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30/05/2015

Preview: Avenue Q at Darlington Civic Theatre



LIFE SUCKS. BUT DON’T SWEAT IT, AVENUE Q ARRIVES AT DARLINGTON CIVIC THEATRE

Avenue Q
Darlington Civic Theatre
Tuesday 9th to Saturday 13th June 2015


Cross Sesame Street with the Muppet Show, give it a 14+ age rating and clap on a government health warning that too much laughter can make your sides ache and you’ve got Avenue Q.

The countdown has begun! With just over a week to go until award winning musical Avenue Q hits Darlington Civic Theatre, the venue is preparing to host the most unholy comic allegiance between humans and puppets the world has ever seen. Following massive success all over the globe and nearly five years of mischief, bad behaviour and political incorrectness in the West End, Avenue Q finally arrives in Darlington from Tuesday 9 to Saturday 13 June as part of its current national tour.

Avenue Q is a musical about the lively and off-the-wall characters on a downtown New York street trying to make sense of life’s burning issues: love, work, relationships, and, above all, just how are you supposed to pay the bills with a BA in English? Hilarious and uproariously entertaining with songs performed by a cast of hugely talented performers and puppets, Avenue Q is a musical like no other.

Avenue Q follows Princeton, a bright-eyed college graduate new to the area, as he desperately tries to follow his dreams and discover his ever-elusive purpose in life. A tiny bank balance, the distraction of a busty blonde, and a variety of weird and wonderful friends and neighbours lead Princeton on a story of self-discovery.

The show has enjoyed enormous success, both on Broadway and in London, proving to be the perfect, contemporary musical. Witty, rude and extremely funny, Avenue Q ingeniously combines a cast of humans and puppets who tackle subjects such as dating, racism, being gay and finding your purpose in life.

Tickets:
Avenue Q is at Darlington Civic Theatre from Tuesday 9 to Saturday 13 June. Tickets* are priced £19 to £30.50
To book contact the Box Office on 01325 486 555 or visit www.darlingtoncivic.co.uk  
*All ticket prices include a £1 restoration levy.
Age recommendation 14+

Review: Rendezvous at Live Theatre

Knickerbocker Glories
and Sweet Horlicks

Rendezvous
NewcastleLive Theatre
Until Saturday 6 June 2015

Julia Darling
Rendezvous is a compilation of five short plays to celebrate the life and work of former Live Theatre writer in residence, Julia Darling, who passed away in 2005. Each one is a nugget of gold which reflects the esteem and love that those who worked with Julia still feel about her.

The Light by Deborah Bruce and directed by Clive Judd


Karen Traynor & Zoe Lambert
in Rendezvous
(The Light by Deborah Bruce)
Jack (Zoe Lambert) is looking for the light from across the sea that she has always been able to see since she lost Sam. The only difference is that today is Jack’s wedding day. When the bride Charlie (Karen Traynor) appears to find out what’s happening it reveals the complicated nature of relationships and the need for trust. The most damning evidence can sometimes be explained by straightforward explanations. The result is an enchanting look into how fragile (or strong) relationships can be.

Currently Under Construction by Laura Lindow and directed by Anna Ryder


Phil Corbitt & Dean Bone
in Rendezvous
(Currently Under Construction by Laura Lindow)
A children’s ward can be a very tough place and Clown Doctor Charlie Dander (Phil Corbitt) finds himself with one of the older patients Aaron (Dean Bone). The 17 year old is in for a heart transplant and has chosen to stay in that ward but he is far too cool to be seen talking to a clown.  Phil is fantastic as the professional who gives the patient a chance to be heard. A number of funny lines and visuals punctuate a tricky situation. Dean plays the young lad well as the reluctant convalescent. It is a powerful piece that goes to show that you don’t know what you’ve got until its tested.

Words With Loveby Nina Berry and directed by Anna Ryder


Lauren Kellegher & Dean Bone
in Rendezvous
(Words With Love with Nina Berry)
A pair of teens are working through a story, except he hasn’t made it his priority to actually read it past the first section of the book. Lauren Kellegher’s character tries to get the lad (Dean Bone) to do as she wishes, in turn mirroring the story they’re studying.  The pair try to work out the basis of the love story and the terms by which relationships can be defined. The use of the love letters is a humorous device to reflect the frustrations that the pair are suffering from.  Another clever twist, and a knickerbocker glory for two, keeps the story delightful.

Anti-Gravity by Holly Reed Macrea and directed by Clive Judd


Karen Traynor & Lauren Kellegher
in Rendezvous
(Anti-Gravity by Holly Reed Macrae)
The special bond between a mother (Karen Traynor) and her daughter (Lauren Kellegher) is put to the test after a visit to a doctor (Zoe Lambert) brings bad news. Some creative swimming and sweet Horlicks help create a tough but realistic plight. The frustration isn’t over played.

Karen Traynor and Zoe Lambert
in Rendezvous
(Anti-Gravity by Holly Reed Macrae)
A moment when they are struggling to navigate around a cafĂ© is both an eye opener and light hearted.  The spirit and bravery is punctuated by humour resulting in a thought provoking tale – when does realism lead to pessimism?

Everything Is Wondrousby Amy Golding and directed by Clive Judd & Anna Ryder


Phil Corbitt & Zoe Lambert
in Rendezvous
(Everything is Wondrous by Amy Goulding)
Gateshead resident Jo Milne hit the headlines last year when she was able to hear for the first time, after nearly 40 years, following cochlear implant surgery. The final story of Rendezvous is a remarkable verbatim play between Jo (Zoe Lambert) and Tremayne (Phil Corbitt) who have known each other a long time. Tremayne is a major fan of music and has been tasked with putting together a mix tape to bring Jo up to speed with what she has been missing.  The dialogue highlights how lip reading can pick up on regional accents or how Jo had to learn environmental sounds, like church bells, for the first time.  They also expose how uncomfortable people can be around disability, which does not make for comfortable listening.

Rendezvous is a smart collection of short plays that have a hard message wrapped in a humorous exterior. They all carry the hallmarks of the high end quality new writing for which Newcastle’s Live Theatre is recognised for. The end result is a pleasing, inspiring and enthralling evening’s entertainment. Julia Darling would be proud.


This review was written by Stephen Oliver for the North East Theatre Guide by Jowheretogo PR (www.jowheretogo.com). Follow Jo on twitter @jowheretogo, Stephen @panic_c_button or like Jowheretogo on Facebook www.facebook.com/Jowheretogo


Tickets:
Tickets for Rendezvous cost £14 to £10 full price, £12 to £10 for over 60s and other concessions are £5. To find out more about the production and the special events to coincide with the plays visit www.live.org.uk or call the box office on (0191) 232 1232

Suitability: 14+

Wrap Around events listings

Sunday 31 May, 7.30pm
Rendezvous 2
Presented in association with New Writing North

Live Theatre is delighted to host an evening celebrating Julia Darling’s writing. This cabaret style evening will feature poetry, fiction, extracts from plays and live music performed by many of Julia’s long time collaborators, performers and friends including The Poetry Virgins. New Writing North will also be announcing the winner of the inaugural Julia Darling Travel Fellowship, a new award to support a writer to travel and write, that has been created in Julia’s memory at the event.

DATES:Sun 31 May, 7.30pm
LOCATION: Main Theatre
DURATION: Approx. 2hrs 15mins including an interval
SUITABILITY: 14+
TICKETS:  £14-£10, over 60s conc £12-£10, other concs £5
Saturday 30 May, 10am
First Aid Kit Workshop
Presented by artist Emma Holliday & writer Anna Woodford
The original First Aid Kit for the Mind, developed and made by Julia Darling, Emma Holliday and Jay Smart, was the start of a collection, a piece of ‘home’ in a box should you find yourself in a hospital or other setting where you would need something familiar. For ten years the boxes have retained their original contents however this workshop will be branching out from this format and letting it take the next step of its journey.

Join writer Emma Holliday and writer Anna Woodford in this workshop which features art and creative writing activities designed to help you create your own box or one for someone else.

Places are strictly limited so please book early.

DURATION:Up to 5 hrs
TICKETS:  £15 (includes materials)

Saturday 30 May, 4.30pm
Around the Kitchen Table
Presented by The Poetry Virgins

The Poetry Virgins used to gather round Julia
s kitchen table with bottles of wine and nibbles, bouncing around ideas for poemsand performances and laughing. They wrote about cars, bras, birth and politics and much more.
This is your chance to join The Poetry Virgins, including Charlie Hardwick, Kay Hepplewhite, Fiona MacPherson and Ellen Phethean, as they revive the bonhomie and creativity for one more night.

DURATION:Approx. 2 hrs 30 mins
TICKETS:  £7

Saturday 30 May, 6pm

Panel Discussion

An informal conversation with some of Julia’s colleagues and collaborators remembering and re-evaluating her work, her legacy and influence across the full range of her creative canon – plays for theatre and radio, poems, short stories and novels.
DURATION:Approx. 45 mins
TICKETS:  Free, booking essential

Tuesday 2 June,
6pm
proudWords Workshop

Why a gay writing workshop? Creative writing workshops for the lesbian, gay, bisexual and transgender (LGBT) communities were a major part of the proudWords festival, giving LGBT people, both writers and non-writers, the opportunity to express themselves in a supportive, queer-friendly environment. Lisa Matthews will lead this workshop with a range of writing activities about how we can celebrate the unique literary contribution the LGBT community makes.
DURATION:Approx. 2 hrs
TICKETS:  Free, booking essential
Wednesday 3 June, 5.30pm
How to… Write a Poem

Using Julia’s own 2005 poetry workshop for the Guardian, explore ideas by writing about what you don’t know.
“Poetry can be a brilliant way of exploring the things you don't know. Let me explain. Often we write too literally, too logically or self-consciously, when it is the imaginative connections - the leaps of faith, the connections between images and words - that are interesting to the writer and the reader. Poetry is an odd combination of creative energy and technical ability. In this exercise we are trying to let ourselves free fall, then working on the poem to give it shape. I like poetry to be useful, and I think that by writing about what we don't know we can explore all kinds of ideas within our minds, and help ourselves, too. Julia Darling
DURATION:Approx. 1 hr 45mins
TICKETS:  £5
Wednesday 3 June, 6.30pm
Cold Calling Film Screening
Starring Charlie Hardwick & Trevor Fox

Cold Calling
is a screen adaptation of Julia Darling’s theatre play Attachments about a recently bereaved anaesthetist who gets an unexpected call from a pushy but not entirely successful door-to-door Hoover salesman. Filmed in front of a live audience and first broadcast by Tyne Tees in 2003.

DURATION:Approx. 30mins
TICKETS:  Free, booking essential

Thursday 4 June, 6pm
Letters Home
Presented by Operating Theatre 

Grace is a single mother with a teenage daughter and a pair of twins. She’s just got divorced and the boiler’s on the blink. None of which is the main problem. The main problem is daughter Janie. Mel, Gracie’s best friend, says “Don’t worry. It’s just a phase she’s going through”. But Grace isn’t so sure. And what can she do if Janie won’t talk to her…
To say that Julia Darling was a founder member of Operating Theatre is not quite enough. In fact, it could more truthfully be said that she was the very reason for its existence. It was Julia Darling’s play Eating the Elephant about cancer that convinced Dr Dominic Slowie, then a lecturer at Newcastle University’s Medical School, that drama could be a valuable tool in medical education. Fourteen years later Letters Home is one of the four plays performed each year by Operating Theatre for Newcastle Universitymedical students.
DURATION:Approx. 45mins
TICKETS:  £5
Friday 5 June, 6pm
Diamond Twig
Julia Darling and Ellen Phethean at Diamond Twig Press passionately believed in encouraging new women writers. With her work and expansive personality, Julia inspired and encouraged writers wherever she went.

Ellen and Diamond Twig host a reading by women and men, poets, new writers, experienced published writers - each of whom have contributed a poem to Julia’s memory and written a few words about how she inspired them.

DURATION:Approx. 1hr
TICKETS:  £5

29/05/2015

Preview: Cox & Box – Mrs Bouncer’s Legacy at Middlesbrough Theatre

Cox & Box – Mrs Bouncer’s Legacy
Middlesbrough Theatre
Thursday 4th  – Saturday 6th June 2015

In its 60thanniversary year, the Stephen Joseph Theatre, Scarborough is on tour to Middlesbrough Theatre from 4 to 6 June with Cox & Box – Mrs Bouncer’s Legacy.

Cox & Box – Mrs Bouncer’s Legacy
Photos by James Drawneek
A cross-dressed Victorian romp gives way to a modern take on Gilbert and Sullivan inspired political satire in this outrageous comedy musical about deception, international relations, and chickens.

First seen at the Stephen Joseph Theatre in 2014, Sir Arthur Sullivan’s one-act comic opera has been reinvented with a sequel by Chris Monks and Richard Atkinson and is being revived for the company’s diamond celebrations.

Cox & Box, 1866: Cox is an apprentice hatter who works by day and Box is a printer who works by night. The two unknowingly share the same rented room, hoodwinked by their thrifty landlady, Mrs Bouncer.

Mrs Bouncer’s Legacy, 2016: A recently elected government has repatriated all migrant workers. Twin sisters Urszula and Krystyna are secretly sharing a room – the very same one – in a rundown B&B where their landlord is a member of the UZIP party. 

Wrapped up with a heart-warming happy ending, you won’t be able to stop yourself singing “Fetch a Pan” or “Yorkshire is So Beautiful”.

Cox & Box – Mrs Bouncer’s Legacy
Photos by James Drawneek
Director Chris Monks said: “I’ve always admired Cox and Box, it’s the wellspring of Gilbert and Sullivan’s musical style and has some terrific tunes. Burnand’s book and lyrics, based on Maddison Morton’s original farce, are crafted to perfection. The problem is it’s only an hour long, so I hit on the idea of a sequel, visiting Bouncer’s boarding house to see who would be living there 150 years later. I’m chuffed to bits that we can take the show on its own Tour de Yorkshire and introduce new audiences to the work of the Stephen Joseph Theatre.”

Composer and Musical Supervisor Richard Atkinson said: “We’ll be bringing all the comic elements, sparkling melodies and farcical qualities associated with the original into our companion piece yet in keeping with modern musical theatre.”

The Stephen Joseph Theatre welcomes Darren Southworth, as seen in the original West Endcast of Monty Python’s Spamalot, and Emilia Williams from the West End and national tour of Dirty Dancing, who will join original company member Lara Stubbs.

Cox & Box – Mrs Bouncer’s Legacy
Photos by James Drawneek
Darren Southworth, whose other theatre credits include the Lip Service tour of Desperate to be Doris and A Taste of Honey at the New Vic, will play Mrs Bouncer and landlord Bob Narks. Emilia Williams, recently seen as Elizabeth Bennet in Pride and Prejudice at Islington’s Rosemary Branch Theatre, plays the male printer, Box, and in the second act, Polish sister, Krystyna. Lara Stubbs, a regular with Barbershopera, marks a third production with the SJT having also appeared in its new writing play, Screenplay, last summer. She reprises her role as the hatter, Cox, and Krystyna’s twin, Urszula. Scarborough musician Mark Gordon returns to the SJTfollowing the Christmas play, Aladdin, to take on the role of Musical Director.

“Monks has a fine understanding of Sullivan’s proto-Pythonesque humour. And the sequel nails its satirical targets brilliantly” ★★★★  - The Guardian

“The witty lyrics are set to catchy tunes” ★★★★ - What’s On Stage


Stephen Joseph Theatre, Scarborough presents
Sir Arthur Sullivan’s Cox & Box – Mrs Bouncer’s Legacy
Adapted, with a sequel, by Chris Monks and Richard Atkinson
Director: Chris Monks
Cast: Darren Southworth, Lara Stubbs, Emilia Williams
Designer: Tim Meacock
Musical Director: Mark Gordon
Lighting Designer: Tigger Johnson
Sound and Video Designer: Paul Stear
Choreographers: Kraig Thornber and Beverley Norris-Edmunds
Photos by James Drawneek


Tickets:
Cox & Box – Mrs Bouncer’s Legacycan be seen at Middlesbrough Theatre on Thursday 4 to Saturday 6 June at 7.30pm each evening and with a matinee a 2.30pm on Friday 5 June. Tickets, priced at £13, £11 for concessions and £7.50 for the matinee, are available from the box office on 01642 815181 and online at www.middlesbroughtheatre.co.uk

28/05/2015

Review: A Chorus Line at Tyne Theatre



A Musical Sensation

A Chorus Line
Newcastle Tyne Theatre & Opera House,
Until 30 May 2015

Book: James Kirkwood & Nicholas Dante
Music: Marvin Hamlisch
Lyrics: Edward Kleban

Director: Ben Hunt
Producer: Jamie Gray
Musical director: David Gray
Choreographer: Stephanie Smith

Recently the film 20 feet from Stardom gave an insight into the life of the backing singer. A role in which you are successful if you’re not noticed and you don’t stand out but the star of the show does. A Chorus Line looks at the audition process for the dancers in the ensemble for a Broadway show. All of the dancers are looking for that next job which will help pay the bills. For most of them they may be looking for that final payday, knowing that their dancing days will soon be coming to an end.

The Tyne Theatre & Opera House is a wonderful theatre and it is great to see it being used for the very purpose for which it was built – to entertain. To match its lavish surroundings, the Nice Swan Theatre Company have pulled together a large and talented cast that sing, dance and tell the story tirelessly.

The show opens with an audition in full swing. As each small group is given the opportunity to dance for the director there is an opportunity for some humour as a small number of dancers are clearly not up to the job and don’t make the first cut. It is fascinating to see how impersonal the process is at this stage – everyone is referred to by numbers rather than names. 

The first number I Hope I Get It reflects the anticipation about getting cast in the role. The music is performed by an unseen live band under the direction of David Gray. The sound was clear and the voices were well matched on the big numbers.

The auditionees are told that there are just 4 male and 4 female roles available and each one will be given a chance to talk about their life. Why are they there?  How did they become a dancer? There is a contrast with the beginning as each dancer reveals their individual back story. Some such as Greg (Luke Neville) and Judy (Louise Barron) get quick laugh from their responses. Mike (Spencer Hardy) has a nice solo spot with I Can Do That.

As each performer opens up there are tales of escaping unhappy childhoods, living parental dreams and trying to survive in a big city at a young age.  What they all have in common were the problems of being 12 or 13. Bodies developing and the onset of ones own identity are an interesting theme and it makes for a strong theme in the montage Hello Twelve, Hello Thirteen, Hello Love.

The dance industry is one in which image is a massive issue and Val (Brooke Havana Bailey) describes the pain and the solution in the catchy Dance ten Looks three. Lauren Gordon delivers The Music and The Mirror about fading opportunity passionately as Cassie.

After the final cut is made there is a superb and very glamorous grand finale that gives each remember of the cast there well deserved moment to shine.

The cast work hard and under Ben Hunt’s direction there is an alluring story to be told about some of the less prestigious aspects of show business. The end result is a very absorbing and delightful evening’s entertainment.


This review was written by Stephen Oliver for the North East Theatre Guide by Jowheretogo PR (www.jowheretogo.com). Follow Jo on twitter @jowheretogo, Stephen @panic_c_button or like Jowheretogo on Facebook www.facebook.com/Jowheretogo
 
On The Web:

Tickets:
A Chorus Line runs at the Tyne Theatre & Opera House, Newcastle from 27 - 30 May 2015. Tickets available at www.tynetheatreandoperahouse.ukor call 0844 2491 000