See Tickets

12/10/2023

Preview: BABA YAGA at Darlington Hullabaloo

Theatre Hullabaloo & Theatre Porto presents

Baba Yaga

Darlington Hullabaloo

Saturday 14 October 2023

11am*Neurodiverse Friendly & 1.30pm



Theatre Hullabaloo & Theatre Porto's hit show returns by popular demand!

In this contemporary fairytale adventure inspired by the Slavic stories of  Baba Yaga, a sister and a brother are forced to flee from their home only to find themselves alone in a whole new place.

A New-Place. Surely they will find safety here? But shshshsh!

Just beyond in a chicken-leg house, lurks the most dangerous new danger, of the snap-you-up-and-gobble-you-down-if-you’re-not-careful-variety. The most infamous of witches. The most unpredictable of adversaries. The lip-smacking, chiddler-nicking, fear-smelling Baba Yaga!

Fantastical fairytale ingredients, physical theatre and an epic score come together in this new production which celebrated the bravery of children for everyone aged 6 years and above.


Tickets: 

Adult £7 / Child £7

Adult and Babe in Arms (under 12 months) £7

Group ticket £24 (4 people, min 1 child) – discount applied at checkout.

https://www.theatrehullabaloo.org.uk/shows/baba-yaga-2023/ 

The show is for ages: 6+

Duration: 60 minutes


Creatives:

Writer – Laura Lindow

Director – Nina Hajiyianni

Designer – Bek Palmer

Composer – Patrick Dineen

Artistic Producer – Miranda Thain

Lighting Designer – Will Evans


Jowheretogo Podcast- The Northeast Culture Show :

Previews and reviews of live music, comedy, theatre & more in Northeast England. New music, old music and a bit of what we fancy! Find out what's on in Northeast England: With Jo ; Northeast Music Guide , and Steve : Northeast Theatre Guide

Available now on Spotify

Podcast link: https://open.spotify.com/episode/49xaiKNmTLEqwROsZHPUjV?si=63384ae76f094ec3



11/10/2023

REVIEW: 42nd Street at Newcastle Theatre Royal

 42nd Street

Newcastle Theatre Royal

Until Saturday 14 October 2023

With all of the glitz and glamour of a Broadway show, 42nd Street has tap danced its way into Grey Street this week. It may be a an old story full of familiar tropes but the tale feels relevant in the modern climate. It is nice to have a show full of escapism that gives an audience hope.

This musical is based on a 1933 film about creating a musical in the great depression. When it first arrived on the scene in 1980 the musical with a book by Michael Stewart and Mark Bramble, lyrics by Al Dubin and Johnny Mercer and music by Harry Warren won a number of awards. It appears that people want a touch of nostalgia. This must be one of the first jukebox musicals, containing a number of songs of the era for a variety of films.

The show starts by mixing footage of the 30s with scenes of rehearsal.  News is out that Julian Marsh (Michael Praed) is creating a new musical called Pretty Lady. Given that most of Broadway is out of work, following the Wall Street crash, the idea that there will be work for about 100 people on and off stage creates a buzz. The show is being co-written and co-produced by Maggie Jones (Faye Tozer) and Bert Barry (Les Dennis) who are coming up with the songs.

Billy Lawlor (Sam Lips) is a tenor in the show and he spots young nervous Peggy Sawyer (Nicole-Lily Baisden) who has turned up late for an audition. Whilst they hit off quickly, she is quickly sent packing. However another chorus girl is needed and so she finds herself recruited.

The show needs a big marquee name to help sell tickets but they have signed Dorothy Brock (Samantha Womack) who can sing but is hopeless at dancing. The solution suggested is to surround the faded star with the talented ensemble members.

42nd Street then follows the show through rehearsals, out of town try outs and then, eventually, Broadway itself. There is a rags-to-riches element to the tale, though the other aspects of prima donna stars and tough directors ring a familiar bell with the gossip pages of the tabloids.

This show is full of big dance numbers. The tap dancers are accompanied by a big and very pleasant sounding live band. Hearing the reed section alongside the rhythms that the dancers generate had a real energy. 

On top of this are the dazzling costumes, wigs and shoes - it must be organised chaos backstage as the cast keep changing their outfits .You also have some clever lighting decisions - the shadows that form in one of the early scenes really added to the action.

Right through to the curtain call the ensemble and principle leads sing and dance - entertaining the Theatre Royal crowd in a glamourous spectacle. This was an entertaining night at the theatre. Definitely one for the fans of those old musical films.

Review: Stephen Oliver

Photos: Johan Persson

Tickets:

42nd Street plays Newcastle Theatre Royal Tuesday 10 – Saturday 14 October 2023. Tickets can be purchased at www.theatreroyal.co.uk or from the Theatre Royal Box Office on 0191 232 7010.

Jowheretogo Podcast- The Northeast Culture Show :

Previews and reviews of live music, comedy, theatre & more in Northeast England. New music, old music and a bit of what we fancy! Find out what's on in Northeast England: With Jo ; Northeast Music Guide , and Steve : Northeast Theatre Guide

Available now on Spotify

Podcast link: https://open.spotify.com/episode/49xaiKNmTLEqwROsZHPUjV?si=63384ae76f094ec3



05/10/2023

REVIEW: Quiz at Newcastle Theatre Royal

Quiz

Newcastle Theatre Royal

Until Saturday 7 October 2023

Was it a foolish plot to acquire one million pounds? Was it an attempt to defraud a television show? Or did they play fair? Quiz the play has arrived this week in Newcastle and it attempts to answer those questions.

As you arrive you are given a digital voting pad. Indeed there are some points of audience interactions. As an audience member you will be part of ask the audience and you will vote on the guilt of the accused.

The tale was an international news story back in 2001. The coughing major, Charles Ingram (Lewis Reeves) was appearing on the number one television quiz show "Who Wants To Be A Millionaire". At the end of the first episode that he appeared on, Charles had struggled to reach £4000. He had used two of his lifelines as he lurched from one question to the next. As the overnighter, the producers did not expect him to last long on the next episode. The became suspicious. He behaviour did not match that of the other contestants. Something did not seem right.

The James Graham play looks at both the history of Charles, his wife Diana (Charley Webb) plus her brother Adrian Pollock (Jay Taylor) and it looks into the history of the programme. The simple format of multiple choice quiz questions that went on to be sold, as a format, all over the world. Even the US bought it.

The set is a hybrid between the studio and a courtroom. Two large screens help bring the action close up, showing how the tension could be directed. Indeed the lighting is intended to match the show at times.

In this play written by James Graham you essentially have two sides to the argument. The prosecution opens act one. It follows the line that was widely reported at the time. The audience then votes on how they felt at that stage.

Act two is the turn if the defence - indeed this was the half with the most humour. For example, the hugely talented Rory Bremner not only appear as the show's presenter Chris Tarrant, but he also makes a brief appearance as Coronation Street's Hilda Ogden.

The show is fast paced. Partly narrated by the two QCs: Danielle Henry as Sonia Woodley for the defence and Leo Wringer as Nicholas Hilliard for the prosecution. They keep the story flowing without overloading the audience with too much exposition. A hard working cast must be putting in some quick costume changes. Sukh Ojla, for example, appears as at least 7 characters - giving each one a different angle.

What was a nice final feature was that the recent audience votes are on the screens after the curtain calls. It is not as cut and dried as the red top newspapers suggested at the time.

Theatre is a natural fit for court room drama and this is no different. I really enjoyed this drama.It is great to see a part of our shared history appearing on stage.

Review: Stephen Oliver

Photos: Johan Persson

Tickets:

Quiz plays Newcastle Theatre Royal Wed 4 – Sat 7 Oct 2023. Tickets can be purchased at www.theatreroyal.co.uk or from the Theatre Royal Box Office on 0191 232 7010.

Jowheretogo Podcast- The Northeast Culture Show :

Previews and reviews of live music, comedy, theatre & more in Northeast England. New music, old music and a bit of what we fancy! Find out what's on in Northeast England: With Jo ; Northeast Music Guide , and Steve : Northeast Theatre Guide

Available now on Spotify

Podcast link: https://open.spotify.com/show/1NklmSYzgi6TL9Kaay5ztW?si=c2c941ff3d324d47



03/10/2023

REVIEW: Annie The Musical at Sunderland Empire

Annie The Musical

Sunderland Empire

Until Saturday 7th October 2023

The musical based on the 1924 comic strip Little Orphan Annie by Harold Gray is back in town. 

With music by Charles Strouse, lyrics by Martin Charnin, and a book by Thomas Meehan, this popular musical seems to have been constantly touring for the last couple of decades. It seems a popular musical and, I have to admit, that I had not seen it before, so it was time to see what the fuss was about.

The show is based upon a comic strip and there is a cartoon feel to some of the portrayals of the characters and some of the choreography. Whilst this helps convey energy, it does leave some characters seeming less developed. But, one needs reminding, this is a show for families.


The lead Annie is on a rotation of 3 children and on opening night we had the extremely talented and confident Zoe Akinyosade. A nine year with more guts and panache than the room full of theatre critics. She made Annie a charming character that you wished well. She shared a dorm with six other talented young actors who collaborated in the great opening highlight of the show It's the Hard Knock Life. Their singing, dancing and movement around the set helped set up a buzz around the show.

The show needs a villain and such duties were in the capable hands of Craig Revel-Horwood as Miss Hannigan, the drunken bully who runs the orphanage. It appears that Craig needs to shoot off and be in some television programme or other on Saturday, so the role will pass on to Jodie Prenger. (Apologies to the Strictly fans who I may have upset there).


Two other notable performances tonight come from Alex Bourne as Daddy Warbucks, the millionaire businessman who decides to borrow Annie from the orphanage for the duration of Christmas, and his faithful secretary Grace, who was wonderfully covered by understudy Dawn Williams. The pair had great voices.


The set and lighting helped keep up the flow of the show that runs for two hours plus interval. It had a feel that was partly in keeping with the period but also of that of a cartoon too.

The show is going to be popular with the fans. A talented, hardworking cast perform around a well designed set, singing the popular classics that stay in the memory.


But... As I said previously, this was my first time and, I'm sad to say, that despite the charming endeavour of the cast, I don't consider myself a fan of the story. I guess that you cannot love everything.


Review: Stephen Oliver




Jowheretogo Podcast- The Northeast Culture Show :

Previews and reviews of live music, comedy, theatre & more in Northeast England. New music, old music and a bit of what we fancy! Find out what's on in Northeast England: With Jo ; Northeast Music Guide , and Steve : Northeast Theatre Guide

Available now on Spotify

Podcast link: https://open.spotify.com/show/1NklmSYzgi6TL9Kaay5ztW?si=c2c941ff3d324d47


28/09/2023

Preview: Mycelial at Newcastle Northern Stage

New international production from Open Clasp Theatre Company co-created with sex worker activists 


Mycelial

Newcastle Northern Stage 

Friday 20 - Saturday 28 October 2023


Open Clasp premieres its first international and most ambitious production to date, co-created with sex worker activists around the world over four years. Mycelial offers a reality check on assumptions made about people involved in sex work.

From the multi-award winning theatre company behind New York Times Critics’ Pick Key Change and Sugar on BBC iPlayer, Mycelial will also be captured on film and streamed online. It has been co-created with sex work activists across the UK, Ireland - where the law was changed in 2017 to criminalise sex work, and Aoteoroa/New Zealand - the first country in the world to decriminalise sex work in 2003.

There are estimated to be more than 73,000 sex workers in the UK, and more than 70% worked in healthcare, education or the voluntary sector* - yet it remains surrounded by stigma and misconceptions. 

Open Clasp Mycelial cast arrive in rehearsals for first read through
Photo: Von Fox Promotions

A 2022 Amnesty International report* on sex workers’ human rights in Ireland found that most of the sex workers interviewed stressed the impact and “chilling effect” of the 2017 criminalisation of sex work on their safety and well-being, and that despite the growth of sex worker-led activist movements, the issue of sex workers’ human rights and their experiences of gender based violence have been largely ignored or dismissed. In response to a Home Office consultation on Violence Against Women and Girls (VAWG) to inform its 2021-24 strategy, Sex Workers Too* was published by National Ugly Mugs, a pioneering, national organisation providing access to justice and protection for sex workers. It highlights the importance of sex workers’ contributions to the VAWG agenda.

Open Clasp Artistic Director & Playwright Catrina McHugh MBE at the Tonic Awards

When Open Clasp Artistic Director Catrina McHugh MBE facilitated a workshop for the North East Sex Work Forum, she was struck that the voices of sex workers were often missing from the narrative and became aware of two different sides to the debate. She explains, “The debate between the two camps of thought - the Nordic Model and the Decriminalisation of Sex Work - is challenging and complex. Toxic even. People are scared to talk about it. Mycelial aims to make space for debate and discussion. It is activism and theatre at its best, celebrating the strength and humanity of sex work activists who can’t walk by injustice. Underpinned by our co-creator’s principle, ‘nothing about us without us’, Open Clasp is the scaffolding and their voices are centre stage.”

Driven by a passionate belief that theatre can bring about social change, Catrina McHugh co-founded Open Clasp 25 years ago, and in 2017 was awarded an MBE for outstanding services to disadvantaged women through theatre. The company places theatre at the heart of transforming the lives of women and girls excluded by society and the arts to create bold and urgent theatre for personal, social and political change. 

By standing with activists campaigning for sex workers’ rights to be upheld, and inviting audiences to step into the shoes of others through theatre, Open Clasp aims to influence public opinion and inform UK policy around preventing violence against women in the sex industry. 

The project has support from campaigners and experts around the world including Dame Catherine Healy from the Aotearoa/New Zealand Sex Workers’ Collective, who said, “Mycelial digs into the whorearchy, exploring that which drives us apart, whilst pushing back against those who would dehumanise us as sex workers.” Dr. Raven Bowen, CEO at National Ugly Mugs who are sponsoring sex worker engagement on advocacy panels associated with the production said, “Mycelial portrays the distinctiveness of individual experiences in sex work and the subterranean, subcultural and sub rosa connectivity among sex workers, trans folx, and black and brown communities. A pulse or ecosystem that is felt and lived but not always apparent, yet ties all struggles for justice together.


The production features a nine-strong cast representing the diversity of its co-creators from across the UK, Ireland, and Aotearoa/New Zealand. The characters reflect those who Open Clasp worked with, including trans women of colour, lesbian, queer, straight and intersex people. The cast are: 

Muire McCallion (Luaithríona agus Pósadh an Phrionsa/Aisling Ghéar Theatre Company, Irish language feature film KNEECAP, due for release in 2024); trans actor and performer of mixed descent originally from Northern Ireland, 


Alexis Meshida (When All Is Said/curated by Travis Alabanza for Fuel Theatre); New York drag artist and comedian Yael Elisheva (Assistant Director on The Ministry of Lesbian Affairs/Soho Theatre, performer at Glastonbury Festival 2023; Chess Tomlinson (Jane Eyre/National Theatre & Bristol Old Vic), 


Patricia Jones (Road/Northern Stage and UK tour); Bláithín Mac Gabhann (Dancing at Lughnasa/National Theatre); Danielle James (Beautiful Things/Theatre Royal Stratford East), Lexi Clare (Game Face/UK and Aotearoa/NZ); and originally from Wellington in Aotearoa/New Zealand, Michelle Huirama (The Pale Blue Dot short film, selected for Cannes Festival 2023, and The Inside Man TV series).

Cast member Lexi Clare is originally from Auckland/Tāmaki Makaurau in Aotearoa/New Zealand and is excited by projects that are deeply rooted in community. She said, “People tend to have strong feelings about sex work so it’s a complex topic to explore. Sex work was decriminalised in Aotearoa when I was 10 years old so I grew up understanding that there was still a level of stigma attached, but never questioning whether it should be criminalised. Researching the sex work industry on an international scale has been really eye opening for me; I honestly didn’t realise how different Aotearoa’s approach was, and still is, compared to other countries. 

This project feels like such a rich tapestry of perspectives and experiences. What is brilliant is how the script weaves together so many different stories - I think audiences might be surprised at how many moments and relationships resonate with them. And regardless of how you feel about sex work, we’re also talking about the fundamental right to a safe and healthy working environment, which is something that I would hope people can get behind.”

The creative team includes Writer Catrina McHugh whose writing credits for Open Clasp include Key Change and Sugar, Director Laura Lindow (Key Change/Open Clasp), Set and Costume Designer Amanda Mascarenhas (The Sorcerer’s Apprentice/Northern Stage), Lighting Designer Sherry Coenen (Operation Mincemeat/Riverside Studios), Composer and Sound Designer Roma Yagnik (The Mare of Easttown/HBO), Film Director & Editor Katja Roberts (Sugar/Open Clasp & BBC Arts) and award-winning motion graphic designer Simona Knuchel.

Tickets:

For more information or to book tickets visit www.northernstage.co.uk/whats-on/mycelial/

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Jowheretogo Podcast- The Northeast Culture Show :

Previews and reviews of live music, comedy, theatre & more in Northeast England. New music, old music and a bit of what we fancy! Find out what's on in Northeast England: With Jo ; Northeast Music Guide , and Steve : Northeast Theatre Guide

Available now on Spotify

Podcast link: https://open.spotify.com/episode/1SWCOsTHti5BJiuOZTSB8D


26/09/2023

REVIEW: Jesus Christ Superstar at Newcastle Theatre Royal

 Jesus Christ Superstar

Newcastle Theatre Royal

Until Saturday 30 September 2023

The biblical tale with music by Andrew Lloyd Webber and lyrics by Tim Rice has returned to the region for the first time in a long while. The rock opera feels fresh and engaging, no wonder the theatre was packed on opening night.

The show covers the last few days of the life of Jesus. I will assume that most people will know the ending so they will be few spoilers here. Jesus and his entourage have reached the attention of the priests  Caiaphas (Jad Habchi) and Annas (Matt Bateman) who see a threat to the state. Effectively the show is narrated in part by Judas (Shem Omari James) as he gives his views on Jesus (Ian McIntosh). At Jesus's side is Mary Magdalene (Hannah Richardson) who, at times, seems more supportive than his followers when the heat goes up.

This show is sung through and thus relies on the quality of the singing. Brandishing microphones and mic stands, the cast do a fantastic job of bringing the story alive. Stand out performances included I Don't Know How To Love Him and Gethsemane (I Only Want to Say) as Hannah Richardson and Ian McIntosh put their own stamp on these musical classics.

The musicians are on the stage in the view of the audience rather than tucked away in the pit. This gives the show, in part, a feeling of a concert performance. But this is most definitely a proper musical thanks to the ensemble and their tight choreography. They fill in many roles and act as stand hands as props appear and disappear as necessary between, as sometimes during, the big numbers. The result is a show that flows rapidly. 

At over 50 years old, the musical could easily become dated in either the orchestration or the dancing. Thankfully the show has a modern feel in how it has been staged.

Jesus Christ Superstar is an entertaining, engaging and pacey show and it has an ace up its sleeve. The second act appearance of King Herod is made this production very memorable as it involved Julian Clary adding a nice touch of sparkle to the role. 

Review: Stephen Oliver

Tickets:

 https://www.theatreroyal.co.uk/whats-on/jesus-christ-superstar/ 


Jowheretogo Podcast- The Northeast Culture Show :

Previews and reviews of live music, comedy, theatre & more in Northeast England. New music, old music and a bit of what we fancy! Find out what's on in Northeast England: With Jo ; Northeast Music Guide , and Steve : Northeast Theatre Guide

Available now on Spotify

Podcast link: https://open.spotify.com/episode/1SWCOsTHti5BJiuOZTSB8D



25/09/2023

Preview: SIX at Sunderland Empire

Advertisement

SIX is Coming to Sunderland for the very first time!


The multi award-winning musical SIX, written by Toby Marlow and Lucy Moss, announces new tour dates and will visit Sunderland Empire for the first time from Tuesday 2 to Saturday 6 July 2024.

Ticket Link: https://tinyurl.com/SIXsunderland 

SIX follows the six wives of Henry VIII as they take to the mic to tell their own personal tales, remixing five hundred years of historical heartbreak into an 80-minute celebration of 21st century girl power.

Casting to be announced in due course. The cast are backed by the show’s all-female band, The Ladies in Waiting.


Since it’s early days as a student production in a 100-seat room at the 2017 Edinburgh Fringe Festival, the show has fast become a global musical phenomenon. On the international stage, SIX currently has productions playing on Broadway at the Lena Horne Theatre and two concurrent North American tours, including a seven-week run in Las Vegas, with further stagings announced in Canada and Holland this Autumn. SIX opens in Seoul, South Korea on 17 March and recently completed an Australian tour. Back on home turf, the London production continues its reign in the West End at the Vaudeville Theatre (its third royal residence) and the UK and Ireland tour continues to break Box Office records. The UK tour is now booking through to 2024.


Winner of 26 major international awards including the 2022 Tony Award for ‘Best Original Score’ and ‘Best Costume Design’ on Broadway, double Whatsonstage Award winner for ‘Best West End Show 2022 & 2023, and the 2020 BBC Radio 2 Audience Award for ‘Best Musical’, SIX was also nominated for five Olivier awards, including ‘Best New Musical’. Celebrating the global success of its songs with over 500 million streams and over three billion views on TikTok, the original studio album of SIX officially turned Gold in 2021, with the Broadway album ‘Six – Live on Opening Night’ nominated for a Grammy Award.


Written by Toby Marlow and Lucy Moss, SIX is co-directed by Lucy Moss and Jamie Armitage, featuring choreography by Carrie-Anne Ingrouille. The design team includes Emma Bailey (Set Design), Gabriella Slade (Costume Design), Tim Deiling (Lighting Design) and Paul Gatehouse (Sound Design). The score features orchestrations by Tom Curran with music supervision and vocal arrangements by Joe Beighton. Musical Director Caitlin Morgan and Associate UK Musical Supervisor Lauren Hopkinson. Casting is by Pearson Casting. SIX is produced by Kenny Wax, Wendy & Andy Barnes and George Stiles.

Photos: Pamela Raith

Tickets:

SIX will be Divorced. Beheaded. LIVE on Sunderland Empire’s stage from Tuesday 2 to Saturday 6 July 2024. Pre-sale tickets for members on sale now. Public tickets on sale from 10am tomorrow, 26 September 2023 online at https://tinyurl.com/SIXsunderland *

*A £3.65 transaction fee applies to online bookings.


Jowheretogo Podcast- The Northeast Culture Show :

Previews and reviews of live music, comedy, theatre & more in Northeast England. New music, old music and a bit of what we fancy! Find out what's on in Northeast England: With Jo ; Northeast Music Guide , and Steve : Northeast Theatre Guide

Available now on Spotify

Podcast link: https://open.spotify.com/episode/1SWCOsTHti5BJiuOZTSB8D