent that we currently have in the region. Alix Alixandra opened up with her songs about love and meeting up with her ex’s best friend on her ukulele. Gentle songs with poetic lyrics provided a reflective start to the evening. 

Alix was the calm before the storm as Jessica Johnson took to the stage with her vitriolic punk poetry. Topics range from what it must be like to be married to a comic like Jim Davidson, through drinking with a sister who doesn’t shy from a fight, to being married to a photographer who uses your house to photograph various girls. It may have been her first performance for 2 years but the verse flowed like a torrent. 


It was really pleasing to see a packed house experiencing the culture on show tonight and Rowan McCabe delivered an entertaining yet very personal journey around the North East. He segued the introductions into the poetic compositions to provide a seamless journey around the both the undesirable elements of the region and some of the highlights. Stotties and Tony the Fridge are celebrated whilst Cheryl Cole and dodgy company in a nightclub provide a counter argument to what is great about the region. Joseph Swan need not have a nightmare. Culture in the North East is in safe hands as long as talent like Rowan, Alix and Jessica can continue to perform in packed venues.

This review was written by Stephen Oliver for Jowheretogo PR (www.jowheretogo.com). Follow Jo on twitter @jowheretogo, Stephen @panic_c_button or like Jowheretogo on Facebookhttps://www.facebook.com/Jowheretogo 

On tour:
Sunderland Independent Tuesday 16thSeptember
Northern Stage Tuesday 21st October
ARC Stockton Thursday 23rdOctober

The show will appear as part of Sunderland Stages at the Independent (27/28 Holmeside) on Tuesday 16 September, 7.30pm. tickets £8.50, £6 conc, £5  students are available from Arts Centre Washington, by calling 0191 219 3455 or online at www.sunderlandstages.co.uk.

It then continues to Northern Stage on Tuesday 21st October, 8.00pm. Tickets are £7.50 / £5 (conc) and will be available from www.northernstage.comor by calling 0191 230 5151.

It will finish at ARC Stockton on Thursday 23rd October, 7.00pm. Tickets are £8.50 / £6.50 (conc) and will be available from http://arconline.co.uk/ or by calling 01642 525199.

 



03/09/2014

Preview: Send More Paper at South Shields Customs House



Killer Show Comes to The Customs House

Send More Paper
South Shields Customs House
Friday 5 September

“This is a powerful yet bubbly production” Jowheretogo Review
A hit black comedy comes home this week.  Fresh from their much-lauded Edinburgh Fringe Festival production of Send More Paper, Camisado Club returns to The Customs House.
Having rehearsed  the play at the Mill Dam venue in South Shields, the group of eight performing arts graduates are delighted to be back to showcase this tale of joy, mischief, love and deceit on Friday (Sept 5).
Send More Paper relives the true tale of a group of housewives in Hungary who committed mass murder over the course of 15 years in the early 20thcentury.  Customs House marketing, programming and events co-ordinator Sally Hoban said: “We saw this show earlier in the year and we knew we had to bring it to the venue.  The group rehearsed here before going to Edinburgh and there was a real buzz about the play. It’s a Tarantino-esque show with a great cast.  We’re always eager to support and celebrate new theatre and we’re delighted to see Camisado Club at The Customs House.”
The grisly story uses dark humour to follow the housewives who systematically poisoned their husbands, parents, children and anyone who got in their way.  The performance is a fast paced presentation of comedy, physical theatre, clowning and mime, and text to tell the tale in a unique and amusing way.
In a four-star review Broadway Baby said: “Send More Paper is a brilliant black comedy that will leave you feeling unsettled… after you’ve stopped laughing.”
Jowheretogo reviewed the production when it was performed at Northern Stage back in March – clink on this link to see what we said http://nomorepanicbutton.blogspot.co.uk/2014/03/review-send-more-paper-northern-stage.html
On The Web

Camisado Club is part of North Company, which is supported by Northern Stage.

Tickets:
Tickets for the show, which start at 8pm, are £7.50 or £6.50 for Friends of The Customs House. A meal deal is available including ticket and a two course meal for £19.50.
To purchase tickets to this grisly true tale go online at www.customshouse.co.uk or call the box office on 0191 454 1234.

02/09/2014

Review The Mousetrap at Newcastle Theatre Royal



…see how they run…

The Mousetrap
Newcastle Theatre Royal
Until Saturday 6th September 2014



A fine ensemble cast meet to present the Agatha Christie classic in its 60th year. So why has this play continued to be performed in front of packed enthusiastic audiences? Read on…

The action centres on Monkswell Manor, a large house in the country that Mollie Ralston (Helen Clapp) has set up with her husband Giles (Henry Luxemburg). It is snowing outside but each of their five guests manage to get through to the isolated house. Each guest seem to be, in their own way, eccentric and perfectly happy to annoy the other guests.

An example of one such pair of guests clashing includes Christopher Wren and Mrs Boyle. Wren, performed wonderfully by Stephen Yeo, is happy to interact with everyone regardless of their reaction. Anne Kavanagh portrays Mrs Boyle as a cantankerous guest who clearly is not happy with her hosts’ efforts. The set includes some clever lighting and snow effects that help the audience feel the effects of the early winter nights as the draw in. The action is appropriately paced without overloading the audience with too much exposition.

We see issues of class, childhood and people’s integrity challenged as the web of lies unravels. The laughs in the final moments are a lovely touch. The whole cast weave their magic to keep the audience guessing as events unfold. Director Ian Watt-Smith has kept the legacy of Agatha Christie’s wonderful play intact.

This review was written by Stephen Oliverfor Jowheretogo PR (www.jowheretogo.com). Follow Jo on twitter @jowheretogo, Stephen @panic_c_button or like Jowheretogo on Facebook https://www.facebook.com/Jowheretogo