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29/04/2016

Preview: Menopause the Musical at Sunderland Empire




The hilarious celebration of women
and ‘The Change’

Robert C Kelly, Theater Mogul & GFour Production
Menopause the Musical
Sunderland Empire
Tuesday 17th May 2016

Starring
Cheryl Fergison, Linda Nolan and Rebecca Wheatley


Following previous sell out UK and Irish Tours in 2008, 2010 and most recently early 2016, Menopause the Musical is embarking on a new UK Nationwide Tour this Spring calling at Sunderland Empire for one night only on Tuesday 17 May 2016 with an All Star Cast.

Armed with a cast of hormonal women, memory loss one-liners and innuendo-laden versions of pop classics the tour commences on the 12th April 2016 at Theatre Royal, Wakefield.

Starring Cheryl Fergison (EastEnders favourite Heather Trott), Linda Nolan (The Nolans), Casualty’s Rebecca Wheatley and The Al Murray Show’s Ruth Berkeley, the hysterical Menopause The Musical has entertained and inspired women across the world since 2001. Menopausal or just in need of a laugh out loud kind of night, this show is a must see for all women.

This hilarious celebration of women and 'The Change', is an all-singing, all-dancing comedy bringing together four women at a department store sale, who on first appearance have nothing in common.
However, the sale of a black lace bra soon stimulates comical female heart-to-hearts on hot flushes, night sweats, memory loss, chocolate binges, not enough sex, too much sex and plastic surgery.


CAST BIOGRAPHIES

Linda Nolan
Linda’s wealth of experience in show business has embraced hit records, international television shows and major world concert tours. Whilst performing with her sisters, The Nolans, Linda has enjoyed amazing success worldwide appearing on major television shows including The Royal Variety Show. One of her career highlights was supporting Frank Sinatra on his 1975 European Tour. The Nolan’s toured the UK and Irelandin 2013 with their I’m In The Mood Again tour and performed on BBC’s Children In Need. Her solo success is recognisable in virtually every medium of the entertainment industry. Highlights have included British Theatre Tours with Lily Savage in Prisoner Cell Block H and Vic Reeves and Bob Mortimer in Shooting Stars. She enjoyed success as “Mrs Johnstone” in the award winning musical Blood Brothers, both on tour in the UK and in London’s West End. Her television appearances have been many and varied, including Loose Women, GMTV, This Morning, The Weakest Link, Come Dine with Me and she has recently appeared as an entertaining contestant on Channel 5’s Celebrity Big Brother.

Cheryl Fergison
Londoner Cheryl is best known for her role as EastEnders’ George Michael super fan “Heather Trott” who met a grisly end at the hands of Ben Mitchell in 2012. A trained actress, she has made many stage appearances including a West End role in Man of the Moment at the Gielgud Theatre. Other theatre credits include Dance of Death, Measure for Measure, The Blue Angel and Robert Lindsay’s production of Cyrano De Bergerac. Cheryl has played many feature roles in TV Productions showcasing her perfect comedic timing – Benidorm, Little Britain, The IT Crowd, ‘Allo ‘Allo. She is no stranger to Feature Films with credits including Irvine Welsh’s Atlantic and the soon to be released A Bus Could Run You Over. Her celebrity appearances have revealed her funny, lovable and true down to earth nature - Celebrity Big Brother, Loose Women, Celebrity Come Dine with Me and Celebrity Juice. Not only can Cheryl make us laugh, but can also entertain us with any of the 10 instruments she plays as a skilled musician.

Rebecca Wheatley
Rebecca is best known as the receptionist “Amy Howard” on Casualty. In 2009, she revealed an astonishing 12 stone weight loss. Proud of her achievement she embraced the role of “Barbara” in the one-woman West End show Big Pants and Botox. In complete contrast she then took up her axe as the iconic character “Annie Wilkes” in Stephen King’s Misery. Her acting career has seen her perform in many West End Musicals including Fame and Bad Girls The Musical. She even survived pantomime with Paul O’Grady’s Lily Savage at the Victoria Palace. Her television acting skills have been challenged as a porn movie producer, a bisexual nymphomaniac and as a buxom barmaid. Rebecca can be seen regularly as a presenter on Channel 5’s The Wright Stuff and ITV’s Loose Women where she is happy to give her opinion loud and clear.

Ruth Berkeley
Ruth trained at Laine Theatre Arts, Epsom where she was awarded the Eileen Rose Cup for Musical Theatre & Ladies Singing prize. Irish Rebecca can seamlessly switch between her Irish accent and a broad range of English accents. She has had a successful theatre career incorporating both her acting and singing talent with performances including “Miss Dismore” in Singin in the Rain, “Onna Crow” in A Man of No Importance and “Lisa” in the toe tapping Mamma Mia. Her Television credits include, Sky Atlantic’s gripping Penny Dreadful, ITV’s The Al Murray Show and RTÉ’s No More Tears

History of Menopause The Musical

Menopause The Musical debuted March 28, 2001 in Orlando, Florida, in a 76-seat theatre that once housed a perfume shop. The cast of four women shopping for lingerie at a Bloomingdale's sale, sing 25 songs about chocolate cravings, hot flushes, loss of memory, nocturnal sweats, and sexual predicaments. The lyrics parody popular music from the baby boomer era, with notable numbers "Stayin' Awake" and "Puff, My God I'm Draggin'."

Written by Jeanie Linders, the show appealed to menopausal women who helped the show blow the lid off the "silent passage" by flocking to the show in large numbers, often taking advantage of group sales promotions. The show's ensuing success Off-Broadway led to a number of productions across the USA in such cities as Detroit, Chicago, and Los Angeles Boston, Denver, and its current home at Harrah's in Las Vegas .

Within a few years, international productions became commonplace, with shows in Australia, Canada, Israel, Italy, Malaysia, New Zealand, Philippines, the United Kingdom, South Africa, and South Korea.

Across the world over eleven million people (almost all women) have seen the show.

Leslie Fischer at www.chicagocritic.com recommends you "bring the waterproof mascara because you’ll laugh so hard, you’ll cry. With humour and compassion, writer, producer, and lyricist Jeanie Linders has captured the experiences of every woman in her 40s and 50s. Remember all those great songs of the 50s, 60s and 70s--full of love and teenage angst? Linders has rewritten their lyrics to reflect our mature experience, exploring the ways in which our bodies, our emotions and our spirits, change with ‘The Change’. When you don’t recognise yourself in these hilarious lyrics, you’ll recognise a friend."

Genessee Kagy of the Daily Californian wrote that "Menopause's collection of great oldies, clever tongue-in-cheek lyrics and entertaining dance routines prevented me from making any I-Need-Air trips to the restroom despite the fact that I hadn't felt like such a fraud since I turned eighteen-years old. Over 90 percent of the audience were women more than twice my age ... Linders' humorous new lyrics coupled to old favourites provide a good laugh. When the show ended, the entire audience was still clapping their hands to the final number, yelling and letting out whoops of approval."

From The News-Herald (Ohio): "'My Guy' becomes 'My Thighs,' 'Puff, the Magic Dragon' is transformed into 'Puff, My God, I’m Draggin'. 'The Great Pretender' laments the loss of memory and how women come to fake that they can’t remember an acquaintance’s name. 'A Sign of the Times' becomes 'A Song of the Times,' which recounts the startling fact that in middle age, a woman realizes she has become her mother."

Tickets:
Tickets on sale now and are available in person at the Box Office on High Street West, from the Ticket Centre on 0844 871 3022* or online at www.ATGtickets.com/Sunderland*
*Calls cost 7p per minute plus your standard network charge. Booking fees may apply to telephone and online bookings.





Preview: Tape Face at Newcastle Tyne Theatre







Kilimanjaro Live and Gag Reflex present:


The Boy with Tape on his Face is Tape Face
Newcastle Tyne Theatre & Opera House
Thursday 20th October 2016


Tyne Theatre & Opera House are excited to present the multi-award winning spectacle that is The Boy with Tape on his Face is Tape Face on Thursday 20thOctober.

Photo: David Young
This is stand-up comedy with a difference. This is stand-up comedy with no talking, drama with no acting and punch lines with no words, and it must be seen to be believed!

Formerly known as The Boy with Tape on His Face, now simply Tape Face, the mysterious comedian conjures uproarious & moving tableaux using only the most everyday of objects and the most popular of songs.   

Along with sold-out shows at the Edinburgh Fringe for four years in a row, four sold-out UK tours and a smash-hit run in London’s West End, Tape Face has performed around the world, receiving critical acclaim in the likes of New Zealand, South Africa and Australia. You may have also seen him on The Royal Variety Performance (ITV), The Comedy Prom with Tim Minchin (BBC2) or The John Bishop Show (BBC1).

This year promises to be a bigger, brighter and more spectacular re-imagining of Tape Face’s unique and special brand of silent comedy. Endlessly inventive and hysterically funny, this is comedy made for everyone. Be prepared to get involved and enraptured as you step inside a comedy world unlike any other. You’ll laugh, you’ll cry, and when it’s all over…you’ll be completely lost for words.

Tape Face joins a stellar line-up of comedy at Tyne Theatre & Opera House, as the theatre becomes the go-to venue in Newcastle upon Tyne for some of the best stand-up comedians around. Having recently announced a tenth Sarah Millican show for 2016, the next comedian to the take the stage is local funnyman Gavin Webster on May 13th, with Joe Lycett, Nina Conti and Romesh Ranganathan all set to take to the stage of the beautiful Grade 1 listed Victorian building later this year.

Tickets:£16, £14 concessions (plus booking fees when booking online and over the phone)
The Tyne Theatre & Opera House Box Office is open 10am-3:30pmMonday to Friday and event days
Booking and Information Line: 0844 2491 000 (10am – 6pm Monday to Friday) or from the website: www.tynetheatreandoperahouse.uk
(Recommended age 10+)




Preview: Johnny Cash Roadshow at Sunderland Empire




The Johnny Cash Roadshow
SunderlandEmpire
Thursday 19th May 2016

The spirit of the Man in Black is alive and ‘kicking like a mule’ with an outstanding celebration of the iconic legend by the Carter/Cash endorsed Johnny Cash Roadshow with a date set at Sunderland Empire for one night only – Thursday 19th May 2016.

This is gold standard, fire-cracking entertainment from the first note, delivering an inspired set of cherished numbers with impeccable rhythmic pace. A dynamic performance from an unparalleled group of highly talented musicians and a guaranteed treat for country music lovers and die hard Cash fans alike.

 The stage lights up with a colourful explosion of energy, against a striking backdrop of classic screen imagery of the ‘real deal’. Clive John, captures the essence of Cash with exceptional style and confidence. His deep, distinctive vocals are spot on, evoking pure country magic with Walk the Line, Folsom Prison Blues and A Thing Called Love.

Charismatic duets with Jill Schoonjan (June Carter) are superb. Renditions of Don’t You Think It’s Come Our Time and Jackson, encapsulate the tender charm and uplifting humour shared by the late enigmatic pair. The music doesn’t miss a beat as the set glides seamlessly along, evoking a timeless quality of a golden era with fresh contemporary flair.

Martin Bentley (bass) is in a league of his own and Nick Davis (guitars) and Darren Bazzoni (drums) first class. Backing vocals by Louise Masters and Amanda Stone add sparkle and glamour as the Carter sisters, complimenting the line up with equally impressive versatility.

Despite the band’s professional portfolio and slick stage presence they each a direct intimacy with audiences of all ages that other performers can’t quite pull off. This is more than just a show, it’s a heart warming story played out with genuine passion and a wonderful celebration of one of worlds greatest known artists.

On The Web:

Tickets:
Tickets on sale now and are available in person at the Box Office on High Street West, from the Ticket Centre on 0844 871 3022* or online at www.ATGtickets.com/Sunderland*
*Calls cost 7p per minute plus your standard network charge. Booking fees may apply to telephone and online bookings




Preview: Father Ted at Whitley Bay Playhouse





Whitley Bay Theatre Company presents
Father Ted
Whitley Bay Playhouse
Wednesday 7th- Saturday 10th September 2016

Back by popular demand, Whitley Bay Theatre Company are returning to the Playhouse with another offering of the epic Father Ted! 

With a new updated script, bigger set, bigger cast and just generally a bigger show all together. Those that saw the show in 2013 will know they are in for a treat – and for those that did not see it – well where were you?  Father Ted – The Return to Craggy Island hits the stage in September 2016.

With dollops of “Down with this sort of thing!”, “Careful now!” and a few “Go on, go on, go on”’s thrown in to the mix, this is certainly not a show to be missed!

Tickets:
Tickets costing £14 (Early Bird Offer: £12 until 31.7.16) are available now.

Tickets are available from the Box Office open Monday – Friday
10am – 4pm, Saturday 10.30am – 2.30pm plus until show start on event days. Tickets can also be purchased on the booking hotline 0844 248 1588* or online at www.playhousewhitleybay.co.uk.





Review: All Our Yesterdays at Whitley Bay Playhouse





All Our Yesterdays
Whitley Bay Playhouse
Thursday 5th May 2016 at 2.30pm


The Whitley Bay Playhouse are delighted to welcome back All Our Yesterdays, the sensational show from the producers of 'Memory Lane', ‘Rolling back the Years’, and ‘Memories are made of This’, to the Playhouse on Thursday 5th May 2016.

All Our Yesterdays is one of the biggest shows of its kind in the UK, taking the audience on a breathtaking musical journey through the 40s, 50s, 60s, and finally into the some of the brilliant sounds of the 1970s.

Beautifully costumed and choreographed for each decade, performed by West Endand international vocalists, along with the stunning 'Memory Lane' dancers.
Based on the original show from 2012, with a host of new songs and costumes for 2016!

Nostalgia just doesn't come any better!

Tickets:
Tickets costing £16, £14 conc. areavailable now.
Tickets are available from the Box Office open Monday – Friday
10am – 4pm, Saturday 10.30am – 2.30pm plus until show start on event days. Tickets can also be purchased on the booking hotline 0844 248 1588* or online at www.playhousewhitleybay.co.uk.

*Calls cost 7p per minute plus your phone company’s access charge.




28/04/2016

Review: Romeo and Juliet at Newcastle Alphabetti


A Perfect Romeo & Juliet?

Romeo and Juliet
Newcastle Alphabetti Theatre – Until Friday 29th April 2016
Stanley Alun Armstrong Theatre – Saturday 30th April 2016
South Shields Customs House – Thursday 19th May 2016

If not Shakespeare’s most famous play, it is certainly the one which is studied the most at school. As we mark the 400th anniversary of the bard’s death local theatre company Cranked Anvil produce a modern adaptation that remains faithful to the spirit of the original tragedy.

David Jackson and Brogan Gilbert
Action shifts from Verona to South Shields. The first scene starts with the lads getting ready for a football match. The  Montagues are putting on the red and white of Sunderland whilst the Capulets don the black and white of Newcastle. Romeo tells his cousin Benvolio that he is deeply in love. Benvolio laughs it off. After the match there is a brawl that has to be calmed down by the police.

Tensions are still high later in a bar owned by Capulet. Lady Capulet points out to a very bored Juliet that potentially great catch in the shape of suitor Paris but she isn’t interested. Romeo then walks in to the bar and her life takes a whole new direction.

With this production the actors deliver Shakepeare’s script in an authentic way in the region’s local accent.  This helps make the production very accessible without losing any of the punch of the original script. Using the settings of local bars and a football match help make the production engaging and relevant. The sound design replicates that muffled sound that one gets in clubs when one isn’t directly on the dance floor which is a nice touch.

In the spirit of a Shakespearean play, the set is minimal and the play relies heavily of the dialogue and the action. The early fight scene was pretty realistic as fight choreographer Wayne Miller has done a brilliant job of setting up a lot of action and noise so it feels like the punches are being thrown.

The real credit that lifts this production into a “must-see” is the quality of the acting. David Jackson and Brogan Gilbert from all girl comedy sketch group “Your Aunt Fanny” are totally believable as the doomed couple. You get a sense of the tension of the first flush of teenage love.  It is fabulous to see such a young pair of actors delivering such a confident performance.

The older cast members are just as involved in the action and don’t feel like extras. Steven Stobbs and James Barton bond well with Romeo as his friends Benvolio and Mercutio. Sean Kenny has the presence of a controlling patriarch. Likewise Wayne Miller has a confident attitude as Tybalt. Their preferred groom for Juliet, Paris, is played by Newcastle born Luke Hammond.

Christina Cuthbertson is suitably stand-offish as the not particularly supportive Lady Capulet. In contrast Vanessa Karon’s Nurse is much more connected with Juliet’s feelings.

Director Paul Dunn also appears as the helpful Friar Laurence and the Friar often has a settling effect on a tense situation.

This production is a happy marriage of great acting, lively action scenes and a charismatic cast. The decision to deliver a parochial production has helped liberate Shakespeare’s story and they’ve probably ended up with a show that’s closer to what the Bard intended. If you never seen a Shakespeare play live before then this is an excellent place to start. High recommended.     


This review was written by Stephen Oliver for Jowheretogo PR (www.jowheretogo.com). Follow Jo on twitter @jowheretogo, Stephen @panic_c_button or like Jowheretogo on Facebook www.facebook.com/Jowheretogo.


Tickets:
Alphabetti Theatre,
Newcastle – Tuesday 26th – Friday 29th April 2016, 7.30pm.
Tickets: £7/£5.
Box office: 0191 261 5906
Alun Armstrong Theatre, StanleySaturday 30th April 2016,  7pm. 
Tickets: £10
Box office:  01207 299 110
The Customs House, South ShieldsThursday 19th May 2016, 7.45pm. 
Tickets:  £8 Early Bird / £10 Standard / £6 Friends / £20 Meal Deal
Box office:  0191 454 1234