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Showing posts with label Arabella Arnott. Show all posts
Showing posts with label Arabella Arnott. Show all posts

23/10/2015

Review: The Rooms at Newcastle Alphabetti Theatre



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The Rooms
Newcastle Alphabetti Theatre
Until Saturday 31st October 2015


The Alphabetti Theatre is a real hidden gem in the centre of Newcastle. The Rooms are 3 short plays that take full advantage of the unique space that exists underneath New Bridge Street.

Three talented young actresses are able to hold the audience in their grasp. The strong scripts often provide more questions than answers.  The loose ends suggest a greater depth to the subject matter.

The audience is divided up into three groups, each group enjoying the 3 shows in a different order.

First up tonight was Dreaming Is Free by Michael Brown. As you enter Jessica Johnson is lying on her single bed.  She has woken up in a room but isn’t entirely sure how she ended up there.


As with all 3 productions, the audience is stood up around the space as the performance unfolds. Jessica springs from her bed and draws the audience into her performance. As she stands up, and stares you in the face, you will become drawn into the performance. Under Matt Jamie’s direction this is not a passive form of theatre.

The monologue suggests a captive girl who dreams on seeing the outside world. The person that she describes as a “kind friend” is probably far from it. There are many questions that are left unanswered as you leave and that is perhaps what makes it such a powerful realization.

After a short interval the group were escorted into another room to see Paper Walls by Nina Berry. A number of comments about The Rooms on Twitter refer to the intense experience. Indeed as Arabella Arnott rips the paper off the walls whilst looking for something one is drawn into a personal hell. A lady undergoing intensive treatment, a baby that is missing and a partner that has kept her in this place. Powerful and, indeed, it is very intense. Lee Rosher has directed a profound and passionate experience.

The third show had a change in pace. As Rosie Stancliffe led the group through the corridors at the rear of the venue it is clear that this is not going to be a conventional show.  

Meat Factory by David Raynor looks at meat production and convenience foods such as chicken nuggets. Rosie is Shirley Dobson OBE, one of the North East’s leading business women. Not shy to brag about her achievements she is looking for investment to increase production.
Rosie’s performance is as funny as it is shocking. As she stares maniacally into your eyes and offers you the food products you know something is not quite right. Director Ali Pritchard has created the most interactive of the three shows.

The three actresses were simply stunning. Jessica Johnson, Arabella Arnott and Rosie Stancliffe are both believable and captivating. The audience is very close up to the action, sometimes painfully so. The tickets are limited and already audiences are booking return visits with new groups to share an experience like no other in town. 

The Rooms are three experiences that are well worth seeking out.


This review was written by Stephen Oliver for the North East Theatre Guide from Jowheretogo PR (www.jowheretogo.com). Follow Jo on twitter @jowheretogo, Stephen @panic_c_button or like Jowheretogo on Facebook www.facebook.com/Jowheretogo

The Rooms: Video Trailer -https://www.youtube.com/watch?v=VOBECiKaPiU

Performance Details
When:
Bar Opens
6.30pm. Performance starts 7.30pm

Where:
Alphabetti Theatre, The Basement 18 Newbridge Street West Newcastle upon Tyne, NE1 8AW

Ticket Price:
£8 / £6

Running Length:
Approx. 1 Hour 15 minutes (including 3 x 15 minute intervals)


Capacity is limited –booking is essential.
Please be advised that this a promenade production, where audiences will be watching the show on their feet.





17/10/2015

Preview: The Rooms at Newcastle Alphabetti Theatre



Follow North East Theatre Guide on Twitter at https://twitter.com/NETheatreGuideand on Facebook at www.facebook.com/NETheatreGuide
The Rooms
Newcastle Alphabetti Theatre
Monday 19th- Saturday 31st October 2015

The Rooms is a harrowing and chilling immersive promenade production created for Halloween made up of three short plays situated in three rooms not normally accessible to the public, in the depths of Alphabetti Theatre – underneath the old Odeon Cinema.

Paper Walls written by Nina Berry
Directed by Lee Rosher
Performed by Arabella Arnott
Mary is trapped, with thoughts that aren't hers. A truth buried beneath false stories and harsh punishment. She knows the answer is somewhere, and if these walls could talk...they'd tell everyone.

Dreaming is Free written by Michael Brown
Directed by Matt Jamie
Performed by Jessica Johnson
I do not remember getting to this room. Just waking up in bed with my kind friend sat in that chair. He was very sad and told me it was too dangerous to live with him anymore. It would not be safe to leave the room until he said so. I was desperate to get out to see the moon and stars….But he brought them to me.

Meat Factory by David Raynor
Directed by Ali Pritchard
Performed by Rosie Stancliffe
Here at Quick N Easy Meat Based Products Ltd there are no problems, only opportunities. Come and look around...taste the future.'

The Rooms: Video Trailer - https://www.youtube.com/watch?v=VOBECiKaPiU

Performance Details
When:
Bar Opens
6.30pm. Performance starts 7.30pm
Where:
Alphabetti Theatre, The Basement
18 Newbridge Street West Newcastle upon Tyne, NE1 8AW
Ticket Price:
£8 / £6

Running Length:
Approx. 1 Hour 15 minutes (including 3 x 15 minute intervals)


Capacity is limited –booking is essential.
Please be advised that this a promenade production, where audiences will be watching the show on their feet.









17/07/2015

Review: DieHard Gateshead at Gateshead Caedmon Hall



"Battle It Out Until I
Get My Own Way"

DieHard Gateshead
Gateshead Caedmon Hall
Thursday 16th July 2015

Ruth Raynor has written a dynamic play about the life, during the current austerity, for some women in Gateshead. It works brilliantly because it keeps both a clear sense of perspective and a wicked sense of humour which frequently had the packed Gateshead crowd laughing.

Ruth has based the story around some of the women that she has met. As the story opens it is clear something is wrong as the leader of Gateshead Women’s Centre, Lesley, is taking a phone call. She quickly reverts to her happier face, with positive mental attitude, once the first 2 participants arrive. Sandra, who hates yoga, and the mother of 6, Katie, are at the centre of many of both the light hearted and difficult moments of the play. Julia comes across as positive but she also has her reasons for attending the centre.

One of the key reasons why this production works is that whilst each character is identifiable, they are not just simple, lazy stereotypes. When Rosie appears on the scene to lead 6 weeks of drama with some “games to get in the right zone”, the characterisations of the centre’s regulars have already been accepted by the audience. Each character is likeable, which helps, and there hasn’t been an overload of unnecessary exposition. 

The story then unfolds as the ladies plan to put on a play about a fishmonger with Bruce Willis attributes that saves the staff at Tescos from an extremist attack with many funny consequences.

Each character was wonderfully portrayed and the only complaint is that I wanted more. Surely DieHard 2 is on the way?

The production then leaves some interesting questions. Have the creative industries got as much to offer people who don’t normally participate as those people have to offer the creative industries? Are the arts something that can be cut in a recession or should it have equal status to other services through the impact that it has. Which services should be cut back in austere times? DieHard Gateshead leaves many questions unanswered.

The Gateshead performance was then followed by musical performances by 3 sets of musicians. Another Penny performs 3 songs covering 3 centuries of austerity in a fine folky way.  They were followed by Ribbon Road who retained the folk sensibilities with the songs included tales about the miners’ strike. The final performer was the superb multi-instrumentalist Joe Solo, who is based in Scarborough. He remains ever the optimist and his engaging style eventually lead to the packed room standing on their chairs, shaking instruments and singing along to one of his catchy songs about the workers struggle. He is at the centre of a movement to have gigs on the weekend of the 2nd October with the positive refrain “We shall overcome”. The three sets of musicians fitted in well with the overall concept of the evening.

A wonderful night with a strong message.

Read the original North East Theatre Guide preview: Preview Link

This review was written by Stephen Oliver  the North East Theatre Guide Preview from Jowheretogo PR (www.jowheretogo.com). Follow Jo on twitter @jowheretogo, Stephen @panic_c_button or like Jowheretogo on Facebook www.facebook.com/Jowheretogo

Cast

DieHard Gatesheadfeatured a cast of five:
Zoe Lambert
Christina Berriman Dawson
Judi Earl
Arabella Arnott
Jessica Johnson


07/07/2015

Preview: DieHard Gateshead

DieHard Gateshead


Newcastle Alphabetti Theatre - Tuesday 14th July 2015

Washington Arts Centre - Wednesday 15th July 2015

Gateshead Caedmon Hall - Thursday 16th July 2015


There’s enough drama at the Women’s Group and some people are losing the plot.  If  Noel Edmonds and Bruce Willis can’t help, who can?

A women's group is closing and Leslie, the leader, is under pressure. She wants to tell them but things keep getting in the way. Time is running out. If Geordie Bruce Willis can’t help, and Noel Edmonds is no good either, who will save the day? 

Based on the real-life story of a Tyneside women’s group, Ruth Raynor’s new play DieHard Gatesheadis about finding light through the rubble and the mess. It’s about avoiding promises of a better life that actually makes things worse. It’s about searching for moments of laughter and understanding in the noise and confusion. It’s about women’s lives in an age of austerity…

Ruth Raynor uses drama to understand womens lives in the context of austerity. She is a PhD student in the Geography Department at The University of Durham and she has previously worked in theatre and arts management as a designer, writer and facilitator, and translates this experience into her research.
  
Directed by Neil Armstrong who Neil is an award winning actor, writer and director from Seaham Harbour.  He has directed for companies such as Cloud Nine Theatre, The Customs House South Shields, and his own company Theatre of Moths.  His plays have been performed across the region and include Remember Jim, The Dark Side of the Half Moonand Nefairyus.  As an actor he has appeared in all of the regions theatres and his TV credits include George Gently (BBC), Vera (ITV) and, Wolfblood (CBBC) among others.  This year Neil is also co-writing, directing and starring as the Baddie in Durham’s Gala Theatre’s pantomime, Cinderella.

This show is produced by Christina Berriman Dawson who has appeared in George Gently, Electricity and The Magdalene Sisters as well as appearing in many theatre productions across the region. She will be appearing in Key Change (Open Clasp) at Summerhall with Northern Stage at the Edinburgh Fringe this year. Christina also runs Stage Tynemouth which provides Performing Arts training for young people aged 5-18.

Cast

DieHard Gateshead features a cast of five of the region’s leading actresses:
Zoe Lambert
Christina Berriman Dawson
Judi Earl
Arabella Arnott
Jessica Johnson


Tickets:
Tuesday 14th July
Alphabetti Theatre
8pm (Bar 6.30pm)
Tickets £7/£5
(With a post-show discussion)

Wednesday 15th July
Arts Centre Washington
7.30pm
Tickets £8.50/£6
0191 219 3455
(With spoken word and poetry)

Thursday 16th July
Caedmon Hall, Gateshead
7.30pm
Pay what you can on the door
(With music from Joe Solo, Ribbon Road and Another Penny.)