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22/01/2015

Preview: Peter Pan Goes Wrong at Darlington Civic Theatre



Expect Laughs Throughout!

Peter Pan Goes Wrong
Darlington Civic Theatre
Tuesday 3rd February to Sunday 8th February 2015.

Celebrated West Endnewcomers and winners of the Whatsonstage Award for Best New Comedy 2014, Mischief Theatre are set to wreak havoc once again at Darlington Civic Theatre with their new show Peter Pan Goes Wrong.

Co-written by Mischief Theatre company members Henry Lewis, Jonathan Sayer and Henry Shields, the play introduces ‘The Cornley Polytechnic Drama Society’ who are attempting to stage J.M. Barrie’s classic tale of Peter Pan, but as the title suggests, everything that can go wrong… does, as the accident prone thesps embark on a thrilling adventure to Neverland with hilariously disastrous results. A highly physical comedy packed with finely-tuned mayhem and Buster Keaton inspired slapstick, Peter Pan Goes Wrong delivers a fast-paced show with split-second timing and ambitious daring.

Mischief Theatre exploded onto the Darlington Civic Theatre stage with phenomenal success last year with The Play That Goes Wrong. Kenny Wax - triple Olivier award-winning producer of the play said: “We took a huge gamble in transferring The Play That Goes Wrong into the West End; a new comedy starring 'no one famous' by unknown writers. 
And yet our sold out show is delighting packed houses night after night. I have no doubt that Peter Pan Goes Wrong will be met with the same tremendous reaction.” The Play That Goes Wrong was the Jowheretogo Comedy Play of 2014: hereand you can read its review: here

A donation from every ticket sold for Peter Pan Goes Wrong is given to Great Ormond Street Hospital.

Tickets:
Peter Pan Goes Wrong runs at Darlington Civic Theatre from Tuesday February 3 to Sunday February 8. Tickets* are priced from £17.
To book contact the Box Office on 01325 486 555 or visit www.darlingtoncivic.co.uk
*Includes a £1 restoration levy 


Special Events

Free post show talk Wednesday - Stay behind after the show to take part in a Q&A with some of the cast. Booking not necessary.
 

Review: Daisy Pulls It Off at Newcastle People’s Theatre



How Great Are Noble Things?

Daisy Pulls It Off
Newcastle People’s Theatre
Until 24th January 2015.


The new year at Newcastle’s Peoples Theatre opens with a comedy which owes as much to Channel Four’s Comic Strip as it does Enid Blyton’s The Naughtiest Girl in the School.

Daisy Meredith has been brought up in the 1920s by her opera singing mother after her Dad died. Whilst she is poor, Daisy is very bright and has done well in elementary school. By passing exams she wins a place at a girls boarding school. She meets 6th former Clare Beaumont on the way to the school who is both Head Girl and a relative of the family who own the building. Clare suggests Daisy will have a cracking time at her new school but needs to keep her head down as some girls are not too keen on the idea of a girl from a different background starting on a scholarship.

Once in the school Daisy immediately bonds with poetry fan Trixie, with whom she shares her dormitory, who tells her that there is secret treasure hidden in the grounds of the old school. They decide to set up a secret society to find the treasure in order to save the future of the family that owns the school building. Unfortunately she also shares the dorm with a couple of rich girls who plan to get Daisy expelled one way or another. The story unfolds in an establishment in which hockey is as significant as the 3Rs.

The central characters of Daisy, played by the engaging Maggie Childs and Trixie, performed superbly by Alison Carr keeps the show flowing well. The script is full of funny situations without being too syrupy. The rest of the ensemble, including the delightful Anne Cater as Clare Beaumont, are enchanting as they show the best, and worst, of traits of teenage girls and eccentric staff.

Kate Wilkins’ direction ensures that the story continues to flow without pausing for a change of scenery or props. The clever set design supports the high quality production.

The People’s Theatre pull it off with a top-hole production which brings a smile to the audience. Lashings of ginger beer anyone?

This review was written by Stephen Oliver for Jowheretogo PR (www.jowheretogo.com). Follow Jo on twitter @jowheretogo, Stephen @panic_c_button or like Jowheretogo on Facebook www.facebook.com/Jowheretogo



Tickets:
Tuesday 20 – Saturday 24 January 2015  7.30pm
The People’s Theatre, Stephenson Road, Newcastle upon Tyne, NE6 5QF
£13.50 (Concessions £11)
Box Office: 0191 265 5020 (option 2) www.peoplestheatre.co.uk

20/01/2015

Preview: The Business Of Murder at Darlington Civic Theatre



 A Night At The Theatre Where
Murder Is On The Agenda

The Business Of Murder
Darlington Civic Theatre
Tuesday February 10 to Saturday February 14 2015

A night of mystery and murder is guaranteed as Middle Ground Theatre Company present Richard Harris' acclaimed psychological thriller The Business of Murder, which enjoyed a successful 9-year run in the West End.

Stone, a humourless and dour man, invites Dee, a television playwright, over to his flat on the premise of discussing a script. Once there, she is surprised when superintendent Hallett, the man with whom she is having an affair, also arrives for an entirely different reason.

But nothing is as it seems, and as the plot twists and turns the motive of their host Stone gradually becomes clear. They are all, it would seem, in the same business.... The Business of Murder.

Starring Robert Gwilym, known by millions for his role as Dr Max Gallagher in Casualty, alongside Paul Opacic (a regular in Bad Girls, Emmerdale and Hollyoaks) and Joanna Higson, who played Maxine Donnelly for two series of Shameless and is currently appearing as Vicky Hall in BBC TV's WPC56.

Tickets:
The Business of Murder runs at Darlington Civic Theatre from Tuesday February 10 to Saturday February 14. Tickets* are priced from £17
Evenings 7.30pm, Matinees Thu 2pm, Sat 2.30pm
To book contact the Box Office on 01325 486 555 or visit www.darlingtoncivic.co.uk  
*Includes a £1 restoration levy

Special Events

Free post show talk Wednesday - Stay behind after the show to take part in a Q&A with some of the cast. Booking not necessary.

Preview: Count Arthur Strong at Newcastle Tyne Theatre



Count Arthur Strong: Somebody Up There Licks Me!
The Tyne Theatre & Opera House
Saturday 7th February 2015

The Tyne Theatre & Opera House is excited to welcome BBC2’s Count Arthur Strong with his new show, ‘Somebody Up There Licks Me!’ on Saturday 7th February 2015.
Fresh from donkey’s years on his award winning BBC Radio 4 series and the huge success of his BBC2 TV Show, Count Arthur Strong gets back to doing what he does best. This show.
In ‘Somebody Up There Likes Me’ he’ll be doing all sorts of wonderful things for you to sit there staring at as you quietly suck your Maltesers and don’t get up to go to the toilet, applauding loudly at the appropriate moments. You’ll laugh, cry and the other one. Here’s a personal message from Arthur himself: “If you only buy one ticket for something this year buy a ticket for this one twice and bring a friend. I promise you, you won’t regret it. And if you do there must be something wrong with you. No refunds”.
On The Web:

Tickets:
Tickets are priced at £17.50, £1.50 Con (plus booking fees when booking online and over the phone)

The Tyne Theatre & Opera House Box Office is open 10am-3:30pm Monday to Friday and event days
Booking and Information Line: 0844 2491 000 (10am – 6pm Monday to Friday)
Theatre Address: 109 – 119 Westgate Road, Newcastle, NE1 4AG

Preview: Live Lab Re-Launch at Live Theatre



Celebrate the re-launch of Live Lab
with a week of exciting new work
as it is shared for the very first time

Live Lab Re-Launch
Live Theatre
Sunday 25 to Friday 30 January, 2015
 
2015 marks the re-launch of Live Theatre’s Live Lab programme with more opportunities for budding writers, comedians, theatre makers and audience members to get involved. From Sunday 25 to Friday 30 January, audiences are invited to celebrate the re-launch of Live Lab with a week of exciting new work as it is shared for the very first time.

As Gez Casey, Live Theatre’s literary manager, explains:   
“Live Lab is an innovative and vital part of Live Theatre's talent development programme offering a forum for theatre practitioners to try out new material and gain insightful feedback, opening a dialogue between the people who watch work and those that make it. Since its launch in 2011 Live Lab has attracted some of the most original theatre companies and artists, creating work that is bold, ambitious and relevant. We hope you can join us this January as we expand our Live Lab programme and celebrate its re-launch"


To start the week, on Sunday 25 January at 8pm, 10 Minutes to... is back for another evening of new plays by new voices. Five north east based playwrights, matched with five local directors, are given the opportunity to create a 10 minute play that responds to a particular theme. To kick off the New Year, and a new Live Lab, the theme is Take Off! 

10 Minutes to...
is the latest addition to Live Theatre’s Live Lab programme, giving writers and directors the opportunity to forge new creative partnerships, be showcased at Live Theatre and bring their work to a new audience. The plays, which are rehearsed in just one adrenalin-fuelled weekend, include Trolley Boy written by Dave Raynor and directed by Anna Ryder, The Flight by Nina Berry and directed by Melanie Rashbrooke, Fold. Throw. Repeat by Rebekah Bowsher and directed by Morag IIles, Coming Home Party by Josh Coats and directed by Sebastien Fumoleau and After School Cake Club by Ali Pritchard and directed by Lewis Grey.

The launch week continues, on Thursday 29 January at 8pm, when audiences are invited to see brand new work-in-progress in the first Scratch Night of the year. Jointly curated with The Empty Space, Scratch Night is a staple of the Live Lab programme giving theatre makers the chance to test new ideas out in front of an audience. This edition includes award-winning poet Kate Fox showcasing a new show she is developing for the BBC, a piece from theatre maker Greg Wohead featuring unrehearsed performers using pre-recorded audio and headphones and Newcastle based theatre collective Precious Cargo who make dynamic, thought-provoking theatre with a heart. They will also be joined by Eggman Theatre who will present a selection of scenes from their new show Baggage, which is about discovering and embracing your identity.


Founded in 2011, Scratch Night gives emerging and established theatre companies a forum to share short extracts of work currently in development and gain invaluable feedback from audiences and fellow theatre makers on their work.  Many of the shows, first showcased at a Scratch Night, have now gone on to be developed into full length shows. Previous Scratchers, who have gone on to do great things, include Kieran Hurley’s award-winning Beatswhich enjoyed a successful run at 2012 Edinburgh Festival Fringe and Alistair McDowall’s Captain Amazing, which was one of the winners of Live Theatre and The Empty Space’s bursary award in 2012. Plus, in 2013 Alison Carr’s The Soaking of Vera Shrimp was also awarded the Live Theatre and The Empty Space’s bursary to develop her show into a full length piece which was showcased at Live Theatre last year.

The re-launch week will culminate, on Friday 30 January at 
8pm, with a special launch party for audience members, writers and theatre makers to informally share ideas about the future of Live Lab. Plus, some of the region’s most exciting voices will perform extracts of their work in this night of cutting-edge theatre, poetry, comedy and music. Anyone with an interest in having their say on the future of Live Lab should make sure they attend this event. 

Tickets:
A week pass to attend all of the events costs £12 or £5 tickets are available per event. To book tickets and to find out more about what is in store visit www.live.org.uk/livelab or contact Live Theatre’s box office on (0191) 232 1232

Review: Woman In Black at Darlington Civic Theatre



Theatre That Goes Bang In The Night

Woman In Black
Darlington Civic Theatre
Until 24th January 2015.

Darlington Civic have the perfect cure for the winter blues as a classic horror tale rolls into town.

Seven million people have seen the stage adaptation by Stephen Mallatrat of Susan Hill’s The Woman In Black in a run which includes 25 years in the West End. The escapades of lawyer Arthur Kipp have also been portrayed by Daniel Radcliffe in a 2012 film. Whilst both the play and the play are both based upon the same novella, they differ in their approach.

Woman In Black follows the story of Arthur Kipps, a junior solicitor, as he heads to a small town he’d never previously heard of, to attend the funeral of a client, Mrs Alice Drablow. What is ingenious about the play is that it is set in a theatre and Kipps wants to present what happened to his friends and family so he employs an actor to help him sort out the presentation. Many laughs in the first act come through the discussion in how the story should be presented. The handful of props are organised and the story starts to unfold. The Actor plays Kipps in their presentation of his story and Kipps performs the many other characters that he comes across.

Quickly the play hits a groove as Kipps sets off on his journey and he meets many local people who decide to finish the conversation when he points out the purpose of his visit. The ghosts from the past soon start making their presence known.

Malcolm James is immediately engaging, as Arthur Kipps, as he mumbles through the first few lines of the script. Matt Connor is the perfect foil as The Actor who draws the performance out of the shy Kipps.

A combination of clever lighting design by Kevin Sleep and judicious use of sound effects and smoke helps to turn the apparently simple set into a theatrical playground which literally has the audience jumping out of their seats. It just goes to show that you don’t need CGI to produce the special effects.

Great acting, a tight script and fabulous effects produces a gripping night out. The stage show knocks spots off the lacklustre film.

This review was written by Stephen Oliver for Jowheretogo PR (www.jowheretogo.com). Follow Jo on twitter @jowheretogo, Stephen @panic_c_button or like Jowheretogo on Facebook www.facebook.com/Jowheretogo.

On The Web:



Tickets:

Monday, January 19, 2015 - Saturday, January 24, 2015
Evenings 7.30pm, Matinees Thu 2pm, Sat 2.30pm

Tickets* £17 - £25.50 Discounts available including discounted opening night and Sat 2.30pm Schools £13.50 with 1 free with every 10 booked valid on Mon to Thu performances

To book contact the Box Office on 01325 486 555 or visit www.darlingtoncivic.co.uk

Special Events

Free post show talk Wednesday - Stay behind after the show to take part in a Q&A with some of the cast. Booking not necessary.

Post-show ghost tour Fri 23, tickets £5

Cast:
Malcolm James: Arthur Kipps
Matt Connor: The Actor

Creative Team

Playwright: Stephen Mallatratt
Author: Susan Hill
Director: Robin Herford
Designer: Michael Holt
Lighting Designer : Kevin Sleep
Sound Designer : Gareth Owen


17/01/2015

Preview: The Nutcracker at Newcastle’s Theatre Royal



Scottish Ballet’s Spectacular Return To Newcastle’s Theatre Royal
The Nutcracker
Newcastle’s Theatre Royal
Wednesday 11 – Saturday 14 February.

A dazzling world of dancing snowflakes, sumptuous sweets and a spectacular sugar plum fairy await ballet fans at Newcastle Theatre Royal as Scottish Ballet returns with family favourite, Peter Darrell’s The Nutcracker from Wednesday 11 – Saturday 14 February.

The production is a re-creation of the ballet originally produced over forty years ago by Peter Darrell, Scottish Ballet’s founding Artistic Director - a famous story-teller and an incredible dance-maker.

Erik Cavallari as the Prince
with Sophie Martin as the Sugar Plum Fairy
in Peter Darrell’s The Nutcracker.
Photo: Andy Ross.
Scottish Ballet’s Artistic Director, Christopher Hampson, explained: “I’d known about Darrell’s production of The Nutcracker when I was a child. The images of the hanging baubles in Act Two was in just about every dance book there was. A Nutcracker production, for most ballet companies, is a very important part of the repertoire. It is normally the most performed work and needs to be something that will last for generations. Peter’s production had done that, but it needed to be rested so that it could be rediscovered again and brought back with a fresh perspective. It’s no accident that I’ve chosen a Darrell work to put at the very heart of our repertoire.”

Peter Darrell’s magical world of The Nutcracker has been re-imagined for today’s audiences by Olivier Award winning designer Lez Brotherston, adding sumptuous layers of plush Victoriana and traditional festive fare to the original 1973 production. “This production will be as close to Peter’s original as possible - the point of bringing the production back is to see his beautiful, intricate choreography,” adds Hampson.  “In terms of design, I asked Lez to take inspiration from the original designs. So, although they are different, there will still be a sense of the original production.
“The essence of this being a family production is the key element – and we’ve looked to gently incorporate some new ideas for a new audience. We’ve been working closely with the Peter Darrell Trust to ensure that our new production has Peter’s intentions at its heart.”

“The brief of the piece was unusual in that it existed before.  It’s Peter’s production and it still feels like that – as it should do,” says Designer Lez Brotherston. “Peter’s original designer was Philip Prowse and that feels quite meaningful to me personally.  Philip’s work was of great inspiration to me when I was at art school – he tutored me on my final-year designs and his influences have stayed with me.
“It’s still set in the 1870s and has that sumptuous, rich Victoriana feeling – and there are bustles and tutus of course, but some of the costumes have been adapted to better show off the dancers’ line and the choreography.
 “Those who have seen the production before will remember Darrell’s famous Land of Sweets – that’s still there although my sweeties are slightly different, and there’s a version of the Land of Snow too.  My interpretation of the house is also a little different and maybe there’ll be something special about the toys that the children receive as Christmas presents – you’ll have to come along to see.”

Darrell's enchanting production has sparked the ballet careers of many young dancers who performed the roles of Clara and her brothers - including Scottish Ballet Principal Dancer Christopher Harrison who has seen his own dream come true and will be this time performing the star role of The Prince some twenty years later. 

Once again Scottish Ballet welcomes a very special cast of young dancers to the ranks of the Company's professionals for this inspiring production in which Clara, the littlest ballerina, is the one who visits the many magical worlds and saves the brave Nutcracker Prince.

The Scottish Ballet Orchestra will also accompany the dancers live, performing the world famous Tchaikovsky score.

Tickets:
Scottish Ballet’s production of PeterDarrell’s The Nutcracker  appears at Newcastle Theatre Royal from Wednesday 11 – Saturday 14 February 2015. Tickets are available from £11.50 (a booking fee of 95p - £1.95 will apply to most tickets) and can be purchased from the Theatre Royal Box Office on 08448 11 21 21 or select your own seat and book online at www.theatreroyal.co.uk