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23/11/2022

Preview: Cinderella at Newcastle Theatre Royal

 

You Shall Go To The Ball!
Cinderella Brings Panto Sparkle To Newcastle Theatre Royal

Cinderella

Newcastle Theatre Royal

Tuesday 29 November 2022 – Saturday 15 January 2022.



The clock is ticking! There’s less than a week to go until Newcastle Theatre Royal raises the curtain on its legendary festive pantomime.

The most magical panto of them all – Cinderella is set to delight audiences during its seven week run form Tuesday 29 November 2022 – Saturday 15 January 2022.


Newcastle Theatre Royal panto stars Danny Adams, Clive Webb and Chris Hayward make a triumphant return bringing their special blend of festive magic to the stage in a show packed with all of the traditional pantomime ingredients and more than a few surprises.


They will again be joined by local favourite Joe McElderry who made a stunning Newcastle Theatre Royal panto debut in 2021 and this year will play The Fairy Godfather.  


The cast will also feature Britain's Got Talent stars Flawless, led by Marlon 'Swoosh' Wallen, who will amaze panto audience members as the Prince’s Men, performing their jaw-dropping dance routines.


Crowd-pleasing audience favourite Mick Potts from the popular CBBC television programme Danny and Mick and Cirque Du Hilarious will play the role of Dandini, the comical servant to the Prince, with Oonagh Cox in the title role of Cinderella.

This brand new production features sets and costumes from The London Palladium and is bursting with laugh-out-loud comedy, stunning scenery, special effects, beautiful costumes and plenty of boos and hisses. Join Cinders as she goes from rags to riches, outwits her very wicked sisters and meets her dashing Prince Charming.


Tickets:

Cinderella plays at Newcastle Theatre Royal from Tuesday 29 November 2022 – Sunday 15 January 2023. Tickets are priced from £12.50 and can be purchased at www.theatreroyal.co.uk or from the Theatre Royal Box Office on 0191 232 7010.

22/11/2022

News: 2023 Season Announced at Newcastle's Northern Stage: This is Family

 The 2023 Season Announced at Newcastle's Northern Stage: This is Family

  • First stage adaptation of Ken Loach’s multi-award-winning film I, Daniel Blake adapted by Dave Johns to premiere at Northern Stage before touring
  • Artistic Director Natalie Ibu (The White Card) to direct premiere of Hannah Lavery's Protest
  • Tickets from £10; on general sale Thursday 24 November 

The third in a trilogy of This is…’ seasons of curated cultural spotlights on big ideas from Northern Stage Artistic Director Natalie Ibu, This is Family is about doing life togetherA yearlong programme that captures the spirit of the here and now, packed with sparky, political, of-the-moment productions and carefully curated visiting shows exploring what family means to us now - how we connect and organise ourselves, for support, for good times, for better or worse. 


Artistic Director Natalie Ibu and Dave Johns at Northern Stage


Natalie Ibu explains, This is Family is about community, tribes; how we gather and how we define ourselves. Whether thats celebrating youth activism and uniting to take a stand against racial prejudice, the patriarchy and the climate crisis in Hannah LaveryProtest; the unlikely bond an ailing Geordie carpenter and a struggling single mum from London form to take on a system thats stacked against them in I, Daniel Blake; or an intimate new show created by our Young Company that delves into connection and the ways in which the world we are living in can make us feel lonely; its about doing life together. And as a producing theatre company, a venue, and a charity that collaborates on creative projects in our communities, thats exactly what were here for.”



A vital new adaptation of I, Daniel Blake that exposes the reality behind the cost-of-living crisis headlines, the first stage adaptation of Ken Loachs Palme dOr and BAFTA award-winning film will premiere at Northern Stage (26 May - 10 June) before touring. A brand-new adaptation by actor and comedian Dave Johns who won the Best Actor award at the British Independent Film Awards and Best Newcomer at the EMPIRE Awards for his role in the film, Ken Loach said, This story is more relevant now than ever. And who better to put it on stage than Dave Johns, the original Daniel Blake?


Dave Johns says,I was thrilled to be asked to adapt Paul Lavertys screenplay. But I didnt just want to put the film on stage, I wanted to update the story for 2022, making it contemporary and exploring more of single mum Katies journey and the family unit she forms with Daniel. To show the kindness, compassion, humour, and hope that can help us through the toughest of times. Sadly, during my research it was disheartening to find not much had changed at all since the film's release. The story is still as relevant as it was in 2016; maybe even more so now with the cost-of-living crisis making it even harder for those who are already struggling to find a way out of poverty. Daniel and Katies story could be anyones.”

Natalie Ibu Mark Calvert Dave Johns + Martin Hylton at Northern Stage


Director Mark Calvert adds, When we first started to think about how to adapt I, Daniel Blake for the stage we knew that we needed to honour the film while giving audiences a fresh perspective on the ramifications of the last 12 years of government on people's lives. This is one of the most extraordinary moments in the history of the country and I, Daniel Blake frames the working-class experience in modern Britain. Inspired by activists Led By Donkeys, Cold War Steve and Cassette Boy, the production will feature factual interviews, speeches and social media output showing the impact of government decisions on real peoples lives. Because with 14.5 million people now living in poverty in the UK, this is not fiction. It is reality. And its a story that affects even more people than when the film was released in 2016.


Designed by Rhys Jarman (Gecko) with movement direction by Martin Hylton (Gateway Studio and Phoenix Dance), I, Daniel Blake is a co-production between Northern StageBirmingham RepOldham ColiseumEnglish Touring Theatre, and tiny dragon Productions, in association with Cardboard Citizens who make theatre for social change with and for homeless people, and will tour after its Newcastle premiere; dates to be announced in the New Year.

Protest by Hannah Lavery

A new play by award-winning poet and playwright Hannah Lavery, Protest explores what it takes to make a difference, the power of friendship and the importance of believing in your own voice. Directed by Northern Stage Artistic Director Natalie Ibu who was nominated for a UK Theatre Award for directing the UK and European premiere of Claudia RankineThe White Card, three girls prepare to stand up for what they believe in, determined to make a change despite the prejudices they face and the looming environmental crisis.  

Hannah Lavery


Hannah Lavery says, “Making change in our communities, and in our wider society, can often feel impossible; we often feel powerless in the face of the problems we are all facing. When I was growing up, my mother would often take me to demonstrations and protests. She taught me that we when we come together within our communities, within our workplaces and in solidarity with people across the world, we can be part of the change we want to see. I hope this play offers young people the same hope and inspiration, it is said by many that we are living in such divisive times, and this is in many ways true, but there are many of us are looking and desiring ways to come together, to show solidarity, to make change within our communities. Protest was written in response to that desire, to create a town that chooses hope and kindness. A play which shows too, an intergenerational coming together. Three girls holding the hands of their grandmothers making a stand for their community, for their town, for all of us.” Co-produced by FuelImaginate and Northern Stage, in association with the National Theatre of ScotlandProtest will premiere at Northern Stage (27 April - 6 May) before touring.

Cinderella A Fairytale

Feisty, fun, joyful and with some baddies you’ll love to hate, a new production of Sally Cookson’s Olivier award-nominated Cinderella: A Fairytale (2 December - 6 January) is a glorious girl-powered adventure co-directed by Katy Weir and Jake Smith. Katy says, When I was at school my mum, dad, and I used to travel the 120 mile round trip from Carlisle to watch Northern Stage's Christmas show. It was part of our tradition. Now, with children of my own I couldn't be more giddy to have the opportunity to bring the magic to such a wonderful space. Our Cinderella is about love, family, community, and kindness. This feels important in the current climate, everyday stories with a big dollop of Christmas and a Sprinkle of magic.” 


Jake says “I think this Cinderella will captivate audiences with its original take on one of the oldest and best-loved fairy tales. There are no glass slippers here, instead youll find a pair of glitterball Doc Martin boots, ready to stomp into an adventure with Ella and discover the power and beauty of finding your family in life. It is extra special to me to return to direct this production at Northern Stage after being the Associate Director on The Last Ship and Director of The Hound of the Baskervilles. I am from the North East and working in the region is something that is very important to me. It means I get to stay at home for Christmas too!

Northern Stage Young Company Creators explore loneliness and trying to find connection in a disconnected world in Am I Alone in This (13-15 April). Using play and exploration, the group of 14–21-year-olds make creative work that interacts with the world and young people’s place within it. Am I Alone in This is being co-created with writer and dramaturg Elijah Young (BBC Writersroom North East Voices 2021), award-winning sound designer Roma Yagnik (The White Card/Northern Stage), and directed by Northern Stage Reinvent Resident Artist, Lindsey Nicholson.


A carefully curated programme of visiting shows will include new writing, drama, comedy, spoken word, dance and physical theatre from some of the UKs most innovative companies alongside North East theatre makers and internationally acclaimed productions. The full programme will be announced in January. 


Spring shows include Gecko’s Kin (1-4 March) - a provocative story of desperation and compassion from an extraordinary ensemble of international devising performers about the voyage a young girl and her family made from Yemen to Palestine in 1932 to escape persecution and build a better life. One of the UK’s leading visual theatre companies, Theatre Re bring their internationally acclaimed show The Nature of Forgetting (17-18 February) to Newcastle for the first time; a powerful, explosive, and joyous piece about what is left when memory is gone. Anders Lustgarten’s The City and the Town (15-17 February) is a funny, eclectic, and uniquely political piece of theatre that brings a fresh perspective to some of the political divides and problems facing our country today.  A collaboration between Paula VarjackLuca Rutherford and Catriona JonesThe Baby Question (18 March), is a theatrical film exploring the narratives of women who are child-free by choice or circumstance, set in the world of a seventies Top of the Pops-style chart tv show.


From the creative team behind Olivier Award-winning Pride and Prejudice* sort of and the National Theatre of ScotlandKidnapped (9-14 May) is a swashbuckling new adaptation of Robert Stevenson’s classic adventure story about a boy who leaves home for the first time and has to solve a family mystery. Rifco Theatre Company creates ambitious new plays and musicals that reflect and celebrate British South Asian experiences - Happy Birthday Sunita (18-20 May) is a revival of their sell-out comedy, with a new cast and fresh script for 2023. A new co-production of Emily Brontë’s infamous love story Wuthering Heights (6-10 June) from China PlateInspector SandsRoyal & DerngateNorthampton and Oxford Playhouse promises violence, peril, social awkwardness, exhilarating music, high winds and mud. 

If You Fall by Ad Infinitum

Internationally acclaimed company Ad Infinitum who work with artists, activists and communities to create transformative theatre, present If You Fall (12-14 June), a moving, humorous and sensitive story based on real-life testimonies, with a capella singing, physical theatre, and an intergenerational ensemble exploring older people’s care in all its complexities. Bonewords (16 June) from North East company Surface Area Dance Theatre is a new multidisciplinary dance, theatre and spoken word performance, devised by award-winning deaf dramaturg and writer Louise Stern and choreographer Wendy Houston. 


Family shows include I Want My Hat Back (4-5 February) - the first ever tour of a trilogy of Jon Klassen’s beloved books from Little Angel Theatre, aimed at ages 3-6. A critically acclaimed adaptation of the Julia Donaldson and Lydia Monks book The Singing Mermaid (21-23 February) from Watershed Productions for children aged 3-8. Super Power Panto (17-18 March) is a family adventure that comes flying off the comic book pages from Extant, the UK's leading professional performing arts company of visually impaired theatre makers. A charming and cheeky story for little ones aged 2-6 and their grown-ups, Marty and the Party (5 April) from multi-award-winning Milk Presents and Derby TheatreNorthern Ballet return with The Ugly Duckling (14-15 April) - a perfect introduction to ballet for children. And Dinosaur World Live (23-25 June) - an interactive show for all the family.


Northern Stage is committed to making its programme as accessible as possible, including making £10 tickets available for all shows, offering captions, audio description and British Sign Language at live events, and relaxed approaches to the programme and time frames for workshops.


Tickets:


Tickets from £10 go on general sale from 24 November, with pre-sale tickets available to Northern Stage members from 17 November and supporters from 21 November.  More shows to be announced in January, for details and full listings visit northernstage.co.uk 

18/11/2022

REVIEW: One Off at Newcastle Live Theatre

One Off 
by Ric Renton
Newcastle Live Theatre
Until Saturday 26 November 2022

Theatre at its best can be a beautiful, visceral thought provoking insight. It can entertain and inform. It has the power to both shock the audience and make them laugh too in the same show. When you've witnessed theatre at its best you appreciate why we started the North East Theatre Guide as a means to promote such shows. This month a show has been created at Live Theatre that stands up with the best that we have seen this year.

Writer Ric Renton was born in Denton Burn, Newcastle. A troubled upbringing led him to spending his young adulthood in prison. One Off is his autobiographical tale about his time in Durham prison. Verity Quinn's set design keeps the action, and the isolation of the participants, well defined. Three raised stages run across the area where the stage normally is. Like three large tables, each one denotes the separate space in which each inmate lives. Each pad showing that whilst action takes place in one, life still continues in the others. In addition, behind a screen is a third area which doubled as either solitary or the corridor in which the prison guards patrolled.

We were sitting on the balcony, looking down on each space. From that angle you became acutely aware of the incarceration - the limited space in which one is expected to spend seven years locked up, at the time of this tale, at Her Majesty's Pleasure.

This tale wastes no time in both setting its stall out and taking the audience along the journey. Unlike some shows there is no protracted exposition to kick it off. We are introduced to Shepherd (Ric Renton) who is in for a violent crime, Brown (Ryan Nolan) who caught doing burglary and Knox (Ricky Shah) who was an accidental kidnapper. Each one talking to the others through the walls of their cells. 

Discussions naturally alternate between prison life, the life that they led before and their hopes, if any, for the future. The audience is presented with three very different personalities - but nothing here is contrived. Shah's physical presence, as he paces up and down his pad, make it seem perfectly plausible that he kidnapped the local drug dealer in the back of his Alfa. Nolan punctures the silence with the confidence of a young charva who regularly walks into trouble. (Are Charvas still a thing in the north east anymore?) Renton, by the same token, comes across as someone who has been acting far longer than he actually has. His character has the assured confidence of a man who may be new to this block, but he is wanting to just see his time out at the end of a long sentence. A man who craves a visit from a loved one whilst trying to survive the present. The chemistry between these three works because the audience can accept the actors have lived a bit, as opposed to finding their first role after university.


The writing is really powerful. Authenticity is often a feature of writing from new writers at Live Theatre as they encourage writers from different backgrounds to explore their truth through the form of theatre. People who are not from a place that normally develops theatrical writers are given a voice. One remembers the tour de force that was Wet House - a show that couldn't have been written by someone from outside of that situation. Again here - Ric Renton's past delivers a gritty drama that isn't gritty because someone has synthesised it that way. It doesn't shock in order to stand out as an artificial statement - it has the power to shock because it is shocking.

None of the inmates asks for the audience to forgive them. Redemption is not the motive here.

The fourth member of the cast is the prison guard. Usually unseen by the inmates as he patrols, he is referred to as Jock as he would prefer to be untraceable when they get out. Malcolm Shields creates, at times, a father figure to replace the one that the prisoners may not have enjoyed themselves. He listens but he also gives as good as he gets as he serves the tough love that the system demands.
The two hours, including interval, flew by. Director Jack McNamara has kept the action tight whilst letting the dialogue work its magic. Ali Hunter's lighting design highlights the action in an unobtrusive way.

In short, this was the theatre I was really craving when everything stopped in 2020. The talented cast deliver a great story with a natural flare. Strongly recommended (and as regular readers know - I don't say that very often!)

Review: Stephen Oliver
Photos: Von Fox

Tickets:
Tickets are available online: https://www.live.org.uk/whats-on/one and from the Box Office: (0191) 232 1232 

16/11/2022

Preview: Greatest Days at Sunderland Empire

 

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The Official Take That musical Greatest Days announced for Sunderland Empire November 2023!

Greatest Days

Sunderland Empire 

Monday 13 – Saturday 18 November 2023.

Tickets: https://tinyurl.com/GreatestDaysSundTix

 

Adam Kenwright is delighted to announce new tour dates for The Official Take That Musical Greatest Days , with a book by award winning playwright Tim Firth. The musical will embark on a major UK and Ireland tour from 5 May 2023 and will coincide with the summer 2023 release of the official movie version of this smash-hit musical, starring Aisling Bea and Jayde Adams. Greatest Days  celebrates the 30th Anniversary of Take That’s first ever UK Number 1 single Pray.



The show will arrive at Sunderland Empire from Monday 13 – Saturday 18 November 2023.

Casting and further dates to be announced.

Gary Barlow, Howard Donald and Mark Owen are Take That in 2022 and continue the legacy of one of the most successful bands in British chart history, with over 45 million records sold worldwide and 12 Number 1 hits in the UK. Formed as a five-piece in 1989, they enjoyed immediate success with their first two albums charting at Number 2 & Number 1 respectively. Third album Nobody Else confirmed their global domination, selling over six million copies and topping the charts in 11 countries. The departure of band member Robbie Williams prompted a break-up in 1996 and nine years in the wilderness before the remaining four members reunited for 2005’s The Ultimate Tour. This sparked one of the greatest comebacks in British music history with Take That going on to release three Number 1 albums in just four years. Robbie’s return for 2011’s Progress saw them break UK records for the fastest-selling album of the 21st century and fastest-selling tour of all time. Williams’ second departure, along with that of Jason Orange, left the remaining three members to release III, which was certified platinum. In 2019, the band celebrated their 30th anniversary with the release of Odyssey, a greatest hits album, which reached Number 1, and a UK and European stadium and arena tour.

Tim Firth is one of the UK’s most beloved award-winning writers and composers in film, television and theatre. His extensive theatre credits include the Olivier Award winning musical Our House (West End), the UK Theatre Award-winning This is My Family (Sheffield Crucible), the MEN Award-winning Neville’s Island (Nottingham Playhouse and West End, Evening Standard & Olivier nomination) and Calendar Girls (Chichester Festival Theatre, West End) which broke all British records for a professional and amateur play, was nominated for an Olivier and won the WhatsOnStage Best Comedy Award. Tim collaborated with lifelong friend Gary Barlow on Calendar Girls The Musical which had a successful run in the West End and then toured the UK and Ireland, winning a WhatsOnStage Award and receiving several Olivier nominations along the way. Tim’s film credits include Calendar Girls and Kinky Boots. Recently, Tim co-created and directed Gary Barlow’s one-man show A Different Stage currently touring the UK following a sold-out West End run.

The musical follows a group of five best friends in the 1990’s who are obsessed with their favourite boy band. The girls then reunite more than 20 years later with a plan to see their heartthrobs one last time in what could be the Greatest Days of their lives.

Greatest Days  features more than 15 of Take That’s record-breaking songs alongside a heart-warming and hilarious story of love, loss and laughter from award-winning writer Tim Firth (Calendar Girls, Our House, Kinky Boots).

Greatest Days  was originally produced as The Band by David Pugh & Dafydd Rogers + Take That. The UK tour of The Band originally opened at Manchester Opera House on 8 September 2017 and closed in March 2019, breaking box office records along the way. The musical ran for a limited West End season at Theatre Royal Haymarket over Christmas in 2018/19. 

Tickets:

Greatest Days will hit the Sunderland Empire from Monday 13 – Saturday 18 November 2023. Tickets priced from just £13* are available from the Ticket Centre on 0844 871 3022* or online at https://tinyurl.com/GreatestDaysSundTix*  

*A £3.65 transaction fee applies to telephone and online bookings. Calls cost up to 7p per minute plus your standard network charge.

 

Preview: Pinocchio at Newcastle Theatre Royal

Newcastle Theatre Royal Announce 2023/24 Panto

Get Ready For A New Adventure!

Pinocchio

Newcastle Theatre Royal

Tuesday 28 November 2023 until Sunday 14 January 2024.

The doors have not yet opened for 2022/23’s spectacular panto Cinderella but Newcastle Theatre Royal has announced that next year’s show will see a brand new title make its premiere.

Pinocchio will be the newest title from Crossroads Pantomimes, the world’s biggest pantomime producer, and it will run for seven weeks from Tuesday 28 November 2023 – Sunday 14 January 2024.

The show will see celebrated Theatre Royal panto star Danny Adams take centre stage as Pinocchio, along with Clive Webb as toymaker Geppetto and legendary panto dame Chris Hayward as Dame Rita.

Co-written, produced and directed by Newcastle’s own Michael Harrison, Pinocchio will mark Danny and Clive’s eighteenth panto appearance at Newcastle Theatre Royal.

A fabulous cast soon to be announced will recreate all the favourite Pinocchio characters including Stromboli, Jiminy Cricket and The Blue Fairy. With brand-new sets and costumes we’d be lying if we said this isn’t going to be our best panto yet!

Join Danny as he transforms from the famous puppet to a real boy and get ready to see his nose grow every time he tells a lie!

Pinocchio plays Tuesday 28 November 2023 until Sunday 14 January 2024. Tickets are on sale now to Friends of the Theatre Royal; Advantage Members, Groups and Schools can book from Wednesday 23 November and public booking opens on Tuesday 29 November.

Tickets:

This year’s panto – Cinderella ­– opens on Tuesday 29 November 2022 and runs until Sunday 15 January 2023.  Tickets for both shows can be purchased online at www.theatreroyal.co.uk or by calling the Box Office on 0191 232 7010.

REVIEW: Kinky Boots at Newcastle Tyne Theatre

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Kinky Boots

Newcastle Tyne Theatre & Opera House

Until Saturday 19 November 2022

Tickets are available from our affiliates Eventim UK:  TICKET LINK

A production of sequins, sparkles and upbeat pop music, Starlight Theatre Productions presents Kinky Boots, for their first evening tonight at the Tyne Theatre and Opera House, and they did not disappoint.

Previously a non-musical film, adapted by Broadway legend Harvey Fierstein, and musical icon Cyndi Lauper, the famous feel-good musical we all now love, focuses on Charlie Price, and his drag queen companion Lola, revamping the family shoe business, to design beautiful heels for the drag queen "niche market".

The story starts as Charlie Price (Michael Skoyles) begins a move to London with his girlfriend Nicola (Anna Makepeace), as a result of his lack of aspiration to be the fourth generation to take on the family shoe-making business. When his father unexpectedly passes away Charlie is required to return and take on the running of the failing business, searching desperately for ideas to support his lifelong friends who now depend on him. On a business trip to London, Charlie meets drag queen Lola, who inspires an unlikely change of events, which lead to the creation of "Lola's Kinky Boots". The story sees Lola challenging some of the attitudes and values of the factory workers, including Don (Charles Doherty) and even Charlie himself, after all "you change the world, when you change your mind". 

A stand out performance from James Forster as Lola, left members of the audience in awe as he flawlessly commanded the stage. His vocals were outstanding throughout the show, especially in his rendition of "Hold me in your heart".

Lola's entourage- The Angels- strutted their stuff on stage, as part of a very talented and highly energetic casting. The cheerful choreography throughout and live band encouraged this, as members of the ensemble were able to indulge in the show-stopping nature of the performance.

One of the highlights of the show is how the 4 lead performers, including Helen Cash in the role of Lauren, worked seamlessly together to tell the story, upbeat and vibrant when required, while really emphasising the thought-provoking nature needed during important numbers such as "I'm not my father's son".

On the technical side, the costumes brought the characters to life, showing the glitz and glamour of the drag-queen life, laden with sparkles and beautiful fabrics for the Angels, and Lola, while the factory workers wore more realistic outfits for their roles. And of course, the famous, gorgeous red heels played a huge part!

In some places throughout the performance, the sound could have done with some changes. Microphones of lead performers being turned on late, or being very quiet, meant some of the important aspects of songs were not emphasised as expected. This was most clear in the performance of "Raise You Up" toward the end of the show, however this criticism is minor, compared to the rest of the performance.

The audience clearly enjoyed the evening, with many standing to enjoy the finale, dancing and cheering along as the cast confidently ended their first performance, after an unfortunate two years of postponements.

Starlight Theatre Productions presents Kinky Boots is at the Tyne Theatre until Saturday 19th November, including a Saturday matinee. Do not miss out!

Review: Teri Hall

Tickets are available from our affiliates Eventim UK: TICKET LINK

REVIEW: The Rocky Horror Show at Newcastle Theatre Royal


The Rocky Horror Show

Newcastle Theatre Royal

Until Saturday 19 November 2022

Richard O'Brien's homage to the B movie rolls back into Newcastle this week. The show that encourages the audience to "don't dream it, be it" is a cult hit that frequently smashes the fourth wall. It is one musical in which the audience are a component of the three ringed circus. 


The tale is a well used favourite in the movie industry. A young newly engaged couple are out driving to see Dr Scott (Joe Allen) and their car requires attention as they have a flat tyre. Brad (Richard Meek) and Janet (Hayley Flaherty) decide to ask for help at a nearby castle. Unwittingly they have stumbled upon a situation that they can't initially fully appreciate as they are so naïve. Riff Raff (Kristian Lavercombe) invites them in to the house when they ask to use a phone to call for help. They meet his sister Magenta (Suzie McAdam) and fellow staff member Columbia (Darcy Finden). The magnitude of the situation they have landed themselves becomes more apparent as Frank N Furter (Stephen Webb) appears.


This is a show that has run for nearly 50 years because the cast throws themselves into the action. It is their energy, their willingness to give a slice of themselves, that makes this show feel fresh each time that I have seen it.

Then there is the audience. It is an unusual show in which the action and dialogue gets cat calls from the stalls. Narrator Jackie Clune in particular is happy to bat back the audience reaction. Just like heckling at a comedy club, there are times they get put in their place - which frequently got the bigger laugh. It may seem strange if you've never seen the show before. Press night was at the tame end of matters but at least the heckles did not disrupt the flow of the show as happened during a previous tour/review. If you're going to shout out then please get your timing right (as happened tonight).

It may be based upon a love of B-movies and start with props that wouldn't be out of place on Plan 9 From Outer Space, but the set design from Hugh Durrant  quickly shows it is a cut above the shows early Fringe beginnings. From the initial curtain which reminded me of going to the Tyneside Cinema for the late night double bills in the 1990s to putting the band above the action - it is well worked out. The lighting is also different to a standard show. Nick Richings design frequently moves out over the audience, helping to create that feeling of being a part of the experience. I've already mentioned the band and MD Charles Ingles and his talented musicians didn't put a foot wrong all night.

Of course it is the cast that are the primary foci on stage and they worked really well as an ensemble. The singing, choreography and tongue-in-cheek dialogue was always as charming as the concept demands.  Just like a B-movie, the running time is a slightly shorter than many musicals but this helps ensure nothing drags. At two hours including interval there is plenty of songs and action. There is even a chance for the audience to get on their feet and "Do The Time Warp Again"... Other musicals may stick a song or two on at the end for the audience but this show gets full participation on the dance moves.


Casting has been very successful with this show. Stephen Webb stands out as Frank N Furter (as he should)  - it is a role that really suits him. As he interacts with the others he is debonair. Likewise his staff come across as assured, and Janet and Brad undergo their transformations seemlessly.  

The Rocky Horror Show is not for everyone - certainly not for kids - but it is probably an experience nearly everyone should try - if you like it you will want to do it again. The show's inclusivity and broadminded nature has helped it to march on towards its 50th anniversary.

Believe it or not I'm not one of the hard core fans. I never owned the record nor have I felt a need to watch the movie more than once. Having said that, I really enjoyed this (and previous productions.) 

The Rocky Horror Show delivers a well needed boost of positivity. It is nice to leave a show with a feel good factor.

Review: Stephen Oliver

Photos: Richard Davenport

Tickets:

The Rocky Horror Show plays Newcastle Theatre Royal Tuesday 15 – Saturday 19 November 2022. Tickets are priced from £15.00 and can be purchased at www.theatreroyal.co.uk or from the Theatre Royal Box Office on 0191 232 7010.