See Tickets

15/06/2019

Preview: Another England at Arts Centre Washington

Brand new play by disabled writer is a call to action

Another England
Arts Centre Washington
Thursday 20th June 2019

 “How can we find hope when the world feels like it's in such a mess?”

A talented cast of professional disabled actors, Andrew Mclay and Philippa Cole, have joined forces with award winning disabled playwright and director, Vici Wreford-Sinnott, to take a brand new play, Another England, on a national tour.

Following the critical success and fantastic audience responses to the premiere of the piece at ARC Stockton Vici, who has carved a successful career in ground-breaking theatre, said: “In a rapidly changing England, which appears to be having a bit of an identity crisis, I have responded with a play from the perspective of disabled people trying to navigate their way through stressful territory.”

Set in a near-distant future, England 2024, Rat and Murphy are two disabled people who find themselves running for their lives, with the odds against them. Murphy, a 55 year old veteran of the welfare state, and his younger companion Rat, who believes she can change the world, would normally go to the ends of the earth to avoid each other. They're thrown together as they both take refuge in an empty house to avoid being sent to holding camps by the state.

Vici continued, “These two colourful characters are interesting opposites but once we scratch the surface, we realise they may have more in common than they first think.”  In this story full of heart and human spirit, the worlds of two weird and wonderful characters collide as they try to find a way to survive in a deserted house on the outskirts of town.
Award winning television and stage actor Andrew Mclay says of Rat and Murphy, “Rat realises that Murphy is a troubled soul and she tries to bring him out of his thinking and to get him to think about his life in a different way.”

Actor Philippa Cole, who recently performed at the National Theatre and has been in TV shows such as Armchair Detectives and The Four O’Clock Club for the BBC, told us, “This is a compelling story which will leave the audience feeling like they’ve been on a journey with the characters, they will feel welcome, and they will laugh and be moved and it will leave them thinking about the world of the play for weeks to come. We just want to get this story out there.”

Vici Wreford-Sinnott’s last touring play, Butterfly, was named Best One Person Play by the British Theatre Guide.

Tickets:
Another England comes to Arts Centre Washington on 20th June 2019 at 7.30pm. Tickets are available from www.artscentrewashington.co.uk or Box Office 0191 561 3455

13/06/2019

Preview: 9 To 5 The Musical at Sunderland Empire


Amber Davies To Star As Judy Bernly In
Dolly Parton’s Musical

9 To 5 The Musical
Sunderland Empire
5-9 November 2019


The producers of Dolly Parton’s 9 To 5 The Musical announced today that Amber Davies will star as Judy Bernly when the smash hit musical plays Sunderland Empire. Full casting to be announced soon.

Amber Davies as 'Judy Bernly'.
Photo Craig Sugden
Amber Davies is currently playing the role of Judy Bernly in the West End production of the show. She graduated in 2016 with a Diploma in Musical Theatre from the Urdang Academy. Her credits whilst training include “Bring It On”, “My Favourite Year” and “Memphis”. In 2017 Amber was the winner of the hit ITV reality series “Love Island”.


9 To 5 The Musical opened in the West End in February, where Dolly Parton attended the premiere and joined the cast on stage at the finale. The musical features a book by Patricia Resnick, the legendary film’s original screenwriter, and an original Oscar, Grammy and Tony award-nominated score by multi Grammy Award winner, country legend and pop icon Dolly Parton.

Amber Davies as 'Judy Burnly'
 Photo Pamela Raith
9 To 5 The Musical tells the story of Doralee, Violet and Judy - three workmates pushed to boiling point by their sexist and egotistical boss. Concocting a plan to kidnap and turn the tables on their despicable supervisor, will the women manage to reform their office - or will events unravel when the CEO pays an unexpected visit? Inspired by the cult film this hilarious new West End production is about teaming up, standing up and taking care of business!

9 To 5 The Musical is written by Patricia Resnick, with music and lyrics by Dolly Parton. It is directed by Jeff Calhoun, choreography by Lisa Stevens, design by Tom Rogers, lighting design by Howard Hudson, sound design by Poti Martin, video design by Nina Dunn, original arrangements by Stephen Oremus & Alex Lacamoire, original Broadway orchestrations by Bruce Coughlin, musical supervisor, reductions & extra arrangements by Mark Crossland, musical direction by Andrew Hilton and casting by Victoria Roe.

Based on the 20th Century Fox Picture. Originally produced on Broadway by Robert Greenblatt, April 2009.

Amber Davies as 'Judy Bernly'.
Photo Craig Sugden
9 To 5 The Musical is produced by Ambassador Theatre Group Productions, Selladoor Worldwide and Gavin Kalin Productions with Benjamin Lowy Productions, Glass Half Full Productions, Showtime Theatre Productions, Hartshorn – Hook Productions, Harmonia Holdings and Kilimanjaro Live.

Website: 9to5themusical.co.uk
Instagram: @9to5themusicaluk
Facebook: 9to5TheMusicalUK
Twitter: @9to5MusicalUK
YouTube: 9 to 5 The Musical

Tickets:
Tickets available in person at the Box Office (12-4PM) on High Street West, from the Ticket Centre on 0844 871 3022* or online at http://bit.ly/9to5SundEmpire *  #Ad
*Calls cost 7p per minute plus your plus your phone company's access charge. Booking and transaction fees may apply.



10/06/2019

Preview: Educating Rita at Darlington Hippodrome


Interview With Stephen Tompkinson And Jessica Johnson On Educating Rita

Educating Rita
Darlington Hippodrome

Monday 12 to Saturday 17 August 2019

A chance meeting and a mutual love of Educating Rita was the spark for a major new production of the acclaimed Willy Russell play which is coming to Darlington Hippodrome in August starring two north east born actors, Stephen Tompkinson and Jessica Johnson

Jessica Johnson plays Susan "Rita" White, the Liverpudlian hairdresser aiming for a better life at the Open University, opposite Stephen Tompkinson as her frustrated professor Frank Bryant. And it all came about after a serendipitous meeting between the two leads when both were performing at Live Theatre in Newcastle.

Jessica said: "We crossed paths and got chatting, and I just said to Stephen I thought he would make an amazing Frank.  I had just done a short run of Educating Rita in Durham at the Gala Theatre, and was telling Stephen how I'd love to get a longer run at this incredible role."

Stephen, 53, who was born in Stockton-on-Tees adds: "It transpired it's a play we’ve both loved for many, many years. So I went away and re-read the play, which I had been reading since I was 15. In fact a school friend and I used to rehearse it in my dad’s garage together, but of course I was way too young for the role back then. But re-reading the play I realised I’m now the right age to play Frank which was a little bit scary to begin with!”

It led Stephen, who has been performing in the acclaimed production of Yasmina Reza’s Art on a national tour for the past year, to broach the idea of doing something with Educating Rita in future with Art’s producers, David Pugh and Dafydd Rogers.

David loved the idea - and brought together Jessica and Stephen for a performance of the play in a hotel room in Bath in front of playwright Willy Russell’s daughter Rachel.  “We had a rather nervous performance of the play in a hotel room, to see if there were any legs in it and fortunately we passed with flying colours.”

Now the duo will work with Pugh, Rogers and director Max Roberts on the new production, as well as with Willy Russell himself who has been heavily involved through the rehearsal process.

Stephen said: “We can’t believe how fortunate we’ve been that Willy still has such interest in a play that he wrote 40 years ago, and in this production. To have Willy there at every stage of rehearsal, that’s truly inspirational and what will hopefully make this production stand apart. It’s his play, so we couldn’t look for more inspiration than that.”

Jessica added: “To get his insight in the room with us, it’s a real privilege. I’ve devoured all of his plays, so to get his insight in the character he wrote is incredible. He’s been a massive influence for so many generations.”

For Jessica, the character of Rita has particular resonance - as, like Rita, she also returned to university education as a mature student.  Jessica, 38, said: “I was 23, 24 when I went to university. For me, life kept getting in the way of university! Some people are ready for studying at different times. Education was not for me at 14, 15, but when I got to 23 I was ready for it.” Jessica also hailed the play a personal inspiration for her. She said: “From a very young age when I read Educating Rita, it gave me permission to aspire, to have the option of a different way of life.”

The new production will be set in the play’s original time of 1980, all within the confines of Frank’s study.  And while Jessica is from Sunderland, she will be taking on the Liverpudlian accent of Rita for the show.  She said: “I’m fine with the Liverpool accent, I don’t have a massive backlog of accents, but Liverpool I can do! It’s not dissimilar from my own accent, being from Sunderland, so it’s a similar heritage with Irish immigration and the docks. The rhythm and the delivery is the same.”

Meanwhile Stephen, who is known and loved across the nation for his time in long-running TV dramas including Ballykissangel, Wild at Heart and DCI Banks, is relishing getting inside the head of Frank.
Stephen said: “Frank is terribly disappointed in life, he’s not been a great success at being a poet, he’s disappointed in the way the curriculum dictates how he teaches. There’s nothing of him in there, there’s no passion. So to meet this woman with so much passion, he almost wants to run away. She offers him a little bit of a lifeline, and he’s doing the same for her. There is definitely an attraction for him.  It’s a brilliantly written play, and a universal story of two lost souls, mismatched people in terms of character and background who meet at the right time to help each other in life.”

Jessica said: “It’s definitely a love story, they definitely care for each other, she loves him for giving her the opportunities.”

And how is Stephen preparing for some of the famous scenes in the play, including Frank’s drunken descent?  Stephen smiles: “I’m doing it by not drinking in real life! So it will definitely all be acting. Frank does drink a lot, and he’s been told to hide the obvious signs - he hides the bottles everywhere. He’s in a bit of decline. It’s mapping the descent. It’s something I’m looking forward to, it will be a challenge.”

Stephen also believes audiences are in for a treat with the casting of Jessica as Rita - much as Julie Walters was when she made her movie debut in Educating Rita in 1983.

Stephen said: “Julie Walters wasn’t known to the majority of the audience then, and it was that surprise value that made it work, and I think Jess does that as well.  As soon as I saw Jess on stage I knew there was a uniqueness she had, and I think it will be a beautiful surprise for the audience when Rita breezes into everybody’s life.”

Tickets:
Educating Rita runs at Darlington Hippodrome from Monday 12 to Saturday 17 August.

For more information or to book call 01325 405405 or visit www.darlingtonhippodrome.co.uk


Preview: Our House at Seaton Delaval Arts Centre



Our House Musical to bring Madness’ hits to the stage

Our House
Seaton Delaval Arts Centre
Wednesday 26th - Saturday 29th June 2019

A local theatre group have been perfecting their ska moves as an Olivier award winning musical takes to the Seaton Delaval Arts Centre stage at the end of the month.

Our House – The Madness Musical is packed full of songs from the well-loved British band and was named after one of their most popular hit singles. Premiering in London’s West End at The Cambridge Theatre in 2002, Our House was the winner of the 2003 Olivier award for Best New Musical and has since gone on to tour both nationally and internationally to great acclaim. Through the music of Madness, writer Tim Firth explores the themes of love, family values, growing up, responsibility and dealing with losing the people that shape us.

On the night of his sixteenth birthday, local lad Jo Casey takes Sarah, the girl of his dreams, out on their first date. In an effort to impress her with bravado, he breaks into a building site overlooking his home on Casey Street. When the police arrive, he faces a life changing decision; does he stay and own up like an honest man, or make his escape and go on the run? Joe’s world splits in two and in a “sliding doors” moment two very different paths unfold before him.

A hard-working cast and crew from the Seaton Delaval Arts Centre are thrilled to be producing this uplifting, energetic musical comedy, inspired by and full of all the best Madness hits including: It Must be Love, House of Fun, Baggy Trousers, Driving in my Car and of course Our House.

Director Claire Willis said “After the success of our first ever musical Boogie Nights last year, we are delighted to be bringing this upbeat show to the stage. The show has a real mix of laugh out loud and emotional moments throughout. The cast have been having a brilliant time working hard in rehearsals and we can’t wait to share this fantastic and clever show with audiences.”

Photos: Paul Cummings


Tickets:
Our House opens at the Seaton Delaval Arts Centre on Wednesday 26th June and runs until Saturday 29th with performances nightly at 7.30pm. Tickets are available online at www.seatondelavalartscentre.com or from the Box Office on 0191 237 5460.

09/06/2019

Preview: Rocky Horror Show at Newcastle Theatre Royal


The Rocky Horror Show To See Joanne Clifton And Duncan James Timewarp Into Newcastle

The Rocky Horror Show
Newcastle Theatre Royal
Monday 5 - Saturday 10 August 2019


It’s just a jump to the left! One of the world’s favourite rock ‘n’ roll musicals – The Rocky Horror Show – is bringing fun and frivolity to Newcastle Theatre Royal this summer with Strictly Come Dancing’s Joanne Clifton and Duncan James from pop phenomenon Blue starring in the much-loved and outrageous production.


Former Strictly champion Joanne thrilled Newcastle Theatre Royal audiences in 2017 as she triumphed as Kansas girl Millie Dillmount in Thoroughly Modern Millie. Joanne will play the role of Janet and has been winning rave reviews for her portrayal of the squeaky clean college kid who, along with her fiancé Brad, meets the enigmatic Dr Frank‘n’Furter by chance when their car breaks down outside his house whilst on their way to visit their favourite college professor and go on an adventure that they will never forget.



Donning the infamous corset and heels to play the instantly recognisable character, Blue star Duncan James said: “I’m just loving every minute.  Frank is such an iconic role; it’s an honour to play him.”

Comedian Steve Punt – best known from The Mary Whitehouse Experience which also starred David Baddiel and Hugh Dennis – will play the role of The Narrator alongside James Darch (An Officer and a Gentleman, Wicked, Mamma Mia!) as Brad.

Directed by Christopher Luscombe, the smash hit show features all of the famous musical numbers which have made The Rocky Horror Show such a huge hit for over four decades, including “Sweet Transvestite”, “Science Fiction / Double Feature”, “Dammit Janet” and, of course, the timeless floor-filler, “The Time-Warp”.



The Rocky Horror Show is a guaranteed party, which famously combines science-fiction, horror, comedy and music while encouraging audience participation meaning, of course, getting dressed in the most outrageous fancy dress.

The Rocky Horror Show first began life in 1973 before an audience of just 63 people in the Royal Court’s Theatre Upstairs.  It was an immediate success and transferred to the Chelsea Classic Cinema, before going on to run at the Kings Road Theatre, 1973-79 and the Comedy Theatre in the West End, 1979-80.  
In 1975 it was transformed into a film called ‘The Rocky Horror Picture Show’. This film adaptation took over $135 million at the Box Office and is still shown in cinemas around the world more than 40 years after its premiere, making it the longest running theatrical release in cinema history. The theatre show has been performed worldwide for 45 years in more than 30 countries and translated into over 20 languages.

Photos: Richard Davenport

Tickets:
The Rocky Horror Show plays Newcastle Theatre Royal Monday 5 - Saturday 10 August 2019 with evening performances at 7.30pm (Mon – Thu) and 8.30pm (Fri & Sat) and matinees 5.30pm (Fri & Sat). Tickets from £19.00 can be purchased from the Theatre Royal Box Office on 08448 11 21 21 (Calls cost 7ppm plus your phone company’s access charge) or book online at www.theatreroyal.co.uk

06/06/2019

REVIEW: The King And I at Sunderland Empire

The King And I
Sunderland Empire
Until Saturday 15th June 2019

The Rogers & Hammerstein’s musical, about how the King of Siam hired a British school teacher in order to bring a western education to his family, arrives in Sunderland for a two week run. Filled with classic memorable songs sung beautifully by a talented cast, and a sumptuous production, this musical is a real treat.

It interesting that members of the audience were describing their relationship with the production as they took their seats. A few had seen the original production and/or the original film at the cinema. A few had not seen it before in any form but many had seen the film at Christmas or on a wet Saturday afternoon on BBC2. This means the show had a lot to live up to. By the interval it was clear the show had surpassed the expectation of those around us. The show flew by, even with its nearly three-hour running time.

I’ll assume that you’ve not seen the movie and describe the plot by quoting the director Bartlett Sher from their programme notes: “At the heart of the King and I is a struggle between traditional and modernity brought to the kingdom by the strong forces of imperialism and industrialization. At the time of our play, the King and his country of Siam are besieged – French forces and the British East India Company had already began to colonize Siam’s biggest foes: the British-occupied Singapore, Penang, portions of the Malay Peninsula, and over half of Burma. The French had aggressively laid claim to parts of Vietnam and Cambodia. This puts the King under enormous stress to change very quickly in order to protect his country and his people.  He has to reconnect himself with the west and to assimilate to the modern world without becoming colonised and without forsaking the traditional values he holds most dear.”

The King in question, Mongut (Jose Llana), had studied English, Latin and astronomy and hence he saw fit to try to appoint a British school teacher to educate his many offspring. The show begins as Anna Leonowens (Annalene Beechey) arrives in Bangkok on a boat. She is accompanied by her son Louis (played at our show by Lewis Fernée). To calm his nerves about what may lie ahead they sing the opening song I whistle a happy tune which quickly established the high standard for singing in this production. In addition, unlike some other recent UK tours that have arrived in our region, the sound was spot on.  The music was backed by a wonderful orchestra, under conductor Malcolm Forbes-Peckham, that included, for example, a harp, piccolo, cor anglais e tc etc. I flag this up as it led to a far superior accompaniment than would be achieved by either a backing tape or a group of keyboard players.



Anna and Louis are met by the King’s prime minister, the Kralahome (Kok-Hwa Lie) and get a quick lesson in Siam tradition before heading to the palace to meet the King and his large family. It is clear that Anna is not getting the deal that she expected as she will be living in the palace rather than the promised separate house.  The selective memory of the King features across the piece.

Once at the palace, the audience get to meet the delightful children, who are often funny too, and see more of the wonderful costumes that are another feature of this lavish production. 

There were no weak spots with the music in this show. Kamm Kunaree delighted with her rendition of My Lord And Master. She was joined by Kavin Panmeechao during We Kiss In A Shadow and I Have Dreamed. Cezarah Bonner moved us with Something Wonderful.  That said, the show stealing performances, both solo and in duet, by Annalene Beechey and Jose Llana that will stick in the memory. Throw in the choreography (Christopher Gattelli) during Shall We Dance? and the audience burst into spontaneous applause. This show is a real treat.



The ensemble, including the delightful royal children, help hold this long show together. They get their choice to shine during their theatre performance in the second act.

This show is about a King in the 1860s trying to keep his traditions. Such traditions and attitudes will not marry well with the post #metoo 2019 sensibilities. This is a historic show and it is based upon a real engagement of a 19th century King and a school teacher. Whilst Mogut’s attitudes to women, punishment and slaves is shocking today, he is does soften as the show progresses. Indeed, many in the audience will overlook his misogyny and feel sympathetic to his causes at the end.



This show has no mega-mix to get everyone on their feet at the end so it felt like a genuine, and well deserved, standing ovation at the conclusion. Yes, I too was on my feet! This is a revival that is worth catching.

Review: Stephen Oliver

Tickets:
The King And I is at Sunderland Empire from 5 - 15 June 2019 Tickets are available from the theatre box office and online from our affiliates ATG Tickets: http://bit.ly/TheKingAndISUN #Ad

01/06/2019

Preview: Avenue Q at Sunderland Empire


What The Fuzz! Guess Q’s Back!
Avenue Q
Sunderland Empire
Wednesday 10th – Saturday 13th July 2019

Tickets: Tickets are now on sale from the Sunderland Empire box office and online from our affiliate ATG Tickets: http://bit.ly/AVENUEQsunderland #Ad


Guess Q’s back! The naughtiest puppets in town will be coming to Sunderland Empire as comedy musical Avenue Q returns Wednesday 10th – Saturday 13th July 2019 with all of your favourite fuzzy friends.

Following five years in the West End, sell-out runs worldwide and smash hit tours in 2014, 2015 and 2016 (packed with mischief, bad behaviour and political incorrectness!) Tony Award-winning Musical, created by Jeff Marx and Robert Lopez, Co-creator of Book of Mormon and writer of the songs for Disney’s Frozen, is an irresistibly charming tale of the loveable characters on a downtown New York street trying to make sense of life’s burning issues.

Meet Princeton, a bright-eyed graduate who comes to New York City with big dreams and a tiny bank account. Brian the out-of-work comedian and his therapist fiancée Christmas Eve; Nicky the good-hearted slacker and his closet gay Republican roommate Rod, an Internet ‘sexpert’ called Trekkie Monster, Lucy the Sl*t (the name says it all!) and a very cute kindergarten teacher named Kate Monster. Featuring hysterically funny songs including The Internet is for Porn and Everyone’s A Little Bit Racist, Avenue Q is a hilarious musical with a warm (and very fuzzy) heart.

Cast includes Megan Armstrong, Jasmine Beel, Ellis Dackombe, Chloe Gentles, Nicholas Mclean, Robbie Noonan, Saori Oda, Cecily Redman, Lawrence Smith, Oliver Stanley and Tom Steedon.

Avenue Q first opened Off-Broadway at the Vineyard Theatre in 2003, before transferring to Broadway later that year where it won three Tony Awards for Best Musical, Best Score and Best Book. In 2006 it transferred to the West End where it ran for five years before touring the UK. It has appeared in more than ten countries all over the world.

Avenue Q is produced by Selladoor Worldwide (producers of Footloose, American Idiot, Little Shop of Horrors, Flashdance -  The Musical and Fame -  The Musical), Showtime Theatre Productions and in association with Richard Darbourne Limited – Avenue Q is directed and choreographed by Cressida Carré, designed by Richard Evans, Lighting Designed by Charlie Morgan Jones and Sound Designed by Chris Bogg.  Puppets are designed by Paul Jomain of Q Puppets with Puppet Coaching by Nigel Plaskitt.
Hilarious, cheeky and uproariously entertaining, with a cast of 11 hugely talented performers and puppets, Avenue Q is the musical like no other. Don’t let your life suck – book your tickets today!

NB: Suitable for audiences 14+

Tickets: Tickets are now on sale from the Sunderland Empire box office and online from our affiliate ATG Tickets: http://bit.ly/AVENUEQsunderland #Ad