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Preview: Blood Brothers at Newcastle Theatre Royal


Multi-Award Winning Blood Brothers Returns to Newcastle Theatre Royal


Blood Brothers

Newcastle Theatre Royal

Tuesday 21st – Saturday 25th September 2021


Bill Kenwright's legendary production of the international smash hit musical Blood Brothers returns to Newcastle Theatre Royal for one week following its spectacular sell-out run in 2017.

Lyn Paul returns for her farewell tour in the iconic role of Mrs Johnstone, which she first made her own in London’s West End.

Completing the cast is: Hannah Barr (Brenda), Joel Benedict (Eddie), Josh Capper (Neighbour), Tim Churchill (Mr Lyons), Danielle Corlass (Linda), Grace Galloway (Donna Marie/Miss Jones), Andy Owens (Perkins), Alex Patmore (Mickey), Robbie Scotcher (Narrator), Paula Tappenden (Mrs Lyons) and Danny Taylor (Sammy).

Blood Brothers
tells the captivating and moving tale of twins separated at birth, who grow up on the opposite sides of the tracks, only to meet again with tragic consequences.

When Mrs Johnstone, a young mother, is deserted by her husband and left to her own devices to provide for seven hungry children she takes a job as a housekeeper in order to make ends meet. It is not long before her brittle world crashes around her when she discovers herself to be pregnant yet again - this time with twins! In a moment of weakness and desperation, she enters a secret pact with her employer which leads inexorably to the show's shattering climax.

This epic tale of Liverpool life started as a play, performed at a Liverpool comprehensive school in 1981, before opening at the Liverpool Playhouse in 1983. The musical has since triumphed across the globe, completing sell out seasons in the US, Australia, Canada, New Zealand and Japan, and scooping up four awards for Best Musical in London and seven Tony Award nominations on Broadway.

The superb score includes A Bright New Day, Marilyn Monroe and the emotionally charged hit Tell Me It's Not True.

Lyn Paul first rose to fame in the early 1970s as a member of the New Seekers, whose hit ‘I’d Like to Teach the World to Sing’ sold over 20 million copies and remains one of the 100 best-selling UK singles of all time.  Lyn also featured as the lead vocalist on the 1974 number-one hit ‘You Won’t Find Another Fool Like Me’.  

Written by award-winning playwright Willy Russell, few musicals have been received with such acclaim as the multi-award-winning Blood Brothers. Considered 'one of the best musicals ever written' (Sunday Times), Bill Kenwright’s production surpassed 10,000 performances in London’s West End, one of only three musicals ever to achieve that milestone.  It has been affectionately christened the ‘Standing Ovation Musical’, as inevitably it “brings the audience cheering to its feet and roaring its approval” (Daily Mail).


Blood Brothers plays at Newcastle Theatre Royal from Tue 21 – Sat 25 Sep 2021. Tickets are priced from £15.00 and can be purchased at or from the Theatre Royal Box Office on 0191 232 7010.


REVIEW: Educating Rita at Newcastle Theatre Royal

Educating Rita

Newcastle Theatre Royal

Until Saturday 18 September 2021.

The 41-year old play has lost none of its power as it has been revived and brought to Newcastle for the final leg of a UK Tour. Starring two of the regions leading actors, it raises issues about cultural capital that still resonate today. 

Of course the Royal Shakespeare Company's commission, written by Willy Russel was adapted by Russell for a 1983 film with Michael Caine and Julie Walters. However this was, first and foremost, a two hander play situated in the office of a university lecturer.

Stephen Tompkinson appears as Frank, a university lecturer of English Literature, with a drink problem. The show opens with him trying to remember which books hide the bottle of scotch that will provide his next drink. He is staying late tonight as he needs extra income in order to fund his alcohol habit. Such funds are going to be raised by tutoring an Open University student. When she arrives the new undergraduate is clearly from a different background to his usual cohort. This is not someone full of self-confidence bordering on arrogance. This is going to be someone who reads mass circulation fiction and who has never been to the theatre. In short, there is a large cultural gap.

But that is not to suggest that Susan, who wants to be known at Rita, is not keen to learn. She may be a hairdresser but she is desperate to level up her knowledge and understanding to that of the "regular" students so that she passes exams. Alas her initial impression of classic fiction is that it is "crap". However she is able to persuade Frank to take her on. 

Jessica Johnson does a fantastic job of conveying the circumstance of a working class wife who has an unsupportive husband with a degree of Northern working class humour. The emotions in a scene can quickly change from laughs, due to the flippant answers to her work, to compassion, as she explores life beyond the office walls with adroit flexibility.  Russell's writing gives both characters a three dimensional aspect that quickly makes the audience root for them. 

This is a perfect marriage between well written and poignant material with two highly respected actors who have always added an element of class in any production that we have seen them in. Director Max Roberts, formally of Live Theatre, appears to have kept a light hand on the tiller in allowing these two performers explore the material. The show runs for 90 minutes without interval and this helps keep the momentum flowing. 

We have been awaiting a chance to catch this show and it did not disappoint. 

Review: Stephen Oliver

Photos: Nobby Clark


Educating Rita plays at Newcastle Theatre Royal from Monday 13 – Saturday 18 September 2021. Tickets are priced from £15.00 and can be purchased at or from the Theatre Royal Box Office on 08448 11 21 21 (calls cost 7ppm plus your phone company’s access charge).


PREVIEW: Jonathan Pie: Fake News (The Corona Remix) at Newcastle Tyne Theatre

 Jonathan Pie: Fake News (The Corona Remix)

Newcastle Tyne Theatre & Opera House

Saturday 11th September 2021

Fourth time lucky, the internet sensation finally appears at the Toon’s premier variety theatre and he did not disappoint. Supported by the very capable Jojo Sutherland the packed venue was presented with a real comedy treat.

Opening the show was the experienced Jojo Sutherland. We had not seen her live before but she had entertained us a number of times on the Stand’s Saturday online shows that had helped keep us sane during the lockdowns. She is naturally funny and engaging and was able to warm the crowd well with her tales of raising children whilst still having a life.

During the interval, the screen at the back of the stage was showing the work of the artist @Fokawolf. Plenty of people around us were laughing at the various memes that were often based upon familiar advertisements. 

Our seats were at the edge of the grand circle and we had a great view of the stage - that is not always the case with these older theatres. We could also see people taking their seats up in the Gallery and that shows how popular tonight’s headliner is. It is wonderful to be in a full venue sharing a live comedy act. As great as the online shows were, they were no substitute for a real live show.

Some comedy acts appear as themselves, others appear in character. Nationally successful character acts include Al Murray as “The Pub Landlord” and, for some reason, Brendan O’Carroll wins awards as “Mrs Brown” (was it really the greatest sitcom on tv?). 

Jonathan Pie is another comedy character. He was created by actor Tom Walker when the question was posed: “what happens when the news reporter goes off the air.” The first appearance online was in 2015 when reporting on the reaction to the election of Jeremy Corbyn. SInce then Pie has commentated on the rise and fall of May, Trump and now Johnson. The character is a socialist who has plenty to say about the populist right wing leaders and their handling of the media. The result is a satirical view for the current times that follows in the footsteps of shows like Spitting Image in the 1980s.

The show begins with the headline that the newspaper Jonathan Pie has been sacked by the news programme that employed him after an incident on the air. All will be revealed by the end of the show, but first Pie needs to get the last two years off his chest. The analysis of the crisis starts with Matt Hancock. Clearly the audience are on the same page given their positive reaction to Pie’s character assasignation. 

Jonathan Pie is not here to discuss the United States or Brexit. There is no need. A news reporter has much more to chew on than that. Clearly the show has had a complete rewrite since whatever was proposed in the original show that was going on tour early in 2020.

But there is more to the show than government bashing. The performance of the opposition, and more crucially the lack of any willingness to debate with the other side, also gets picked off. You cannot win battles if you don’t engage or try to understand the other viewpoint. Thus Pie shows how broken our political system is as it seems to only give two options to any issue.

This is a comedy show. Tom Walker was able to keep the laughs coming throughout the 80 minute performance. There was as much energy in the show as he captures in the short YouTube clips. He points out the issues and allows the audience to make their own mind up. There was a well deserved standing ovation afterwards. As someone I did not know exclaimed outside to me in the bar afterwards: “Brilliant, wasn’t it?” Our group agreed and we plan to see him again on the next tour.

Review by Stephen Oliver


Tickets are available for a number of comedy shows at the Tyne Theatre and Opera House.

Simon Amstell: Spirit Hole - Sat 2 Oct 2021 - Tickets: 

Jimmy Carr – A Terribly Funny Book Tour - Mon 4 Oct 2021 - Tickets: 

Paul Zerdin: Hands Free - Sun 10 Oct 2021 - Tickets: 

Adam Buxton Rambles… - Weds 13 Oct 2021 - Tickets: 

John Bishop – Warm Up - Thurs 14 Oct 2021 - Tickets: 

Milton Jones in Milton: Impossible - Weds 20 Oct 2021 - Tickets: 

Jimeoin – Turn it Up - Fri 22 Oct 2021 - Tickets:

Nina Conti – The Dating Show - Sat 6 Nov 2021 - Tickets:


News: Chance To Play ‘Sleeping Beauty’ Opposite Britain’s Got Talent Winner Matt Pagan From Collabro In this year’s panto at Tyne Theatre & Opera House


Your Chance To Play ‘Sleeping Beauty’ Opposite Britain’s Got Talent Winner Matt Pagan From Collabro 

In this year’s panto at Newcastle's Tyne Theatre & Opera House


The search is on to find a talented local actress to play the lead role of ‘Princess’ in this year’s magical family pantomime Sleeping Beauty at the Tyne Theatre & Opera House.

Panto producers Enchanted Entertainment are on the lookout for a female aged 18+ from the North East to star alongside Britain’s Got Talent Winner and singing sensation – Collabro’s Matt Pagan, who is playing ‘Prince’ in Sleeping Beauty, as well as hilarious Geordie comics Charlie Richmond as ‘Jester’ and Lewis Denny as ‘Dame’.

Female performers aged 18+ need to attend the auditions taking place on Thursday 23rd September at 3pm at the Tyne Theatre & Opera House, with recalls taking place on Tuesday 28th September.

Producer Guy Pascall said: “It's going to be a fantastic Christmas production and what an amazing opportunity for a local actress to gain valuable professional experience in the panto and to start them off on their own glittering career”.

Hopefuls need to bring a song of their choice with a backing track to sing to the audition panel. They will then be given some acting sections from the script of Sleeping Beauty to perform in front of the pantomime’s creative team.

The successful candidate must be available from 20th November – 2nd December for rehearsals and then from 3rd December – 3rd January for the actual performances. The role is contracted, meaning the performer will be paid for their work on the show.

Enchanted Entertainment will be bringing 54 spellbinding performances of Sleeping Beauty to the Tyne Theatre and Opera House from 3rd December 2021 – 3rd January 2022. The pantomime will feature a fantastic live band and for the first time ever in a Tyne Theatre panto: amazing 3D especially designed for children in the audience. As always, the show will be packed with a host of top stars, including Britain’s Got Talent Winner – Collabro’s Matt Pagan as ‘Prince’, the return of hilarious North East panto comic Charlie Richmond as the silly ‘Jester’ as well as Karen The Mam’s Lewis Denny back as ‘Dame’.

Musical Director Jezz Weatherall said: The Princess in Sleeping Beauty is one of the best pantomime parts for an actress to play and we'll be looking for someone that can sing, dance and act to a very high standard. As well as a fantastic cast, the panto will also include a brilliant live band for our successful actress to sing with in the show”.

Enchanted Entertainment are assembling an amazing cast and planning some spectacular pantomime magic to ensure Sleeping Beauty will be a wonderful family panto with plenty of audience participation, fantastic sets and costumes, and of course jokes galore for all the family!



#ad Tickets are on sale now and are available from the theatre and Eventim UK:


Preview: Tales & Scales at North Shields Exchange

Tales & Scales: Stories and Songs Celebrating North Shields

Tales & Scales

North Shields Exchange Theatre

in partnership with CaroleW Productions

Saturday 18th September 2021

This is the first of three such evenings of theatre and music leading up to a community play in early summer 2023 for which writer Steve Byron will be seeking out stories of those who have lived and worked and passed through the commercial centre of North Shields.  The shows are part of the North Shields Heritage Action Zone project which will culminate in a piece of musical theatre to celebrate its past, present and future.

For this launch event, music will be provided by Celia Bryce and Colin Bradshaw, George Welch and Christine Jeans & Jamie Brown. 

The three short plays on offer will be by Cloud Nine Theatre, Blowin’ a Hooley and The Worriers, details of which are below.


The Filleting “App”

Written by Alex Oates

Presented by Blowin’ a Hooley

Performed by Harriet Ghost & Micky McGregor


A loving answer to Tom Hadaway’s classic ‘The Filleting Machine’ first written almost 50 years ago. The play finds the same family living and working in North Shields today and asks what, if, anything has changed for ‘Ma’ and ‘Da’ in the intervening years.


Fire and Water – The Thomas Brown Story (begins)

Written by Peter Mortimer

Presented by Cloud Nine Theatre

Performed by Anthony Broderick, Anna Marie Davis & Eleanor Beck

Directed by Neil Armstrong


The opening scenes of the remarkable true story of a 15-year-old North Shields lad whose heroic action in helping salvage vital Enigma Code documents from a sinking German U-Boat helped shorten World War II. Full production coming in November.


Preaching to the Bottom of the Glass

Written by Steve Byron

Presented by The Worriers

Performed by Karen Traynor & Jack Lloyd


Onto streets soaked in beer and bounty from the sea comes a saviour, following in the footsteps of Wesley, to save the folk of Shields with no wish to be saved.

If you have your own reminiscences or stories to tell don’t hesitate to contact the team at 

REVIEW: Heathers the Musical at Newcastle Theatre Royal

 Heathers the Musical

Newcastle Theatre Royal

Tuesday 7 – Saturday 11 September 2021

Heathers finally makes it to the North East this week after a successful run in the West End. Based upon the 1989 movie, it is a black comedy about surviving High School.

The show opens with 17 year old Veronica Sawyer (Rebecca Wickes) taking the audience with an introduction to the various tribes and cliques that form in school by the student’s mid-teens. This includes members of the football team, Kurt (Liam Doyle) and Ram (Rory Phelan), as well as her friend from her Kindergarten days Martha (Mhairi Angus). In alpha position are three girls called Heather whose personalities follow certain personality traits: so we are presented with weak-willed Heather McNamara (Lizzy Parker), petty Heather Duke (Merryl Ansah), and the leader of the pack Heather Chandler (Maddison Firth). 

Initially an outsider, Veronica is invited to join the Heathers - along with a makeover - after she gets them off detention by forging a hall pass. Once she joins them she gets noticed by her other classmates but is expected to be cruel to her long term friend Martha. Veronica's head is turned when new lad Jason 'J.D.' Duke (Simon Gordon) appears and puts both Kurt and Ram physically in their place.

Whilst the story initially goes over familiar teen movie territory - with a party after school - it soon takes a number of darker turns as J.D.'s relationship with Veronica develops.

This is very much a dark comedy with book, music and lyrics from Laurence O'Keefe and Kevin Murphy. There are some big ensemble numbers, a number of duets between Veronica and J.D. that Rebecca Wickes and Simon Gordon handle well ,plus some solo spots. The lyrics work well with the plot and help push the emotions of the characters across, which is a good job given the nature of some of the subject matter.

It is worth flagging up a trigger warning at this point as the show covers a number of dark issues, including bulimia, bullying, teen suicide, sexual assault, homophobia and school violence. The way in which you might handle such issues is different today compared to the 1980s. As a result the story gets caught at times dealing with a number of serious issues in a trivial/lighthearted way which may cause issues for some. For others, there are a number of serious talking points to consider after the show. In balance my companion and I feel the show managed to handle the difficult stuff right by the end.

There were some great solo spots, in particular for me, Lizzy Parker really shines during Lifeboat. Mhairi Angus also got the audience on side during Kindergarten Boyfriend.

Liam Doyle and Rory Phelan worked well as the comedy duo. Their timing added a number of laughs to the action. In fact the show breaks the forth wall occasionally - even to the extent of calling out one member of the audience.

The set design (David Shields) helped keep the action flowing and it was noticeable that the clever lighting design (Ben Cracknell) not only highlighted the action but was happy to colour code the Heathers. It was wonderful to hear a live band, under musical director Phil Cornwell, for the first time this year. All other shows that we've seen so far have used pre-recorded music. Dan Samson's sound design ensured that we could hear everything at the back of the venue - and as regular readers will note - that was not always the case in some of those 2019/2020 shows we reviewed just before lockdown.

The show went down well with the audience - the stalls were up on the feet applauding at the end. It is a entertaining musical that does more than the average teen movie. My companion even went as far to say that they preferred it to the movie. For those of you wanting to see a new musical that has good execution then this one is a decent adaptation.

Potentially, given the subject matter, this could have been really bad, but they missed the bullet and created an entertaining night at the theatre.

Review by Stephen Oliver

Photos of the West End Cast: Pamela Raith Photography


Heathers the Musical plays at Newcastle Theatre Royal from Tuesday 7 – Saturday 11 September 2021. Tickets are priced from £15.00 and can be purchased at or from the Theatre Royal Box Office on 08448 11 21 21 (calls cost 7ppm plus your phone company’s access charge).


REVIEW: Derren Brown: Showman at Sunderland Empire

Derren Brown: Showman

Sunderland Empire

Tuesday 7th - Saturday 11 September 2021

#Ad Derren Brown Sunderland Tickets: *

It has been 6 years since Derren Brown toured. With his reputation for live performances being something spectacular which ensured that the Sunderland audience were anticipating to witness a special event on the first night of his week long run.

This was our first time at his live show. We’ve enjoyed seeing him on TV as he uses, as Wikipedia points out, "magic, suggestion, psychology, misdirection, and showmanship" to entertain. Indeed we have seen him expose mediums and faith healers as fakes. Yet, very little details were made available before this show.

Regular readers will also be aware that the North East Theatre Guide is not in the business of writing spoilers. We don’t plan to start giving away any surprises with this report either.

Here's the thing, I want to say how the show starts but I don't want to spoil it for you. So I am not going to.

So what can you be told? As you enter the Sunderland Empire you are greeted with many old posters celebrating the venues origins as a fabulous place for variety theatre. It used to show entertainers that would amaze and excite the audience rather than modern drama theatre. You get a sense of the desire to recapture those days with the set design too. An Edwardian, almost steampunk style naturally fits in in a venue that opened in 1907.

Then you get to the performer himself. Derren has created a new show that does not feel like any of his previous shows (based upon what we have seen on DVD). He is a naturally engaging performer than the audience are willing to interact and empathise with. He is a storyteller who can keep 1200 people hanging onto what he says and does. The audience laughs, they cheer and, crucially, they follow instructions.

In 2 hours 30 minutes, including interval, Derren Brown sends you on a journey and at the end of it you'll want to discuss it with whoever you came with. It literally sounded like everyone was asking "how" as they left, such is the sense of individual participation in the collective show. It is a really good night out.

It is worth adding that no one was asked to do anything that they didn't want to. He is able to work entirely with volunteers.

This is a really well worked and entertaining show that is different to the other shows that the Empire will host this year. It has been a long 19 months for us to come back to this place and it marvelous that we did so to such a great show. If you want to find out more, I do recommend that you book tickets and find out for yourself.

Review by Stephen Oliver


Tickets available from the Ticket Centre on 0844 871 3022* or online at *  #ad

*Calls cost up to 7p per minute plus your standard network charge. Booking fees may apply to telephone and online bookings.