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28/01/2017

Preview: Blackwaters On Tour



AGIT-INDIE BAND RETURN WITH PUNCH-PACKING SINGLE:
DOWN’ & EMBARK ON CO-HEADLINE TOUR WITH STRANGE BONES

Blackwaters
Tuesday 7th February 2017 – Hull The Polar Bear DETAILS
Wednesday 8th February 2017 – Newcastle Think Tank Underground TICKETS

Blackwaters launch into 2017 with a ripe slice of high-octane indie in the shape of forthcoming single: ‘Down’.

The latest release from these tempestuous teen upstarts arrives on the eve of their first nationwide live dates - a co-headline tour with like-minded Blackpool rockers Strange Bones.

Swiftly following their Radio1 and Radio X hailed debut outing, anti-anthem ‘So Far Out’; the Surrey-based hell raisers will release ‘Down’ on 3rd of February 2017 via the Scrubs record label.

Oozing with passion, aggression and an angst-ridden unwillingness to compromise, ‘Down’ finds the outspoken four-piece in fiery form as they deliver this lung-busting clarion call against the powers that be.

I cant’ get down with people, people, people like YOU!”.
 
BlackWaters are four immense - loud - eighteen year old indie thrashers from the UK.Having scored fans and co-collaborators in the likes of Carl Barât (The Libertines), Spike Stent and sometime Prodigy co-writer Olly Burden, the four piece have evidently been making the right kind of racket. BlackWaters are: Max Tanner (vocals), David Carpenter (guitar), Ollie Franklin (bass) and James Watkins (drums)

  
Performing on the BBCIntroducing Stage at Leeds Festival & supporting the likes of SWMRS & DMAs last year, the band look to make 2017 theirs as they release new single ‘Down’ and embark on a nationwide co-headline tour with Strange Bones.

BlackWaters will release ‘Down’ on 3rd February 2017 via Scrubs Records.
 
Now preparing to tear up stages across the nation, the Surrey four piece will put in sets at 15 towns and cities, kicking off in Coventry on the 23rd of January and pursuing an intense schedule that will conclude in Stoke On Trent on 11th of February.  See full dates and details as follows:

BLACKWATERS 2017 TOUR DATES
January 23rd – The Tin Angel, Coventry
January 24th – The Louisiana, Bristol
January 25th – The Bodega, Nottingham
January 26th – The Venue, Derby
January 27th – Boileroom, Guildford
January 28th – The Horn, St. Albans
February 1st – Brudenell Games Room, Leeds
February 3rd – Guildhall, Preston
February 4th – Bootleg Social, Blackpool
February 5th – The Fulford Arms, York
February 7th – The Polar Bear, Hull
February 8th – Think Tank, Newcastle
February 9th – Sneaky Petes, Edinburgh
February 10th – The Leadmill, Sheffield
February 11th – The Sugarmill, Stoke on Trent


BlackWaters On The Web:




Preview: Champions Of Magic at Durham Gala




The acclaimed illusion spectacular returns for 4thyear

ALEX JARRETT FOR RIP PRODUCTIONS PRESENTS
 Champions Of Magic 2017
Durham Gala
Friday 14th April 2017

“Take a seat and prepare to be astounded, astonished and amazed” 

They’re back! Direct from a hit run in London’s West End, the UK’s leading band of mind-blowing illusionists and magicians take to the road for the fourth year running to once again perplex, astound and thrill audiences all over the country.

In April grand illusionists YOUNG & STRANGE (ITV’s The Next Great Magician), master mind reader ALEX McALEER, award-winning Queen of close-up FAY PRESTO, and ‘International Stage Magician of the Year’ EDWARD HILSUM will be performing incredible feats of mind-reading, stunning close-up, daring large-scale illusions and a death-defying, heart stopping finale. So if you like your magic big, bold and baffling, this is the show for you.

Touring since 2013 and seen by nearly a quarter of a million people, with over 20 million online views between them, this is the champion of all family viewing magic shows.

Producer Alex Jarrett said: We’re very excited to be taking the Champions Of Magic show around the UK for our longest tour yet. Following a great run in the West End, the cast and crew are excited to get back on the road and present a great night out for the whole family. You really don’t want to miss it!”.

We spoke to Alex McAleer, Edward Hilsum, Fay Presto and double act Young & Strange, the cast of Champions Of Magic, ahead of their forthcoming tour. Here’s what they had to say…

Q: This is your fourth national tour together with ‘Champions Of Magic’. What would you say was the secret of your success?

Alex: Each member of the cast is showcasing their particular speciality in the field of magic, be it mind reading, close-up magic, or grand illusions, so audiences are not seeing us all doing the same kind of thing; there's a real variety to the show. I think that’s the key; it makes the show appeal to a broad range of people; young, old, families and friends on a night out to the theatre. 
Edward: I think the real secret is the power of theatre magic. I've performed illusions on television and radio, but there is nothing quite like the moment of astonishment that we all feel when we experience magic live.

Fay: The show is a true meeting of equals. Each performer is working at the peak of their own expertise, and the stage crew and technicians are a joy to work with.

Q: Magicians are notoriously competitive with each other. How do you manage to all get along so well?
Alex: We all have a genuine respect for each other’s acts and what we each bring to the show. Every time we go on tour it's like a group of old friends or family coming together. 
Fay: We have a respect for each other’s disciplines, Ed’s manipulations are as tight as they could possibly be, Richard and Sam’s illusions are both slick and witty and their sense of fun is true both on and off the stage. If anybody is going to get inside my head and walk around, I want it to be Alex McAleer.

Young & Strange: Our act is ALWAYS the audience’s favourite in the Champions of Magic show, so there is no need to be competitive or have any sort of ego. Compliments should go to the rest of the cast who are great fun to work with and who are also our very good friends. That really helps in the world of magic which is littered with magicians whose self-belief and importance outstrips their talent.

Q: Can you share some memorable moments with us? Both on stage and off?

Alex: Young and Strange gaffer tapping Edward Hilsum to a wall back stage. Fay Presto saving the day by performing in the street after an errant fire alarm meant the audience had to evacuate the theatre. 

Edward: Every show has been memorable because all audiences are different. But I'll never forget when I opened the very first show, a huge pyro went off above me and although I was expecting it, the size of the explosion really took me by surprise! The effects in the show are just as exciting for us as they are for the audience.

Fay: The Night in Jersey that Marcus, who was helping me with the act, went down on one knee and proposed to his Katie, the day two years later entertained at their wedding.

Young & Strange: It genuinely is a great fun show to be a part of. The relationship off stage with all the acts is terrific and constant ‘ribbing’ of each others performances is part and parcel of a standard day in Champions of Magic.

Q: Magic is going through a particular rich vein of global popularity. What would you put that down to?

Alex: I don't think it ever went away but more recently people have remembered that magic is something to experience live. I think people know that what they see on TV or YouTube might not be the whole picture so the more opportunities they have to see it live the better. 
Edward: There are some fantastic TV shows which have taken magic to a larger audience so more people now want to see it live. But I also think that in the current Information Age, where the answer to most questions is available instantly online, we all crave that sense of wonder that comes from a real mystery.

Fay: There is so much that can be created ‘digitally’ these days, to see something you cannot explain ‘live’ and in the flesh, unfiltered by the tricks that can be played with video and transmission through television and computer is very special. Often live music is slightly diminished by the live experience, magic is enhanced by it.

Young & Strange:  In the past 25 years the success of David Blaine, followed by Dynamo and then the resurgence of David Blaine more recently has helped carve a new interest and fashion for magic. In the 80’s and 90’s it had a reputation as being too cheesy and dated. With the current wave of television talent, magic doing very well on the ‘Got Talent’ shows and magic being perfect for online viral videos, it’s brought magic right back into the 21st century. 

Q: Have you always wanted to be magicians? Any other careers you may have chosen?

Alex: When I was five I used to say I wanted to be a magician or a shopkeeper. As an adult I suppose I could have become an actor, designer, or cult leader. 

Edward: I've wanted to be a magician for so long now that I really can't imagine doing anything else. But I'm genuinely interested in other people. I got a first class degree in Psychology at university, so I'm sure that if I had to do something else, it would still be something that involves interacting with people and I'd find a way to use my magic skills!

Fay: I never expected to be a magician, nor even a performer. It was rather forced upon me by the necessity I found at the age of 35 to eat and pay the rent.

Young & Strange: We have had a passion for it since childhood and our friendship helped to inspire us towards making it our profession. Young’s dream job was working in the bakery section of a supermarket and he was subsequently sacked for overfilling the jam in the donuts. Magic always had a draw to it and we are fortunate enough to make a living from it. It won’t be long before that bubble bursts though and we are back to filling jam donuts….

Q: What was the first trick you mastered and who did you impress?

Alex: Probably the first piece of mind reading I ever learnt was a skill known as 'muscle reading' - I had a friend hide an object somewhere in the house and then asked them to think about its location until I found it. Took me about two minutes. It's a bit like a game of 'hot or cold' but they only think about where it is, saying nothing aloud. 

Edward: The first trick I mastered was making a lollipop appear! I first impressed my mum and dad, but the best audience was my school friends, who of course wouldn't let me stop!

Fay: Not sure I’ve mastered anything yet, still working on that one. Even so the list of those I have somehow impressed is embarrassingly long.

Young & Strange: The very first trick we learnt together as an act is an illusion that is still in the show today. It uses a cardboard box, in which one of us sits, and 23 wooden stakes which are rammed into the box at speed. We still make changes to the illusion 10 years on, so it’s unlikely we will ever consider the trick to be ‘mastered’. The very first time we performed it, we are adamant that the only people impressed by the illusion was ourselves…. 

Q: Who would you most like to make disappear?

Edward: When I was about six years-old, I wanted to make the Wicked Witch in The Wizard of Oz disappear. I'm still working on it.

Fay: Another embarrassingly long list I’m afraid. 
Young & Strange: Aspiring young magicians. Our position on this show is dubious at the best of times and it would only take some younger act to meet with the producer. It wouldn’t be long before we are back in Sainsburys filling donuts with the correct amount of jam. 

Q: Who is your greatest inspiration?

Alex: Too many to mention. 

Edward: Philippe Petit. He is a high wire walker with a remarkable story. He accomplished many amazing things, including secretly setting up a wire and walking between the Twin Towers of the World Trade Centre in 1974, with no safety net. His creativity, bravery and determination are a constant source of inspiration. He's an expert at sleight of hand too!

Fay: The entire cast of the Old Players Music Hall Company.
Young & Strange: We absolutely love large scale stage illusions. Interestingly, we believe that’s not a sentiment that is generally shared with the British public, who tend to prefer close up sleight of hand or mind reading. With this in mind we would always answer with David Copperfield as our greatest inspiration. His career and body of work is something that can only inspire and excite.

Q: Champions Of Magic is a pretty full-on show. Have you had any personal disasters on stage?

Edward:Even after hundreds of performances, little things do occasionally go wrong. But it's my job to make sure that the audience never knows… So I'm not telling and neither are the doves!

Young & Strange: Our role within the show is to provide the spectacle and bombastic finish. We always say what we lack in talent is masked by production. That production includes the use of Pyrotechnics and we have had a couple of near misses through our own stupidity. We have had 2 incidences where the theatre has been evacuated during the performance due to the pyrotechnics. 

Q: When on tour what do you do to relax?

Alex: Before the show I like to hang around in the auditorium, sit in the stalls and get a feel for the place. After the show it’s just chatting with the cast and crew about that nights show. 

Edward: I enjoy reading, watching movies and pranking Young & Strange.

Fay:Sleep 
Young & Strange: We spend time devising ways to distract Ed Hilsum.

Q: Describe the Champions Of Magic show in 5 words

Alex:  See it to believe it. 

Edward: You won't believe your eyes!

Fay: Most fun I ever had.
Young & Strange:  PERFECT show title. With exceptions.


On The Web:
Official Trailer: https://vimeo.com/78486910

Official website: www.championsofmagic.co.uk for full tour details. 

Official Twitter: @championsmagic

Official Facebook: Facebook.com ChampionsMagicUK

Tickets:



 

Preview: Our Ladies of Perpetual Succour at London Duke of York’s Theatre



Our Ladies of Perpetual Succour transfers to London’s West End in May 2017

Sonia Friedman Productions, Scott M. Delman and Tulchin Bartner Productions present The National Theatre of Scotland and Live Theatre production of

Our Ladies of Perpetual Succour
London Duke of York’s Theatre
Monday 15th  May - Saturday 2nd September 2017
 
Photo Manuel Harlan
Adapted by Lee Hall from the novel The Sopranos by Alan Warner
Directed by Vicky Featherstone
Music Sourced, Arranged and Supervised by Martin Lowe
Designed by Chloe Lamford
Choreographed by Imogen Knight
Lighting by Lizzie Powell
Sound by Mike Walker

Featuring the songs of ELO

Our Ladies of Perpetual Succour is set to transfer to London’s West End in spring 2017.  Originally a co-production between Live Theatre and National Theatre of Scotland Our Ladies…  will run between 15 May to 2 September 2017 (previews from 9 May) at the Duke of York’s Theatre presented by Sonia Freidman Productions, Scott M. Delman and Tulchin Bartner Productions.

Photo Peter Dibdin
Vicky Featherstone’s smash-hit production of Lee Hall’s musical adaptation of Alan Warner’s The Sopranos had its English Premiere at Live Theatre in October 2015 following a sell-out run at Edinburgh International Festival Fringe and tour of Scottish venues, where it won a host of awards and five star critics reviews including a Scotsman Fringe First Award, a Herald Angel Award, a Little Devil Herald Award and a Stage Ensemble Award at the Edinburgh Festival Fringe 2015.

Photo Manuel Harlan
A UK and international tour in 2016, saw the show play to audiences across the country including Newcastle Theatre Royal and performances internationally at festivals in Galway, Connecticut, and Melbourne. It culminated in a sell-out a ten-week run in the Dorfman Theatre, London’s National Theatre, earning the show further award nominations, critical and audience acclaim. In fact the NETG rated it the best show for 2015.

 ‘Big hearted and enjoyably coarse, but with moments of real poignancy, this is a fearless portrait of adolescence, fuelled by songs and Sambuca.’
Evening Standard

Photo Manuel Harlan
Written by the Lee Hall, creator of Billy Elliot and long-time Live Theatre collaborator, and Vicky Featherstone, Artistic Director of the Royal Court Theatre Our Ladies.. is the uplifting and moving story of six Catholic school girls from Oban, let loose in Edinburgh for the day. Funny, raucous and heart-breaking, the play is adapted from Alan Warner’s brilliant novel about six young friends on the cusp of change.

Featuring, amongst others, the songs of ELO, Our Ladies… is a glorious anthem to friendship, youth and growing up disgracefully. Prepare thyself for 24 hours of holy chaos. Our Ladies… contains singing, hilarity, sambuca and strong language.

Photo Manuel Harlan
Max Roberts, Artistic Director, Live Theatre said: “I'm thrilled that the country's leading commercial producer Sonia Friedman has taken such an imaginative decision to give Our Ladies… another life following its national and international tours and runs at Edinburgh, Live Theatre and the National Theatre, London. I'm delighted that a commissioned production by Live Theatre in partnership with National Theatre of Scotland with such a talented ensemble of young Scottish actresses will command a major West End Stage.”

Photo Chris Auld
Live Theatre is recognised as one of the great new writing theatres on the international stage. Based in Newcastle upon Tyneit is deeply rooted in its local community and produces work as varied and diverse as the audiences it engages with. It is currently producing locker room drama The Red Lion, written by Patrick Marber, starring Stephen Tompkinson which will be performed in Newcastlefrom Thursday 6 April to Saturday 6 May 2017.

The National Theatre of Scotland constantly tours a repertoire of new and acclaimed work with productions regularly presented on theatre stages across the UK and internationally. 

Photo Manuel Harlan
Tickets go on sale to the public from 31 January, and start from £10, with 30,000 tickets priced at £30 and under throughout the run. All previews (from 9 -14 May) will be priced at £30 and less. For tickets and information http://www.atgtickets.com/duke-of-yorksor ring Duke of
York’s Theatre, Box Office on 0844 871 7623.


Tickets:
30,000 tickets will be priced at £30 and under throughout the run, with tickets available from £10 and all previews priced at £30 and less.
Tickets go on sale on Tuesday 31 January
Performance runs from 09 May to 02 September 2017 at the Duke of York’s Theatre, St Martin’s Lane, London, WC2B 4BG
Box Office: 0844 871 7623 / http://www.atgtickets.com/duke-of-yorks
Age 16+Contains strong language and adult themes